Pontifical rites for Johannes Feierabend, Abbot of the Cloister at Muri from 1500 through 1508. On July 12, 1507 Pope Julius II conferred the pontifical upon Abbot Johannes Feierabend and his successors.
Online Since: 11/03/2009
This manuscript contains a collection of prayers in Bohemian; eight prayers are attributed to Johannes of Neumarkt (around 1310-1380), an early representative of Bohemian humanism. The manuscript is decorated with several red and blue initials. An image of the Arma Christi used to be glued onto f. 39r, of which only residue remains.
Online Since: 12/18/2014
Part two (New Testament) of an illuminated three-volume bible (of which MsWettF 1 and MsWettF 2 remain), probably bequeathed to the cloister of Wettingen by Rudolph Schwerz, choirmaster of the Grossmunster Cathedral of Zurich and pastor of Altdorf. The origin of the Biblia Sacra is not documented, but it is assumed that it originated in the Zurich art circle. There is some text loss because certain initials have been cut out.
Online Since: 12/19/2011
This large-format antiphonary, with rich fleuronné decoration from the second quarter of the 14th century, contains the chants of the Office from Pentecost to the beginning of Advent. It was written for the St. Leonhard Monastery of Augustinian canons in Basel and only came to Muri Abbey in modern times.
Online Since: 06/18/2020
The Italian Dominican Jacobus de Varagine, known as the author of the Legenda aurea, wrote not only lives of the saints, but also extensive cycles of sermons. This collection from the first half of the 14th century contains about 340 sermons for all Sundays and holidays of the church year. In 1553 it came to the library of Muri Abbey.
Online Since: 12/14/2018
This breviary from the second half of the 14th century contains the texts for the Divine Office for the entire liturgical year. According to the wording of the prayers and the rubrics in German, it was meant for a convent of Benedictine nuns; several antiphons suggest the area around Engelberg Abbey and Muri Abbey.
Online Since: 03/29/2019
This extensive breviary, with rubrics in German, was produced around 1300 for a convent of Dominican nuns. Over the next two centuries, various hands added new rhymed offices to the end, most of them to Dominican saints. In the 17th century, the breviary was the property of Wurmsbach Abbey, a convent of Cistercian nuns on Lake Zurich.
Online Since: 06/18/2020
This monastic breviary was written in the second half of the 14th century for a Benedictine monastery; judging by the antiphons, it was perhaps written for Muri Abbey. At the end, a later hand added paper leaves to the parchment manuscript and entered the Offices of the Virgin and of Martin. In the 16th century, this breviary was the property of the Benedictines of Muri.
Online Since: 10/04/2018
Part (Genesis-Ezra) of an illuminated three-volume bible (of which MsWettF 1 and MsWettF 2 remain), probably bequeathed to the cloister of Wettingen by Rudolph Schwerz, choirmaster of the Grossmunster Cathedral of Zurich and pastor of Altdorf.
Online Since: 11/04/2010
Composite manuscript from the second half of the 14th century. The main part contains the Historia scholastica by Petrus Comestor (1r-235v), augmented with various texts about the genealogy of Christ. The manuscript contains numerous graphic representations and illuminated initials which indicate provenance from Basel. The many holes in the parchment are artfully patched with embroidery. The manuscript originated in the Cistercian Monastery Maris Stella, Wettingen.
Online Since: 12/18/2014
The manuscript called “Evangelia ad Missas” contains the Gospel readings for mass during the course of the year according to the Cistercian liturgy. It was written in the second half of the 12th century and is thus older than the Cistercian Wettingen Abbey, which was founded in 1227. It is not known in which monastery this manuscript was written and decorated with multi-colored initials with scroll ornamentation.
Online Since: 12/10/2020
This manuscript, which probably originated in a German-speaking region, contains a Biblia sacra decorated with numerous initials with a gold ground, as well as the short tract entitled De fructibus carnis et spiritus, attributed to Hugo of St. Victor or Conrad of Hirsau, with two schematic diagrams. During the 16th century the richly decorated manuscript was owned by Christoph Silberysen, Abbot of the Cistercian cloister at Wettingen.
Online Since: 11/04/2010
The second volume of the three-part so-called "Wettinger Graduale", made in Cologne for a cloister of Augustinian hermits, transferred from Zurich to the Cistercian cloister of Wettingen after the Reformation. The illuminated initials in this second volume are the work of the "Younger Master of the Gradual" (Willehalm-Meister).
Online Since: 12/17/2015
The third volume of the three-part so-called "Wettinger Graduale", made in Cologne for a cloister of Augustinian hermits, transferred from Zurich to the Cistercian cloister of Wettingen after the Reformation. The illuminated initials in this third volume, like those in the second (MsWettFm 2) are the work of the "Younger Master of the Gradual".
Online Since: 11/04/2010
This extensive breviary lists the texts for the Liturgy of the Hours throughout the church year for the Cistercian Order. The calendar of saints and the rank of the feasts correspond to those from the last third of the 13th century. Based on the script, this breviary can be dated to the early 14th century. It remains unclear since when the manuscript was in use at Wettingen Abbey.
Online Since: 12/10/2020
On 86 leaves of parchment, the Silver Book of the Land contains the statutes of the entire region of Appenzell. It is an assemblage of older legal texts; at a later time more recent statutes were added to it. Following the division of the region of Appenzell that took place in 1597, the book became the property of the Canton of Appenzell Innerrhoden and remained valid into the 19th century. Rich decorations consisting of miniatures and initials indicate the great importance attributed to this volume.
Online Since: 12/17/2015
This annal (Jahrzeitbuch) from the parish St. Mauritius of Appenzell was begun after the great fire of 1560 and replaces an older exemplar that was destroyed in the fire. The prolog, written as a poem, mentions the time of the writing, the scribe and the commissioner of the work. Annual donations from before the fire had to be reconstructed from memory; later ones were added until 1650.
Online Since: 12/17/2015
This meticulously executed manuscript contains the first part of Thomas Aquinas's Summa theologiae, one of the Scholastic's main works; it is from the library of Johannes de Lapide, Carthusian monk in Basel. The quires consist of paper and parchment in regular alteration; the proem begins with an ornamental page decorated with gold with a Q-initial on gold leaf, scroll ornamentation with flowers and berries in the margins, and a decorated intercolumnium.
Online Since: 12/14/2017
Postil on Genesis and Exodus, written in 1396 by the Freiburg priest Rüdiger Schopf, decorated with 52 quarter- to half-page colored pen and ink drawings. This manuscript is part of a multi-volume, richly illustrated copy of the Bible commentary Postilla super totam Bibliam by Nicholas of Lyra, which the secular priest Rüdiger Schopf from Memmingen created for the Carthusian Monastery of Freiburg between 1392 and 1415. In 1430 the work, to which A II 2-6 and 10-13 belong as well, was sold to the Carthusian Monastery of Basel.
Online Since: 03/19/2015
Postil on Leviticus, Numbers and Deuteronomy, written in 1397 by the Freiburg priest Rüdiger Schopf, decorated with 23 mostly half-page, partly colored pen and ink drawings. This manuscript is part of a multi-volume, richly illustrated copy of the Bible commentary Postilla super totam Bibliam by Nicholas of Lyra, which the secular priest Rüdiger Schopf from Memmingen created for the Carthusian Monastery of Freiburg between 1392 and 1415. In 1430 the work, to which A II 1, 3-6 and 10-13 belong as well, was sold to the Carthusian Monastery of Basel.
Online Since: 03/19/2015
Postil on Joshua, Judges, Ruth, Esdras and Job, written in 1401 by the Freiburg priest Rüdiger Schopf, decorated with 58 half-page, partly or entirely colored pen and ink drawings. This manuscript is part of a multi-volume, richly illustrated copy of the Bible commentary Postilla super totam Bibliam by Nicholas of Lyra, which the secular priest Rüdiger Schopf from Memmingen created for the Carthusian Monastery of Freiburg between 1392 and 1415. In 1430 the work, to which A II 1-2, 4-6 and 10-13 belong as well, was sold to the Carthusian Monastery of Basel.
Online Since: 03/19/2015
Postil on Kings and Esther, written in 1400-1401 by the Freiburg priest Rüdiger Schopf, decorated with 52 single-column, partly colored pen and ink drawings. This manuscript is part of a multi-volume, richly illustrated copy of the Bible commentary Postilla super totam Bibliam by Nicholas of Lyra, which the secular priest Rüdiger Schopf from Memmingen created for the Carthusian Monastery of Freiburg between 1392 and 1415. In 1430 the work, to which A II 1-3, 5-6 and 10-13 belong as well, was sold to the Carthusian Monastery of Basel.
Online Since: 03/19/2015
This manuscript, parts of which are dated, is from St. Leonhard Monastery of the Canons Regular of St. Augustine; it contains mostly patristic and liturgical texts. For a while, this volume, along with the corrections later added to the manuscript, served as a model in the printshop of Michael Furter of Basel, who in 1496 edited the Expositio super cantica canticorum, which has been preserved among the works of Gregory the Great, but today is attributed to Robertus Tumbalena. A specimen copy may have been returned to the monastery along with the manuscript, as there remains one printed copy with a note of ownership indicating such.
Online Since: 06/14/2018
This libellus of John the Evangelist from the Gnadental Convent of the Poor Clares was completed in 1493. The manuscript contains texts by and about John the Evangelist, among them exempla, sermons, sequences, lections, and the Revelation in German. A pictorial cycle with scenes from the legend of the Evangelist decorates the vita of John at the beginning of the manuscript.
Online Since: 12/14/2017
This small-format codex probably is from the Carthusian monastery of Mainz, from where it came to the Carthusian monastery of Basel, where numerous ownership notes were added. It contains a great variety of excerpts from religious, historical and other literature from the Middle Ages and antiquity. The length of the texts also varies considerably: in addition to short excerpts and two- or four-line verses about various things such as popes or bees, there are longer pieces such as Hugh of Fouilloy's De rota verae et falsae religionis or the first half of Paradisus Animae by Pseudo-Albertus Magnus.
Online Since: 06/18/2020
Famous for the two portraits of Gregory of Nazianzus and Elias of Crete, as well as for a unique cycle of illustrations in honor of Gregory (of which 5 have been lost), this codex is also noteworthy for its content (19 commentaries by Elias of Crete, still unpublished in Greek) and for the story of its creation. The commentaries were copied around the end of the 12th or the beginning of the 13th century, a project that did not provide for miniatures on the frontispiece. These were added a short time later, together with a prologue. The codex still retains the binding that was created in Constantinople between 1435 and 1437 during a restoration for its new owner, the Dominican John of Ragusa, who brought the codex to Basel in 1437.
Online Since: 06/22/2017
The Matriculation Register of the Basel Rectorate, recorded in manuscript form from 1460 to 2000, contains annual information notices added by each successive rector as well as lists of enrolled students. The rich book decoration in the first three volumes is particularly notable. The work of 3 centuries, it is easily datable due to the chronogical order in which it was added and thus provides a welcome demonstration of the art of miniature painting in Basel.
Online Since: 12/21/2010
The Matriculation Register of the Basel Rectorate, recorded in manuscript form from 1460 to 2000, contains annual information notices added by each successive rector as well as lists of enrolled students. The rich book decoration in the first three volumes is particularly notable. The work of 3 centuries, it is easily datable due to the chronogical order in which it was added and thus provides a welcome demonstration of the art of miniature painting in Basel.
Online Since: 12/21/2010
This volume of registers from the faculty of arts contains, as its oldest and originally sepa-rate part, the statutes of the faculty. At the end of the 15th century, they were bound toge-ther with an academic calendar and with two registers containing the names of students and graduates (‘baccalaureates') matriculated since 1461. Quires originally left blank for this purpose continue the list of degrees (‘magister' and ‘baccalaureate') awarded until 1848.
Online Since: 06/25/2015
This richly illuminated manuscript is a Greek Tetravangelion of Italo-Byzantine origin copied in the eighth or ninth century in a biblical uncial script. Some scholars have connected the uncommon style of its decoration with, on the one hand, Byzantine art of the Iconoclastic Period, and on the other hand, with the aesthetic of churches and artefacts from the period of the Byzantine Exarchate of Ravenna. In the fifteenth century, John of Ragusa, legate of the Council of Basel, bought the codex in Constantinople, and then bequeathed it on his death to the Dominicans of Basel.
Online Since: 09/26/2024
This Greek Tetravangelium from the twelfth century was acquired in the fifteenth century, perhaps in Basel, by the Dominican theologian John of Ragusa, who bequeathed it on his death to the Basel Dominicans. Later, Erasmus borrowed it from the Dominicans to use it for his first edition of the Greek New Testament (1516). During his editorial work, the humanist made in the margins numerous additions and corrections to the text. He then entrusted the codex to the Basel printer Johannes Froben, who left many annotations on the pages.
Online Since: 09/26/2024
In this twelfth-century Greek manuscript of the New Testament, divided in two parts (without the Apocalypse), the Epistles and Acts were surprisingly placed before the Gospels. Magnificently illuminated, this codex has initials that represent the epistolographers of the New Testament; one miniature depicts John the Evangelist and Christ's descent into Hell (f. 265v). In the fifteenth-century, John of Ragusa, a delegate from the Council of Basel, bought the codex in Constantinople; he then bequeathed it on his death to the Dominicans of Basel. The codex passed into the hands of Johannes Reuchlin, as well as those of Erasmus for his first edition of the Greek New Testament (1516).
Online Since: 09/26/2024
A German Psalter, written in 1485 by Johannes Waltpurger, perhaps in Augsburg. The ornamental page decorated with vine scroll with the beginning of the first prologue is almost identical to one in a Cambridge manuscript by the same scribe. The back pastedown, glued to the cover, depicts a landscape showered in blood. It is not clear how this manuscript came to Basel.
Online Since: 06/25/2015
This magnificent book of hours probably was created in the third quarter of the 15th century in Northern Italy. The style of the painting and of the veneration of the saints suggests the region around Modena, Este, Ferrara. The historiated initials in the calendar show the twelve months; at the beginning of the offices there are ornamental pages with illustrations mostly from the life of Christ. The miniatures and initials are executed in opaque colors and in gold. In the 20th century, this manuscript came to the university library from the Kunstmuseum Basel.
Online Since: 09/26/2017
This 13th century manuscript with Peter Lombards' commentary on the Psalms, previously owned by Petrus Medicus, came to the Carthusian Monastery of Basel in the 15th century. The codex is organized in three columns, although the outermost column closest to the margin remains empty. The two columns of text are in turn again partly divided in half and give the biblical text in the left half and the commentary in the right half, in lines of half the height. Figure initials in delicate French style correspond to the division of the Psalter into eight liturgical sections. The blank area below the text contains nearly unreadable notes perhaps in pencil, which may be a further commentary.
Online Since: 12/20/2016
Missal for the Diocese of Basel, created around 1460. This richly illustrated volume was part of a donation by the widow Margaretha Brand († 1474) to the Carthusian Monastery of Basel. It was used at the altar of the holy Virgin in the small cloister of the Carthusian Monastery. In terms of art history, the manuscript can be assigned to the "Vullenhoe-Gruppe."
Online Since: 09/26/2017
Second part of a two-volume edition of Gregory's Moralia in Iob. This volume from the end of the 12th century, richly decorated with initials, was purchased at the Council of Basel for the Carthusian Monastery of Basel and was augmented at the monastery by the scribe Heinrich von Vullenhoe. The provenance of the volume is not certain. An erased note of ownership of the Monastery of S. Maria in Insula could refer to the Premonstratensian Abbey of Marienwerd in Goldern or to the Cistercian Abbey of Notre Dame de l'Ile-de-Ré near La Rochelle. The first volume (B I 12) probably has the same origin.
Online Since: 09/26/2017
This manuscript from the Dominican Monastery of Basel contains Quodlibeta and Quaestiones by Nicholas Trivet and Thomas Sutton, two important exponents of the Dominican School of Oxford at the end of the 13th century and the beginning of the 14th century. The thin parchment has numerous small defects as well as mended tears in some places; the sixth quire is bound incorrectly. The interior wooden boards of this formerly chained book (liber catenatus) are covered with fragments.
Online Since: 12/20/2016
Composite manuscript from the Dominican Monastery of Basel, written in the 14th century by a single hand. This former liber catenatus contains a commentary on the Hohelied (Song of Songs) by Thomas Aquinas' student Giles of Rome (Ægidius Romanus, ca. 1243-1316), a commentary by the Dominican Nicolaus de Gorran (1232-ca. 1295) on the Canonical Epistles, as well as the Postilla on Ecclesiastes secondarily attributed to John of Sancto Geminiano.
Online Since: 12/20/2016
This small-format parchment volume from the Carthusian Monastery of Basel is composed of three originally separate fascicles. The first is decorated with three initials (1r, 53r, 58r) and contains the Stimulus dilectionis by Eckbert of Schönau along with prayers, Penitential Psalms and a Litany of the Saints. This is followed by the fragment of a prayer book, which is missing the beginning as well as the end. The third part contains a compilation from Bonaventure's Soliloquium and Hugh of St. Victor's De vanitate mundi. The heavy soiling of pp. 24-53 (Agenda defunctorum and Penitential Psalms) should be noted; it indicates intensive use of this part of the codex.
Online Since: 10/04/2018
This composite manuscript is from the library of the Carthusian Monastery of Basel; it contains the first part of the Orationes et meditationes de vita Christi by the mystic Thomas à Kempis (1379-1471), one of the most important representatives of the Devotio moderna. The script and decoration of the fascicle indicate a Dutch school. A central printed part is followed by a collection of supplications and prayers in Latin.
Online Since: 12/14/2017
This small-format manuscript in Latin is from the Carthusian monastery of Basel; in particular, it treats the Passion of Christ. The devotional image on the front pastedown takes up this topic, as do the texts, which are by, among others, Ludolph of Saxony, Bonaventure and Eckbert of Schönau. The manuscript's first text, a long devotional text De vita et passione Iesu Christi, may have been written by Heinrich Arnoldi, Carthusian of Basel.
Online Since: 12/14/2017
This small-format parchment manuscript is from the Carthusian Monastery of Basel, where it was completed in 1478 by the scribe Johannes Gipsmüller. The numerous devotional texts on various female saints have mostly been passed down anonymously; some – such as those on Margareta, the patron saint of the Carthusian Monastery of Basel – can probably be attributed to Heinrich Arnoldi. The codex is decorated with full-page illustrations of saints treated in the text as well as numerous initials, the latter in a variety of styles.
Online Since: 12/10/2020
The first part of this composite manuscript from the Carthusian Monastery of Basel contains Aristotle's writing on the soul, De anima, in William of Moerbeke's translation, copied in Paris in 1459 by the scholar Johannes Heynlin. The main text, decorated with artistic initials with gold leaf as well as fleuronné initials, is closely surrounded by commentary in marginal and interlinear glosses, written in a small, compact semi-Gothic script. Bound into this volume as the second part is Aristotle's De animalibus, printed in Venice in 1476; this text's uncharacteristic lack of decoration at least raises the question of whether it was also part of Heynlin's library.
Online Since: 06/25/2015
This legal manuscript was owned by the Basel jurist Arnold Zum Luft (1453-1517). The manuscript was produced in Bologna in the second half of the 13th century and contains the Digestum vetus, the first part of the tradition regarding existing laws, dating from late antiquity, together with the explanatory glosses compiled by Franciscus Accursius. In addition to Arabic and Roman numerals, the manuscript also presents a vigesimal numeral system.
Online Since: 09/26/2017
Like C I 1, this 14th century legal manuscript was produced in Bologna and was owned by Arnold Zum Luft (1453-1517). It contains the Digestum novum with Accursius' glosses, i.e., the fourth and last part of the corpus of the Digest of ancient Roman legal literature. The manuscript is richly decorated with title miniatures and figure initials.
Online Since: 09/26/2017
This 14th century parchment manuscript contains the commentaries of the legal expert and canonist Johannes Andreae (around 1270-1348) on the Liber Sextus Decretalium Bonifacii, the third part of the Corpus iuris canonici. The volume came into the possession of the Carthusian monastery of Basel during the Council (1431-1449).
Online Since: 09/26/2017
Canonistic manuscript with Dominicus de Sancto Geminiano's Lectura super librum sextum Decretalium. This volume was written in 1439 by Johannes Berwenstein for Peter Zum Luft, who was teaching at the university of the Council of Basel and who later left his extensive book collection to his nephew Arnold Zum Luft.
Online Since: 09/26/2017
For efficiency, writings of law and canon law were often copied using the pecia system, where a model was divided into quires and distributed to several copyists. In the same manner, this commentary on the decretals by ”Abbas antiquus“, only later identified as Bernardus de Montemirato, was created in three pieces. The sparingly decorated manuscript is written in a littera bononiensis and was owned by the library of the Carthusian monastery of Basel.
Online Since: 12/14/2017
This incomplete liturgical psalter was made between 1335 and 1350 in Naples. The unusual decorations are the work of the artist Christoforo Orimina. Because the manuscript contains three different coats of arms, the original owner (a member of the Angevin court in Naples) can not be definitively named. After changing hands many times during the 19th and 20th centuries, the manuscript was acquired in 1968 by the owner of the collection "Comites Latentes" ("Hidden Friends") held by the Bibliothèque de Genève.
Online Since: 12/09/2008
This precious book of hours was made in Florence around 1470-1480. Its rich and elegant illumination is due to the close circle of the most famous florentine miniaturist of his time, Francesco d'Antonio del Chierico. The same hand is responsible for the major illuminations at the beginning of the various sections as well the initials in the text. The flourished initials are of great elegance. A partly erased coat of arms on the opening leaf indicates that the book of hours was made for the wedding of a male member of the Serristori family. The manuscript entered in the collection of the present owner in 1970 and it was deposited at the Bibliothèque de Genève as part of Comites Latentes.
Online Since: 06/23/2014
This handwritten Haggadah Comites Latentes 69 was created in Vienna in 1756. It is decorated with black ink and masterfully imitates copper engraving. The author is the famous scribe and illustrator Simmel ben Moses from Polna (active between 1714 and 1756), who produced about thirty dated manuscripts that have survived until today, of which, however, only 17, including CL 69, are autographs. His works of art are among the most remarkable examples of Hebrew manuscript decoration in 18th century Central Europe. The Song of Solomon, copied by later hands, concludes this magnificent manuscript.
Online Since: 06/22/2017
This manuscript is a hagiographic compilation in French prose which recounts the lives of the apostles, martyrs, confessors and saints. Some of the accounts are attributed to Wauchier de Denain. The manuscript is dated to the first quarter of the 14th century; it was decorated by the Papeleu Master and the illuminator Mahiet and notably contains more than eighty historiated initials.
Online Since: 03/17/2016
This volume is a collection of letters, made in 1467 and 1468 in Naples for Roberto da Sanseverino, Prince of Salerno, contains letters by Diogenes of Sinope, Brutus and Hippocrates, who were regarded during the middle ages as the true authors of these letters. They were translated into Latin by Francesco Griffolini Aretino and Ranuccio of Arezzo. This book was presented for sale several times during the 20th century and passed through the hands of prestigious collectors.
Online Since: 04/15/2010
This volume, written in littera parisiensis in the middle of the 13th century, contains Avicenna's De anima in a translation by John of Seville, as well as parts from the Metaphysica, translated by Dominicus Gundissalinus. It also contains the first two books from part 2 of Al-Gazali's libri metaphysicae et physicae, also in a translation by Dominicus Gundissalinus. This manuscript came to the Carthusian Monastery of Basel as part of the book collection of Johannes Heynlin, who had purchased the manuscript in 1461.
Online Since: 12/14/2018
This manuscript, although incomplete due to leaf loss, contains the Alexander novel by the German-Bohemian poet Ulrich von Etzenbach (c. 13th century). The text was written in 1322, presumably in Bavaria or Austria judging by the dialect characteristics. The elaborate decoration with initials at the beginning of the individual books shows Upper Rhine characteristics as they also appear in Lower Austria at the beginning of the 14th century. In the margins, there are numerous 19th century explanations of words as well as annotations by Johann Jakob Spreng (1699-1768), who copied the manuscript in the 18th century.
Online Since: 12/12/2019
This manuscript, of French origin, came to the Carthusian Monastery of Basel after having been the property of Johannes Heynlin. The massive volume contains Aristotle's six works on logic, some with commentary, which were assembled into the so-called “Organon“ only after the time of Aristotle. The decoration and science are complementary: each of the books of the main text begins with an elaborate ornamental initial; the commentary, if there is one, is grouped closely around the main text and is mostly unadorned.
Online Since: 03/22/2018
This 14th century manuscript, possibly produced by means of the Pecia System, contains the Super ethica and De causis et processu universitatis by Albertus Magnus. The Pecia System is a method for the quick handwritten reproduction of an original: instead of copying the text as a whole, it is divided into several sections so that several scribes could simultaneously work on creating a copy. This volume belonged to the Dominican Johannes Tagstern and thus became part of the chained library of the Dominican Convent of Basel.
Online Since: 06/25/2015
Isidore of Seville's “Etimologies” combine an outline of all knowledge with a description of the world. In the beginning, this Basel manuscript differs from the usual text structure. Instead of a division into books, each of the texts about the seven liberal arts Artes liberales is introduced with its own title. The manuscript originated in France and used to belong to the Fulda Monastery, until it came to Basel in the 16th century.
Online Since: 03/19/2015
This composite manuscript of content related to astronomy consists of three independently created parts with leaves of different sizes and varying layouts. They were produced by several scribes in the 13th and 14th centuries. The texts describe instruments for observing the sky and treat the planetary orbits, which are also represented in astronomical drawings. This composite manuscript belonged to the chained library of the Dominican Convent of Basel.
Online Since: 03/19/2015
Various Aristotelian writings in the Latin translation of Boethius as well as treatises by Boethius, written in a small 13th century script; they were bound together with two 15th century additions, probably for the scholar Johannes Heynlin from Basel, who bequeathed the volume to the Carthusian Monastery of Basel. Noteworthy for codicological reasons are the back pastedown and flyleaf, a parchment leaf that had been prepared for a prayer book. It consists of two bifolios with upside down text that should have been folded before binding, as was usual for printed sheets. However, the two bifolios were excluded and were not used in the prayer book; therefore there are no pinholes in the fold.
Online Since: 06/25/2015
This composite manuscript from the Basel Dominican Convent, one of several from the estate of Johannes Tagstern, was rebound in 1952 and contains texts on optics and geometry, such as the Dietrich of Freiburg's treatise on rainbows, with several clear, compass-and-ruler-drawn schemata. The first part was written on parchment in the fourteenth century, while the other, newer parts can be dated more precisely on the basis of the watermarks of the paper used to the end of the fourteenth century or to the beginning of the fifteenth century, that is, to the period in which the previous owner, Tagstern, is attested on the last page (f. 157v) as a member of the Dominican Convent.
Online Since: 09/26/2024
As its main part, this manuscript, completed in 1474 by Henricus de Bacharach, contains a copy of the widely transmitted Latin-German Vocabularius Ex quo, which was very popular through the end of the 16th century; in addition, it contains a calendar, an astrological table and several short texts by other hands. The main text was decorated by the scribe himself with naive but partly very imaginative initials and drawings. This paper codex came to the UB (Basel University Library) along with the holdings of the Carthusian Monastery of Basel.
Online Since: 06/14/2018
Composite manuscript of philosophical content, owned by Jakob Lauber and even partially written by him. Jakob Lauber from Lindau studied at the then newly founded University of Basel from 1466 until 1475, first in the Faculty of Arts, then canon law in the Faculty of Law. After serving as rector for a short period, he entered the Carthusian Monastery of Basel in 1477; as its prior from 1480 on, he expanded it significantly and reorganized its library. When he entered the monastery, Lauber's library became the property of the monastery.
Online Since: 06/25/2015
This Persian-Arabic manuscript, written in Herat by ʿAbdallāh al-Harawī and completed Middle of Šaʿbān 871 h. [= end of March 1467], contains genealogical information about the Prophet Muhammad and his descendants, as well as about people important to the subsequent history of the eastern part of the Islamic world and of Central Asia, among them the Khan of Moghulistan, Tughluq Timur († 1363). Sayyid Ǧalāladdīn Mazīd Bahādur is named as the person who commissioned the manuscript; he probably was part of the local upper class. Interspersed in the text are quotations from the Koran, prayers and poems; an appendix gives exact death dates for three people who passed away in the year 869 h. and who may have been part of the circle of the man who commissioned the manuscript. The decoration of the manuscript is incomplete, as can be seen from an only partially completed rosette (3r) and a missing family tree (26v). The manuscript was owned by Rudolf Tschudi (1884-1960).
Online Since: 12/14/2017
Collection of prayers in the form of litanies (awrād), attributed to a Šayḫ Wafāʾ. The manuscript must have been completed before 1746, because in this year it was consigned to a religious foundation by Bašīr Āġā, a dignitary of the Ottoman court. The author cannot be conclusively ascertained since there are several people known by the name Šayḫ Wafāʾ. This manuscript probably belongs in the context of Islamic mysticism (Sufism), which was firmly established as an institution in the Ottoman-Turkish society of the period. The manuscript comes from the collection of the Islamic scholar and turkologist Rudolf Tschudi (1884-1960).
Online Since: 12/14/2017
Bifolio from the sixth volume (November-December) of a Fulda Legendary that originally consisted of six volumes, commissioned in 1156 by Rugger, monk at Frauenberg Abbey in Fulda (1176-1177 abbot of Fulda as Rugger II). This fragment contains parts of the volume's front matter (calendar for the month of December). The legendary was still used in the middle of the 16th century in Fulda by Georg Witzel (1501-1573) for his Hagiologium seu de sanctis ecclesiae (Mainz 1541) as well as for his Chorus sanctorum omnium. Zwelff Bücher Historien Aller Heiligen Gottes (Köln 1554). More fragments from the sixth volume are also in Basel. It shows that this volume, and at least the 3rd volume (May-June) of the legendary as well, reached Basel, where both evidently were used as manuscript waste around 1580.
Online Since: 06/13/2019
Leaf from the sixth volume (November-December) of a Fulda Legendary that originally consisted of six volumes, commissioned in 1156 by Rugger, monk at Frauenberg Abbey in Fulda (1176-1177 abbot of Fulda as Rugger II). This fragment contains parts of the volume's front matter (an editorial introduction, and indexes for the months of November and December). The legendary was still used in the middle of the 16th century in Fulda by Georg Witzel (1501-1573) for his Hagiologium seu de sanctis ecclesiae (Mainz 1541) as well as for his Chorus sanctorum omnium. Zwelff Bücher Historien Aller Heiligen Gottes (Köln 1554). More fragments from the sixth volume are also in Basel. It shows that this volume, and at least the 3rd volume (May-June) of the legendary as well, reached Basel, where both evidently were used as manuscript waste around 1580.
Online Since: 06/13/2019
This Old French Bible du XIIIème siècle was compiled in Paris in the second half of the 13th century. The two parts (Cod. 27/28), kept in the Bugerbibliothek of Bern, are among the oldest surviving copies; independent of one another, they probably originated in Southern France. Cod. 28, whose traces of use point towards Valencia, at one time it contained 52 superb miniatures, of which today six have been lost.
Online Since: 10/07/2013
The Aratea, translated into Latin by Germanicus, describe the 48 ancient constellations and the myths concerning their origins. They are among the most popular picture cycles of medieval monastery schools. The Bernese codex, produced in St. Bertin, is a descendant of the Leiden Aratea and contains scholia which have survived only in this codex.
Online Since: 09/23/2014
Composite manuscript consisting of three parts, bringing together French translations of classic reports of voyages to the Far East. The manuscript, especially its first and third parts, is richly adorned with gold decoration and delicate scroll ornamentation in the margins, yet it contains no illustrations. Hand-painted coats of arms make it possible to identify the family de Pons de Saint-Maurice from the Périgord as a previous owner; later the codex was purchased by Jacques Bongars, who, towards the end of his life, was preparing a volume of source materials about travels to Asia.
Online Since: 10/13/2016
This medieval Hebrew lexicographical and scientific miscellany dates back to 1290 and encloses three highly important texts, used as the base for published editions and studies. These are: the Maḥberet Menahem by Menahem ben Jacob Ibn Saruq (died c. 970); an anonymous Hebrew prose translation of the very popular Old French version of the lapidary by Marbode of Rennes (12th c.) and lastly, an anonymous abridged version of the talmudic and midrashic lexicon entitled Sefer ha-Arukh by Natan ben Yehiel Anav of Rome (1035-1110), called the Berner Kleiner Arukh. The particularity of this copy is the presence of Old West Yiddish and Old French glosses. Furthermore, among the numerous later notes, there are more significant additions which abound in the blank pages and margins of the manuscript, the most unusual of which is a charm in Middle High German in Hebrew characters, relative to Hulda, a German goddess comparable to Venus, taken from the Tannhäuserlied. Moreover, this manuscript belonged to several famous Jewish and Christians owners, whose scriptural witness testifies to the manuscript's remarkable stature as a treasured source of knowledge from the time it was compiled at the end of the 13th century, to its possession by Christian Hebraists in Switzerland during the 16th and 17th centuries.
Online Since: 12/12/2019
This codex consists of two parts that were united in the 9th century already. The first part, written in Mainz (ff. 1-110), contains the second book of Cassiodorus' Institutiones, which is devoted to secular knowledge; since the 9th century, it has been preserved in several manuscripts in an interpolated version that contains Cassiodorus' remarks on grammar, rhetoric, dialectic, arithmetic, music, geometry and astronomy, supplemented with excerpts from Quintilian, Boethius, Augustine and others. The second part, written in Mainz or in Saint-Amand (ff. 111–126), contains the picture poems of Optatianus Porphyrius as well as some from the beginning of the reign of Charlemagne. A note in Jacques Bongars' own hand indicates that the manuscript - like many others - came into his possession from the chapter library of Strasbourg Cathedral.
Online Since: 06/13/2019
A manuscript consistiting of three production units. The first two were copied in Paris, probably around the end of the 15th century, by the famous professor of Greek, Georgius Hermonymus of Sparta (†1511-1516). They contain prayers and liturgical pieces, particularly from the Abbey of Saint Denis in France, including an as yet apparently unpublished translation of a Mass formula for Saints Dionysius, Rusticus and Elutherius into Greek. The last part, an addition to the others, is the work of a single hand, very similar in appearance to that of Hermonymous, perhaps that of one of his pupils.
Online Since: 11/04/2010
A "small medicine book for poor people", probably written in the region of Venice/Northern Adriatic Sea; the work, written in Arabic in Hebrewscript, was completed on May 19, 1413, according to the date note. The manuscript was later probably part of a Jewish library that cannot be located more precisely; it was transferred to the Bernese Library at the end of the 18th/beginning of the 19th century, where it was evaluated by the Bernese theology professor Gottlieb Studer (1801-1889).
Online Since: 06/18/2020
The Amtliche Berner Chronik (Official Chronicle of Bern) was commissioned by the city of Bern in 1474. About ten years later, Diebold Schilling was able to present the city council with this three-volume work, with its title pages in color, decorative initials, and more than six hundred large illustrations. The third, artistically richest volume contains Schilling's own description of the Burgundian wars, together with that of the preceding period, up to the year 1480. It is closely related to the Grosse Burgunderchronik (Great Burgundian Chronicle) currently held by the Zentralbibliothek Zürich. The work remained in the possession of the Bern Chancellery for nearly three hundred years before the volumes were given to the City Library in 1762.
Online Since: 12/20/2012
The Eidgenössische Chronik by Werner Schodoler (1490-1541) is the last of the illustrated Swiss chronicles of the late Middle Ages. It was written on private initiative between 1510 and 1535 and took as its primary models the Official Bernese Chronicle - Amtliche Berner Chronik - by Diebold Schilling and the Chronicle - Kronica - by Petermann Etterlin. This volume, the second of the three volumes of the chronicle, consists primarily of an account of the Old Zurich War and is illustrated with 130 colored pen sketches. Today the three volumes are held in different libraries: the first volume is in the Leopold-Sophien-Bibliothek in Überlingen, the second in the City Archive in Bremgarten, and the third in the Cantonal Library of Aargau.
Online Since: 12/20/2012
This martirologio-inventario (annal) was written in 1554 at the request of the vicini (the original members of the municipal corporate body) of Castro and Marolta in the Blenio Valley (Ticino) in order to replace an older one that was destroyed in a fire. It contains the list of obligations toward the parish and toward the community for bequests and anniversaries of deaths. The first page is decorated with an illuminated initial and has in its bottom margin a painting of the coat of arms of the canton of Uri. At the time, the Blenio Valley was governed ruled by the cantons of Uri, Schwyz and Nidwalden.
Online Since: 06/25/2015
This Book of Hours following the liturgical custom of Paris contains a large number of private prayers in Latin and French, most of them unpublished. As indicated in the colophon on page 193r, the book was produced in 1421 in Paris in the workshop of the bookseller Jacquet Lescuier. It was commissioned, or perhaps only bought, by Jean II de Gingins, born around 1385 and died either at the end of 1461 or the beginning of 1462; he had his coat of arms painted on p. 193v. The miniatures were executed by several illuminators, among them the “Guise Master,” the “Bedford Master” and a student associated with the “Boucicaut Master.” The last representative of the Gingin-La Sarraz family left the castle to her brother-in-law, Henri de Mandrot, who in turn gave this manuscript and the family archive to the state archive of the canton of Vaud in 1920.
Online Since: 03/19/2015
This Latin manuscript on astronomical topics includes works by Germanicus, Pliny the Elder and Hyginus. The codex features numerous pen and ink drawings, including a planisphere (rotatable star chart) consisting of five golden concentric circles containing constellations portrayed as people or animals. These drawings, dating from the 15th century, have been attributed to Antonio di Mario of the Neapolitan region.
Online Since: 07/31/2007
Multiple treatises by Archimedes are brought together in Codex Bodmer 8, notably On the Sphere and Cylinder and The quadrature of the Parabola. This manuscript, which was written in about 1541 on paper, also includes commentaries on the work of the celebrated mathematician by the geometer Eutocius, followed by a treatise on instruments of measurement by Heron of Alexandria.
Online Since: 06/02/2010
There is only a single medieval Italian translation of Augustine's De civitate Dei (City of God), an impressive apologetic work in twenty-two books; the translation was prepared at the end of the 14th or the beginning of the 15th century. It is usually attributed to the Florentine Dominican Jacopo Passavanti (ca. 1302 – 1357); however, this attribution is without basis. The frontispiece of this manuscript is richly decorated with foliage in all four margins and initials with vine scroll ornamentation at the beginning of each book.
Online Since: 12/17/2015
This Latin parchment manuscript from the 14th century contains a comprehensive commentary by jurists of Bologna on the "Corpus Iuris Civilis" as well as on others, such as the "Codex Justinianus" and the "Digests".
Online Since: 07/31/2007
This manuscript, produced in 1480 at the Cistercian Abbey of Maulbronn (Diocese of Speyer, Württemberg, cf. f. 44r), contains texts written by Ekbert of Schönau, the brother of St. Elizabeth of Schönau, as well as prayers to Mary written in another hand.
Online Since: 03/25/2009
A remarkable manuscript from the end of the 10th century, undoubtedly produced in either Constantinople or Smyrna, CB 25 presents all four Gospels together in Greek. The biblical text is accompanied by commentaries by Peter of Laodiceia (an exegetical chain) written in cursive. The volume is decorated with two valuable full-page miniatures representing Luke and Mark against gold backgrounds.
Online Since: 12/21/2009
Copied in the 13th century, probably in the north of France, this Latin Bible unifies in one volume the books of the Old- and New Testaments, most of them preceded by prologues. It transmits the standard Vulgate text, called the Paris version, with the chapter divisions attributed to Stephen Langton, and its last thirty pages provide a glossary of Hebrew names. Historiated initials open the various biblical books and give the volume its structure. A smaller script than usual in this volume has been used on fol. 1 for the Commentary on the Tree of Consanguinity, a text usually transmitted in juridical works, augmented here by an illustration of such a tree.
Online Since: 12/21/2009
This codex from southern Germany is composed of two parts bound together in one German binding in 1569. The first part of the manuscript contains about a hundred leaves from the 12th and 13th centuries. It begins with a calendar featuring numerous constellations and full page illustrations. Following are prayers and liturgical songs. The second part consists of thirty leaves containing a series of Latin prayers in carefully wrought late 14th century Gothic script.
Online Since: 12/20/2007
This Armenian manuscript was written in 1606 at the church of Saint Nikoghayos in Istanbul. It contains the Four Gospels, the Apocalypse of Saint John, and a Gospelindex devised for liturgical use written by another scribe in the same century. The silver binding was probably made a century after the manuscript writing. Special attention should be drawn to the illuminations of the canon tables painted according to the text of the “Commentary of the Canon Tables” of Stepanos Syunetsi (8th century), where the author thoroughly expounds the animal, floral and geometrical motives, as well as the symbolism of numbers and colors of each of the canon tables. The painter has interpreted the symbols and motives used in all ten canon tables by placing the explanations below each of them.
Online Since: 03/19/2015
The Elegia di madonna Fiammetta, dedicated to "women in love", describes in the first person the feelings of the young Neapolitan Fiammetta, who has been left by her beloved Panfilo. The Elegia, a prose work written by Boccaccio in his youth, praised for the subtlety of its psychological approach, mixes autobiographical elements and obvious references to Latin literature. It is preserved here in a manuscript copied in 1467 by Giovanni Cardello da Imola, whose regular calligraphy is set off by decorations in bianchi girari (white vine-stem).
Online Since: 12/21/2009
This parchment manuscript from the end of the 15th century contains the "Chronicle of London" as well as a version of the paraphrase text of the "Metrical Chronicle" by Robert of Gloucester found only in this manuscript, CB 43. The dialect used in the text indicates that the manuscript was written by a scribe from the southern Midlands.
Online Since: 03/25/2009
This copy of Cesar's "Commentarii" from about 1480 attests to the great popularity this text attained during the early Renaissance (there are more than 240 surviving manuscripts of the "Commentarii" from the 15th century). This manuscript was produced in the atelier of the illuminator Cola Rapicano in Naples. The "bianchi girari" (white vine) book decoration and the illuminated initial capitals which mark the beginning of each book are of a type often found in codices containing humanistic works. The illuminated initial capital on fol. 1r, on the other hand, portrays the Roman ruler in an unusual way, as an armored horseman.
Online Since: 03/25/2009
This elegant codex, written in humanistic script, was commissioned by Pope Leo X († 1521). The Medici coat of arms can be found in the middle of the original binding's cover, in a rich frieze on the frontispiece, and in the initials on f. 3v and f. 134v. The decoration is attributed to the famous Florentine illuminator Attavante degli Attavanti († 1525) or his circle. This codex is from the collection of Major J.R. Abbey.
Online Since: 03/22/2017
The Carmina by Catullus contained in this codex was written in a humanistic cursive, attributed to the calligrapher Ludovico Regio di Imola. The frontispiece in grisaille with gold highlights is framed by motifs in the manner of antiquity with trophies, sphinxes and mascarons, while the title in gold letters stands out from the crimson background. At the bottom of the page, the coat of arms on a disc held by two putti is overlaid in the same crimson color.
Online Since: 12/13/2013
This manuscript, commissioned by the bibliophile Antoine of Bourgogne in 1460, contains the Epître d'Othea by Christine de Pisan, decorated with about a hundred masterful miniatures (a complete pictorial cycle). One of these contains the dedication of the work and shows four figures, identifiable as Philip the Good, Charles the Brave, and two of Philip's illegitimate sons, David and Anthony of Burgundy.
Online Since: 07/25/2006
This codex contains De senectute, De amicitia, the Paradoxa ad Brutum by Cicero, the Synonyma by Pseudo-Cicero, and the anonymous treatise De punctorum ordine. It was created in Italy in a humanistic script from the second half of the 15th century. The frontispiece and the intials introducing the various texts are decorated with “bianchi girari;“ on f. 1r the coat of arms with the golden lion rampant on a red background, framed by a laurel wreath, could not be identified.
Online Since: 12/13/2013
This manuscript contains Cicero's speeches, which were copied out in a humanistic script of the 15th century. The book decoration consists of initials with „bianchi girari“ (white vine-stem) on colored background which introduce the various texts, and a frontispiece, the decoration of which extends across the entire page f. 1r. At the center of the bottom margin, surrounded by a laurel wreath, the coat of arms of the Medici family of Florence stands out, covering an even older coat of arms. The manuscript belonged to Cardinal Giovanni Salviati (1490-1553) from Florence and then to the Venetian monk and later manuscript dealer Luigi Celotti (1768-1848).
Online Since: 12/13/2013
This French translation of the story of Alexander, destined to belong to Charles the Bold, was commissioned by Vasco da Lucena, "the Portugese", a retainer of the Infanta Isabella, who was married to Philip the Good. This revival of the work by Quintus Curtius Rufus, which is augmented by texts from Plutarch, Valerius Maximus, Aulus Gellius and Justin, allows the author to liberate the Macedonian conqueror from legends perpetuated by the medieval tradition. The Miroir des princes portrays a model of a hero shaped within the framework of the humanistic movement initiated by the dukes of Burgundy in the late middle ages. CB 53 was copied in Burgundy and may be fairly accurately dated only a few years after the translation was made; it was decorated with miniatures in the artistic circle of the Master of Marguerite of York (ca. 1470-1475).
Online Since: 12/21/2009
Copied in 1378 by Francesco di maestro Tura of Cesena, who included both a date and a signature at the end of the volume, the Codex Severoli opens each of the three sections of the Commedia with an historiated initial. A number of interlinear glosses explicate the verses of the Paradiso.
Online Since: 12/21/2009
This manuscript from the 14th century unites four disquisitions on medicine. The rounded Gothic script is the product of several different hands and the principal incipits are set off with Gothic capitals elaborately decorated with penwork filigree. At the end of the manuscript is an assortment of formulas for medical preparations.
Online Since: 06/02/2010
The Sachenspiegel by Eike von Repgow is one of the oldest books of law in the German language. This parchment manuscript, CB 61, was produced at the beginning of the 15th century and contains codes of common and feudal law.
Online Since: 07/31/2007