The Roman de la Rose is a poetic work of approximately 22,000 octosyllabic verses. The first part of this allegorial romance (over 4,000 verses) was written by Guillaume de Lorris in about 1230, and it was completed by Jean de Meun some forty years later. Although the work was originally conceived as a courtly tale, the second part disgresses on a wide variety of themes and expressly criticizes the myth of the rose according to Guillaume de Lorris. The Testament is a poem consisting of 544 four-line alexandrine monorhyme stanzas expounding the spiritual development of Jean de Meun.
Online Since: 06/22/2010
Christine de Pisan, a writer and poet of great renoun, was the author of numerous works and was personally involved in the design and production of manuscripts of her works. This hold true for this codex, which contains an account of the building of a utopian city by and for women.
Online Since: 12/09/2008
At the behest of Jeanne de Laval, the wife of King René of Anjou, in 1465 a cleric from Angers produced a prose adaptation of the first version of Guillaume de Deguileville's Pèlerinage de vie humaine. His anonymous work respects the original text and its division into four books. The completely and richly illuminated manuscript is dated to the third quarter of the 15th century.
Online Since: 10/13/2016
At the behest of Jeanne de Laval, wife of King René I. of Anjou, a cleric from Angers completed a prose adaptation of the first version of Pèlerinage de vie humaine by Guillaume de Deguileville in 1465. His anonymous work respects the original text and its division into four books. It is followed by the Danse aux aveugles (before 1465) by Pierre Michault. The two texts were richly illuminated by the Maître d'Antoine Rolin, however the decoration was never entirely completed.
Online Since: 10/13/2016
This treatise in the form of a dialogue between a cleric and a knight was commissioned by King Charles V from the Master of Requests Evrard de Tremaugon. The two protagonists debate about the ecclesiastical and secular power at the end of the 14th century, about the relations between the king and the pope. In the end, the impartial author defends the independence of the temporal power of the king, although he remains the "vicaire de Dieu en la temporalité". The text, first written in Latin in 1376 under the title Somnium Viridarii, was translated into French as early as 1378.
Online Since: 10/08/2020
Le Jouvencel tells of the deeds of a young nobleman who, thanks to his bravery and military successes, marries the daughter of King Amydas. The text was inspired by the military career of Jean de Bueil, who served Charles VII for a long time. The manuscript is decorated with three paintings attributed to the Master of the Vienna Mamerot (from the circle of Jean Fouquet).
Online Since: 06/18/2020
Tristan in Prose is a 13th century prose romance of which a multitude of copies were made over the course of the medieval period. This work of knightly character is strongly influenced by the Lancelot en prose, which was written at the end of the first quarter of the 13th century. In this collection, which refer to the myths of Tristan and Arthur, Tristan is portrayed as the perfect lover and as the perfect knight, who as a Knight of the Round Table participates in the search for the Holy Grail. The Geneva manuscript is incomplete. It ends with the jousting competition between King Arthur and Tristan, in which the latter unseats the King and Yvain from their saddles. The defeated pair then returns to Roche Dure (Volume 3 of the Philippe Menard edition, 1991). At this time there are 82 known manuscripts and manuscript fragments of this work.
Online Since: 03/22/2012
Laurent de Premierfait translated De casibus virorum illustrium by Giovanni Boccaccio into French in about 1400. The work described the tragic fates of illustrious personages, mostly figures from antiquity. The translator presented a second version to the Duke of Berry in 1409, after expanding it with notes based on extracts from Latin historians. The Geneva exemplar, which carries the Ex libris of the bibliophile duke, transmits the second version. It is richly decorated with historiated vignettes, attributable mainly to the "Maître de Luçon".
Online Since: 12/21/2010
Laurent de Premierfait translated De casibus virorum illustrium by Giovanni Boccaccio into French in about 1400. This work describes the tragic fates of illustrious personages, mostly figures from antiquity. The translator presented a second version to the Duke of Berry in 1409, after expanding it with notes based on extracts from Latin historians. The Geneva exemplar, which carries the Ex libris of the bibliophile duke, transmits the second version. It is richly decorated with historiated vignettes, attributable mainly to the "Maître de Luçon".
Online Since: 12/21/2010
This Megillat Esther consists of thirty round text medallions, surrounded by multicolored engraved decorations with floral, animal and baroque architectural designs. This unbeknownst scroll is one of six extant scrolls composed of the “lion, lamb and bear” motif, produced by the famous engraver Shalom Italia (ca. 1619-1664). He also engraved numerous Esther scrolls of different motifs that are still preserved in special collections, museums and libraries throughout the world.
Online Since: 10/13/2016
According to the calendar and the sanctoral, this missal was meant for the use of St. Pierre Cathedral in Geneva. Produced in the 14th century, the manuscript was restored in the 15th century and increased by several leaves, a sign that it was still in use at this time. An old miniature showing, among others, a crucifixion and a historiated initial depicting Pentecost – both original – was painted over with an image of angels bearing the coat of arms of Geneva (f. 95r). After the Reformation, this missal, together with other books from the Cathedral Chapter, was stored at the city hall (Hôtel de Ville), before it was finally transferred to the Bibliothèque de Genève in 1714.
Online Since: 12/14/2018
Urbain Bonivard, prior of Saint-Victor in Geneva from 1458 to 1483, produced this missal in 1460. The missal follows the liturgical practices of Cluny; the miniatures are the work of Janin Luysel and Guillaume Coquin. During the Reformation the manuscript disappeared from Geneva and only came to light again in 1912 when the city of Geneva bought it at an auction in Munich.
Online Since: 12/09/2008
In addition to the usual services, this small-format book of hours following the practice of Paris contains several texts in French (a prayer to St. Roch, Les quinze joies de Notre-Dame and Les sept requêtes à Notre Seigneur). It is richly illuminated with full-page as well as smaller miniatures attributed (Gagnebin, 1976) to the workshop of the Coëtivy Master (now identified as Colin d'Amiens). Although some illuminations are slightly damaged, they attest to the high quality of their execution, especially in the intercession of the saints (ff. 201r-220v). This book of hours was meant for a man (the prayers are addressed in the masculine, f. 21r and 25v), perhaps for a certain Jean Novelli, whose name, together with the date 1460, is mentioned on the 18th century binding.
Online Since: 06/13/2019
This 15th century Book of Hours following the custom of Paris also contains a complete biblical Psalter. The miniatures are attributed to the final period of the workshop of the Duke of Bedford (around 1435-1460). Each month in the calendar is preceded by a Latin verse in hexameter listing the two unlucky days of the month (January 1 and 25, February 4 and 26, March 1 and 28, April 10 and 20, May 3 and 25, June 10 and 16, July 13 and 22, August 1 and 30, September 3 and 21, October 3 and 22, November 5 and 28, December 7 and 22). This manuscript was part of the "collection Petau," founded by two counselors of the parliament of Paris, Paul Petau († 1614) and his son Alexandre Petau († 1672); in 1720 the volume was bought by Ami Lullin (1695-1756) from Geneva, who, after his death, bequeathed it to the Bibliothèque de Genève.
Online Since: 10/08/2015
The calendar of this book of hours for use in Rome contains prayers to Saint Clarus (2 January) and for the dedication of the Church of St. Peter in Geneva (8 October), which are particular to the diocese of this city. At an unspecified time, the manuscript suffered substantial damage: pages were torn out or torn apart, and illuminated initials were cut out. Only two of the original five illuminations have survived, placed at the beginning of the Hours of the Cross (fol. 15r) and the Penitential Psalms (fol. 74v), respectively. They were probably created mid-15th century in Geneva or the immediate surroundings.
Online Since: 10/04/2018
This book of hours in the Parisian fashion is richly illuminated and was made for the diocese of Nantes in the third quarter of the 15th century. It was owned by the Petau family during the 17th century. In 1720 it was purchased by Ami Lullin of Geneva and donated to the Bibliothèque de Genève.
Online Since: 12/09/2008
This manuscript from the second half of the 15th century is a book of hours for use in the Abbey of St. Martin of Tours. Six large miniatures remain, of which two pertain to the life of Christ, two are dedicated to the Annunciation, one to St. Joseph, and the last to St. Barbara. The calendar indicates the thirteen unlucky days (dies eger) of the year. With its old crimson velvet binding, its painted decorations and careful script, this manuscript had enriched the collection of the Petau family before it came to Geneva.
Online Since: 12/18/2014
This small, elegant, illuminated book of hours for the use of Rome was probably produced in the workshop of Jean Colombe, the famous book illustrator from Bourges, who was active in the last third of the 15th century. Some of the 14 miniatures that decorate the manuscript can in fact also be found in other books of hours that were illuminated by the master of Bourges, such as the cord situated in the ornate margins that frame the miniatures (Paris, BnF, n.a. lat. 3181). This motif has been interpreted in different ways, either as a sign of belonging to the Third Order of Franciscans, or as a sign of widowhood, in which case the addressee would have been a woman – but this is contradicted by the masculine forms of address in the prayers. The manuscript later became the property of Paul Petau, and in 1756 it became part of the collection of the Bibliothèque de Genève as part of the bequest of Ami Lullin.
Online Since: 06/14/2018
Illuminated in a Venetian workshop, this Rituale Romanum was copied during the second half of the 15th century for Archbishop Phillipe de Lévis. It contains the orations according to Roman Rite for various ceremonies such as baptism, purification, marriage, anointing of the sick, last rites, or burials. Carefully written, decorated with colorful floral borders and fine miniatures and augmented with gold leaf, the manuscript is of outstanding quality.
Online Since: 12/13/2013
This manuscript contains the Latin translation of the Roman de Troie by Benoît de Sainte-Maure, prepared in 1287 by Guido de Columnis. The text is divided into 35 books, of which only 9 are introduced by miniatures, most of them whole-page miniatures (f. 1r, 5v, 16v, 46r, 72v, 83v, 89v, 107v, 124v). Set in Renaissance-style frames, the paintings illustrate various important moments in the destruction of Troy. This manuscript was part of the collection of Paul and Alexandre Petau before it became the property of Ami Lullin, pastor and theologist in Geneva, who donated it to the Bibliothèque de Genève in 1756.
Online Since: 03/22/2018
This manuscript dates from about 1420 and contains the "Conspiracy of Catilin " and the "Jugurthine War" by Sallust. Miniature illuminations in grisaille were added by Bedford-Meister and assistants in his workshop, followed by a commentary by Jean Lebègues, who wrote a guide to the illustration of historical scenes in the above-named works of Sallust in 1417. During the 17th century the manuscript was owned by the Petau family. In 1720 Ami Lullin of Geneva purchased the codex and donated it to the Bibliothèque de Genève.
Online Since: 12/09/2008
This manuscript, produced in a Parisian workshop during the mid-13th century, contains books I through XVIII of the Digestum vetus by Justinian, in a textual variant different from that found in the version of the Digest most common at that time. An illustration in the form of a vertical band depicts the Emperor Justinian, standing among the five most important jurists of the early 3rd century, who are frequently quoted in the Digest.
Online Since: 04/15/2010
This manuscript was produced in a Parisian workshop around the end of the 13th century. It contains the Latin version of thirteen critiques written by, or generally thought to have been written by, Aristotle. The book ends with a fragment of De uno deo benedicto by Moses Maimonides. Forty decorated initials adorn the text, and a large drawing of Christ on the cross with Mary and John has been added on the last folio.
Online Since: 04/15/2010
This manuscript contains three medical texts translated from Arabic and Greek into Latin. It begins with a small medical encyclopedia in ten books, the Kitâb al-Mansuri by Rhazes (ff. 4-126), in the translation attributed to Gerard of Cremona (d. 1187); this is immediately followed by a treatise on fever (ff. 126-144v) inspired by Johannitius (Latin name of the doctor and translator Hunain ben Ishāq al-Ibādī from Baghdad, 808-873). The collection concludes with the text Twelve books of medicine by the Byzantine physician Alexander of Tralles, divided here into three books and followed by the Treatise on fever (ff. 146-289v). The extensively annotated manuscript is adorned with decorated initials from which very beautiful red and blue "Italian extensions" emerge.
Online Since: 12/12/2019
With a beautiful binding à la "Du Seuil", this 15th century manuscript contains the Policraticus (The government of the state), a work of reflections on the vanities of courtiers, written by John of Salisbury (1115/1120-1180). It was copied in a careful hand, and the text was decorated with a large miniature showing an author reading his text before the king of France.
Online Since: 12/18/2014
At the request of his friend Othman Lillo Ferducci of Ancona, Gian Mario Filelfo composed the Amyris in the years 1471-1476. This long Latin poem was intended to thank Sultan Mehmet II for having freed Ferducci's brother-in-law, who had been taken prisoner by the Turcs during the capture of Constantinople in 1453. Gian Mario Filelfo had the manuscript decorated in Florence with "bianchi girari” ornamentation, had it bound in Urbino with a very beautiful Italian Renaissance binding, and then gave it to the Duke of Urbino, Federico da Montefeltro, at whose court he was staying in 1477 and 1478.
Online Since: 12/18/2014
One of the ancient authors best known in the Middle Ages doubtlessly was Cicero. Some of his speeches - the Orationes - were rediscovered by humanists, as is attested by this copy. The manuscript contains 27 of Cicero's speeches, written in a round Italian humanistic script. It begins with a miniature depicting a group of speakers in a discussion (f. 1r), painted by Péronet Lamy, an illuminator who is documented from 1432 until 1453 and who worked primarily for Amadeus VIII, the Duke of Savoy. It is likely that Péronet Lamy carried out this decoration when he was at the Council of Basel as part of the Duke's entourage. Also present there was Martin le Franc (1408-1461), ducal secretary and author of the Champion des Dames and the Estrif de fortune et de vertu; according to a scraped entry (f. 290r), he came into possession of this manuscript. Thereafter it belonged to Germain Colladon (back pastedown), a fellow student of John Calvin, who fled to Geneva in 1550. Around 1615, one of his daughters-in-law sold the manuscript, together with Ms. lat. 53, to the Bibliothèque de Genève.
Online Since: 03/22/2018
This miniature book of hours (11.5 x 7 cm) for use in Rome was probably made in Bourges by the Master of Spencer 6 (active between 1490 and 1510). All 35 full-page and framed miniatures show identical composition, where the main scene, presented in close-up, is complemented with a predella containing small figures. The manuscript's owner, the Naville family of Geneva (coat of arms on f. 1v), donated it to the Bibliothèque de Genève in 1803.
Online Since: 10/04/2018
This volume, which was produced in Italy in the mid to late 15th century, is a collection of letters, bringing together letters by Phalaris, Diogenes of Sinope and Brutus, who were regarded in the middle ages as the true authors of these letters. They were translated into Latin by Francesco Griffolini Aretino and Ranuccio of Arezzo. A decorative illustration in bianchi girari (entwined white vine style) is found at the beginning of the section by each author. Two fragments of De officiis ministrorum by St. Ambrose are found at the end of the volume.
Online Since: 04/15/2010
Philibert de Viry's manuscript is one of the rare Books of Hours for use in the Diocese of Geneva to have survived until today. Illuminated in Lyon by the Maître de l'Entrée de François I, it contains miniatures directly inspired by Albrecht Dürer's (1511) woodcuts Petite Passion. This is an early witness of the reception of this series of images in France and an example of the often unsuspected influence of engraving on book decoration.
Online Since: 03/17/2016
This prayer book was probably written by a nun. The texts relate to the Communion. They serve as preparation before and thanksgiving after receiving Communion.
Online Since: 11/10/2016
This diurnal is from the Convent of the Poor Clares Gnadental in Basel. The decorations consist of a great number of faces, drolleries, animals and figures of saints.
Online Since: 11/10/2016
This small volume contains prayers in memory of the deceased in a convent of Franciscan nuns. It is decorated with initials stretching over several lines of text, consisting of plant motifs in rich colors.
Online Since: 11/10/2016
The “Recueil Grenet” is a collection of poems written by the Geneva merchant Gilbert Grenet (1510?-1568) containing French poems written during the decades 1530-1560. The composite manuscript begins with about forty epistles and «dizains» (ten-line poems) by Clément Marot, which were probably copied during and after the poet's stay in Geneva (1542-1543). This is followed by anonymous poems on the virtues of education and the art of writing. At the end there are about forty epigrams and poems praising the Reformation and polemicizing against Catholicism. Some are personal revisions of texts by Théodore de Bèze and Ronsard. The manuscript is partially illuminated and illustrates the role of militant poetry in the commercial milieu that supported the Reformation in the city of Geneva during Calvin's time. It was acquired by the Cantonal and University Library of Lausanne in 1844.
Online Since: 12/12/2019
This prayer book is either from the Cologne area, as indicated by the selection of prayer texts and calendars, or from the “Stift Münstereifel”, as the saints Daria and Chrysanthus, who are venerated there, are explicitly mentioned on 218r and 219r. Via Catharina von Wrede (front paste-down), the prayer book reached the Bibliothèque des Cèdres, which became part of the holdings of the Bibliothèque cantonale et universitaire - Lausanne in 1966. This small-format volume, illustrated with 18 miniatures, contains a cycle of prayers on the life and passion of Christ, prayers on the truths of the faith, and on various saints. The miniatures and the beginnings of the texts are surrounded by borders with leaf scroll and interlace ornamentation; additional decoration consists of 35 initials in gold, as well as pen flourishes and blue, red and gold Lombard initials in the margins.
Online Since: 10/08/2020
The Biblia Porta manuscript, which bears the name of its last private owner, is an illuminated Bible from the Franco-Flemish region, produced at the end of the 13th century. The value of this unique and extraordinary work lies in the quality of its textual illustrations: 337 scenes of great artistic refinement, very lively and expressive. The illustrations consist of historiated initials, ornamental initials, drolleries and marginal illustrations. The text, which is written in extremely carefully formed calligraphy on very fine parchment, is St. Jerome's Vulgate version of the Bible in Latin, revised in Paris in the second quarter of the 13th century. This document is one of the few remaining works from this particular school of book decoration in northern France.
Online Since: 12/21/2009
This book of hours, donated to the library of the Academy of Lausanne in 1779, is a typical example of such devotional books from the late Middle Ages. The calendar is for use in Paris: each day has its saint assigned to it, without any of them being highlighted. The masculine form of address of the Obsecro te could have been for a book of hours made for the book market as much as it could designate the actual recipient of the manuscript. Some prayers in French, such as the XV joies de Notre Dame, Les sept requêtes à Notre Seigneur, and a prayer to the Holy Cross, conclude the work. All illuminations marking the beginning of each of the Offices, probably full-page decorations, have disappeared. The only remaining traces of book decoration can be found in the margins and in the decorated initials in the secondary divisions of the same Offices.
Online Since: 10/08/2020
The oldest necrology of the Franciscan Monastery of Lucerne has not survived; KF 80 is the second necrology and includes parts of the lost first volume; the entries go up to 1734. Two important donor families, who were particularly close to the monastery, were remembered specifically in a separate section with their family coats of arms: the Martin family (fol. 17v) and the Sonnenberg family (fol. 62-63v). After the dissolution of the monastery, this volume, along with the monastery archives, became part of the state archives in 1838.
Online Since: 03/22/2017
This is the only know work of monogrammist B.G.; it was created in 1557 for Abbot Peter I. Eichhorn (†1563) of Wettingen Abbey. While most of the many initials are based on woodcuts by Bernard Salomon (Quadrins historiques de la Bible, Lyon 1553), the painter composed the decoration of the margins independently and very charmingly with allusions to the name of the client (Eichhorn = squirrel) who commissioned the work as well as to a motif of geese.
Online Since: 10/10/2019
Liturgical music for the singing of mass on Sundays and feast days in a Cistercian monastery, with decorations by the Master of the Antwerp Bible of Conrad of Vechta, produced in Prague shortly after 1400.
Online Since: 12/12/2006
This manuscript contains books 1-8 of the history of the world by the French Dominican monk Vincent of Beauvais († 1264) in the version of Douai in 32 books.
Online Since: 06/23/2014
This manuscript contains books 17–24 of the history of the world by the French Dominican monk Vincent of Beauvais († 1264) in the version of Douai in 32 books.
Online Since: 06/23/2014
This manuscript contains books 25-32 of the history of the world by the French Dominican monk Vincent of Beauvais († 1264) in the version of Douai in 32 books. Ff. 372-378 contain an early copy of the Historia Tartarorum by Frater C. de Bridia.
Online Since: 06/23/2014
This antiphonary from the 2nd half of the 14th century includes the texts from Pentecost to the end of the liturgical year, as well as the corresponding saints' days and texts for the Commune sanctorum. The origin is unknown, but based on the inclusion of certain saints' days, the manuscript originated in the Cologne area. Written in a uniform script, with neumes on four lines throughout and a few later additions with neumes on five lines; signs of usage and later notes. Five larger and five smaller initials are covered in gold leaf, and in addition there are 36 plainer initials; all initial letters are set off in red or blue, the rubrics are in red. A father from Marienstein, who worked at the Kollegium of Altdorf, received the manuscript second-hand. From there the manuscript came to Mariastein in 1981. Not published.
Online Since: 06/22/2017
This codex from the end of the 15th century contains several appealing initials and select shorter works by Bernard of Clairvaux. Among them are also several works attributed to Bernard. The scribe ist the Cistercian Johannes Fabri, professed member of the monastery of Heilbronn. According to an old entry (17th century?), the book belonged to Beinwil Abbey, which was relocated to Mariastein in 1648.
Online Since: 06/22/2017
This booklet, with notes and decorated with three initials, contains the texts for the Office of the Dead, the seven penitential psalms, and prayers for a deceased Dominican nun, probably in the convent in Colmar. Judging by the script, it is from the first half of the 15th century. The book belonged to Sister Martha Gosslerin. In 1782 it was acquired by Philipp Jakob Steyrer, Abbot of St Peter's Abbey in the Black Forest; through him, the booklet came to Mariastein Abbey.
Online Since: 09/26/2017
This composite manuscript from the middle of the 15th century is from the Augustinian hermitage in Basel. Since 1470, several brothers there cared for the pilgrimage site Mariastein. This volume was probably left there and was found by the monks from Beinwil, when they took over the pilgrimage site in 1636. It contains, among others, sacred (S. Bonaventura), profane (Cicero, Sallust), historical (Piccolomini/Pius II.) and rhetorical (Laurentius de Aquileja) texts. The second part of the volume, containing the Rhetorica , was written in 1465/66 by the Augustinian Matthias Glaser from Breisach in Basel. A fragment glued to the interior of the front cover gives information regarding the content of the volume.
Online Since: 09/26/2017
This 10th century Latin manuscript originated in the St. Gall scriptorium. It belonged to the Bishop of Strasbourg Erchembald (965-991) and was kept in the Cathedral of Strasbourg. The humanist Wimpheling mentions consulting it in Strasbourg in the early years of the 16th century. This manuscript appeared in the sales catalog of the Ambroise Firmin-Didot collection and was bought by the Mulhouse alderman Armand Weiss (1821-1892); after his death, he left it to the Industrial Society of Mulhouse. The Carolingian Gospel Book was written on vellum and contains 300 initials decorated with gold and silver. The beginning and end of the manuscript contain historical annotations. The original binding no longer exists; it was replaced with a contemporary binding during restoration at the Bibliothèque Nationale around 1970.
Online Since: 12/18/2014
This manuscript lacks a beginning, has much-trimmed margins, and was written by a variety of hands, is datable to the second half through the end of the 9th century. It contains readings from the Gospel texts for the feasts from Christmas through Pentacost as well as those of a few saints. The first words of the Gospel texts were augmented later (12th century) in the outer margin. The text for the feast celebrating the birth of the Archangel Michael (129v-131v) is specially highlighted with a pen sketch of the saint in the margin and a marker in the lower corner. The flyleaf is a notarial document dated 1373 in favour of Isabelle von Neuenburg.
Online Since: 03/22/2012
A book of hours following the liturgical usage of Rome, richly illustrated with full-page miniatures, borders, and initials, written in cursive script (bastarda) which can be dated to about 1500, with texts in Latin, French, and Flemish. The style of the miniatures, especially that of the naturalistic borders with flowers and insects, but also with complete scenes, seems typical of the Ghent-Bruges school.
Online Since: 03/22/2012
A Franciscan Gradual written and illuminated in northern Italy (Padua or Bologna), dateable to the first decade of the 14th century. The manuscript was used in the Franciscan cloister of St. Francis of Locarno, which received it together with the antiphonaries de tempore Codice II and Codice III as well as the antiphonary de sanctis Codice IV on the occasion of the re-dedication of the church in 1316. At the end of the text (fol. 181r) is a Praefatio (Statutum pro libris choralibus scribendis), which would normally be placed at the beginning, containing the guidelines for editing choral books for the order. On the last page Brother Giacomo di Rastelli Orelli transcribed some records concerning the cloister: a note about the provision of the library cabinets, the dedication document from the year 1316, and a note about a donation for the purchase of liturgical paraphernalia.
Online Since: 10/04/2011
This Antiphonary contains the second part of the Temporale (from the eve of Septuagesima Sunday through the first Sunday in the November calendar) for use by the Franciscans. Written and illuminated in northern Italy (Padua or Bologna), is dateable to the first decade of the 14th century. The manuscript was used in the Franciscan cloister of St. Francis in Locarno, which received it together with the Gradual and the Antiphonaries de tempore Codice II and de Sanctis Codice IV on the occasion of the re-dedication of the church in 1316.
Online Since: 10/04/2011
15th century parchment missal, made for Bishop Johann von Venningen (1458-1478). The expenditure records of Bishop Johann von Venningen permit tracing the individual stages of the making of this missal. This manuscript was created at the same time as ms. 2 and ms. 3. In 1462/1463, the final touches were added to the almost completed manuscript, the illumination, the initials, the fleuronné initials, and especially the attachment of the cover. For convenience, the order of the Ordo and the Canon was changed. Originally meant to be at the beginning of the manuscript, they were finally placed in the middle.
Online Since: 04/09/2014
Pontifical of Johann von Venningen, Bischop of Basel (1458-1478), produced at his request (first part). The expenditure records of Bishop Johann von Venningen permit tracing the individual stages of the making of this Pontifical. This manuscript was created at the same time as ms. 1 and ms. 3. In 1462/1463, the final touches were added to the almost completed manuscript, the illumination, the initials, the fleuronné initials, and especially the attachment of the cover.
Online Since: 04/09/2014
Pontifical of Johann von Venningen, Bischop of Basel (1458-1478), produced at his request (second part). The expenditure records of Bishop Johann von Venningen permit tracing the individual stages of the making of this Pontifical. This manuscript was created at the same time as ms. 1 and ms. 2. In 1462/1463, the final touches were added to the almost completed manuscript, the illumination, the initials, the fleuronné initials, and especially the attachment of the cover.
Online Since: 04/09/2014
Missal following the liturgical custom of the Diocese of Basel, commissioned by Christoph of Utenheim, prince-bishop of Basel between 1502 and 1527; he had his coat of arms, crossed with that of the Diocese of Basel, painted in the lower margin of f. 2r. The Canon of the Mass, decorated with a historicized initial depicting the Mass of St. Gregory, is not original but was added later. The border with flower decoration in the side margin and the presumed miniature of the Crucifixion in the beginning were removed.
Online Since: 04/09/2014
Given the liturgy and the presence of the Office for the Saint, this breviary originated in St. Lebuinus Church in Deventer (Netherlands). It belonged to Swibert de Keyserswerth (died after 1551), paternal grandfather of the Dutch organist and composer Jan Pieterszoon Sweelinck (1562-1621).
Online Since: 04/09/2014
Book of Hours following the custom of the Diocese of Besançon, with the calendar in French. Its decoration is incomplete, which makes it possible to reconstruct the various stages of its production.
Online Since: 04/09/2014
15th century Pontifical. The ceremonies are represented as full page miniatures with ornamental initials, marginal decorations and several lines of text on the model of books of hours; in the text there are many colorful borders and ornamental initials, often with depictions of the liturgical objects mentioned in the text. In addition to the frequently recurring coat of arms of Melchior von Lichtenfels, Archbishop of Basel (1554-1575), there is the coat of arms of Charles de Neufchâtel, Archbishop of Besançon (1463-1498; visible on f. 1r), which gives an indication of the manuscript's date of origin. As many other manuscripts from religious institutions, this manuscript came into the possession of the Jesuit College of Porrentruy during the French Revolution, until in the 20th century it became part of the collection of the Library of the Canton of Jura.
Online Since: 09/23/2014
A 15th century Psalter following the liturgical custom of the Collegiate Church of Saint-Ursanne; in form and content it is a perfect copy of the Basel manuscript AN VIII 39. Both pastedowns consist of fragments of Vincent of Beauvais' Speculum historiale; on f. 36r there is a 16th century pen drawing of the Virgin Mary. The manuscript remained in the Collegiate Church of Saint-Ursanne until it came into the possession of the Library of the Canton of Jura in the 20th century.
Online Since: 09/23/2014
This manuscript contains the Legenda aurea by Jacobus de Voragine. Lacunas in the manuscript are due to the loss of several sheets which probably contained historiated initials. The presence of the legend of St. Antidius as well as characteristics of the decoration suggest that the manuscript originated in Besançon.
Online Since: 04/09/2014
This breviary was meant for use in the diocese of Basel. There are still partially visible traces of coats of arms that were painted on ff. 33r, 41r, 129r and 279r and were later erased; these allow the codex to be attributed to Arnold of Rotberg, Bishop of Basel from 1451 to 1458. His successor, Jean de Venningen (1458-1478) noted on f. 5r the repurchase of the manuscript from Porrentruy Castle on June 29th 1461.
Online Since: 03/17/2016
A 9th century volume containing the Gospels, originally from Saint-Ursanne.
Online Since: 03/24/2006
Purchased at auction in 2023, this volume, which for a long time remained in private hands, adds to the number of works known to have been commissioned by the bishop of the diocese of Basel, Jean de Venningen (1458-1479). This is a pontifical that belongs to the same group of liturgical manuscripts as a missal-pontifical (ms. 1) and two other pontificals (mss. 2 and 3), produced around 1462-1463 and conserved in the ancient collection of the Bibliothèque cantonale jurassienne. This pontifical shares some blessings with each of the three others. Copied by a single scribe, it is embellished with a dozen ornate or historiated initials similar to those of other manuscripts in this group, attributed to a certain Hans, parish priest of Hésingue, on the basis of the illuminator's name appearing in the register of the bishop's expenses (Gamper/Jurot 1999).
Online Since: 05/31/2024
This Book of Hours is from a Bavarian Franciscan nuns' convent. It contains the Office of the Virgin, the Penitential Psalms and the Office of the Dead. Its presence in Muri has been attested since 1790.
Online Since: 10/08/2015
This small 12th century prayer book, the oldest in the German language, was written for a woman. It contains various prayers in German and Latin, including the famous "Mary Sequence of Muri" ("Mariensequenz aus Muri"), the oldest known German language version of the Latin sequence model, the Ave preclara maris stella. During the 19th century the manuscript was linked to Queen Agnes (ca. 1281-1364), who had lived in the Cloister of Königsfeld. It is listed in the manuscript catalog of the monastery of Muri as of 1790.
Online Since: 06/22/2010
This large-format manuscript from the 14th century contains the oldest version of an illustrated copy of the so-called Klosterneuburger Evangelienwerk, a German prose translation of the Gospels, together with the Lives of the Apostles and various Apocrypha from the New Testament. Over 400 pen and ink wash drawings, irregularly interspersed throughout the manuscript, accompany and illustrate the text.
Online Since: 12/09/2008
Gospel book in parchment, produced in the tenth century, probably in Halberstadt. The tables of canons are rendered under red arched columns, and a pen drawing depicts each evangelist on an entire page, along with his symbols. Min. 8 is one of the oldest manuscripts of the Ministerial Library; the codex is attested in the library of the monastery of Allerheiligen since 1357.
Online Since: 10/04/2011
The first part of a breviary intended for use by a Franciscan, perhaps a Poor Clare, was referred to as Horae canonicae in earlier literature. It was written in 1459 on high quality parchment by the well known scribe Johannes Frauenlob. The coats of arms of Constance families Schatz and Guldinast allow us to make inferences about who commissioned it. Rich book decoration includes gold-grounded initials, filigree, and margin borders. About 30 figured and illustrated initials by two stylistically distinct hands, of which the first is distinguished by particular virtuosity: «Der mit zahllosen Farbpunkten vorgenommene Farbauftrag, die heitere Rankenmalerei […] und auch das geschärfte Verständnis für Fernwirkung bei Landschaftsdarstellungen sind beinahe einzigartig für diese Zeit in der Bodenseemalerei.» (Bernd Konrad).
Online Since: 12/19/2011
The second part of a breviary intended for use by a Franciscan, perhaps a Poor Clare, was referred to as Horae canonicae in earlier literature. It was written in 1459 on high quality parchment by the well known scribe Johannes Frauenlob. Rich book decoration includes gold-grounded initials, filigree, and margin borders. 12 figured and illustrated initials by two stylistically distinct hands, of which the first is distinguished by particular virtuosity. Together with the preceding volume Min. 98, this manuscript is considered «zu den schönsten Büchern des 15. Jahrhunderts am Bodensee». (Bernd Konrad)
Online Since: 12/19/2011
This Franciscan breviary, written on the finest parchment, contains marginal illuminations on Biblical and hagiographical themes. The calendar and the miniatures imply that the manuscript came from a convent of Franciscan women, possibly the convent of Paradies. Moser (1997) dates its production to between 1482 and 1490 and places it in Constance. Tears and holes in the parchment have been artfully sewed with colored threads.
Online Since: 05/31/2024
The 13th-century manuscript is composed of three parts. The first part contains Aristotelian and pseudo-Aristotelian works in Latin translation. The second part contains 'De mineralibus' and 'De natura loci' by Albertus Magnus. The third part consists of a commentary by Michael Scotus on Johannes de Sacrobosco's work about the heavenly spheres, an anonymous commentary on the Arithmetic of Boethius, and the commentary by Averroës on Aristotle's 'De longitudine et brevitate vitae'. This manuscript is among the finest examples of Italian secular book production from the last third of the 13th century, and it is one of the earlier illuminated Aristotelian manuscripts.
Online Since: 03/24/2006
This impressive gradual contains the sanctorale, the Commune Sanctorum, votive masses and a Kyriale. The registered feasts for the two saints Francis of Assisi and Anthony of Padua, the most important saints of the Franciscans, prove that it is intended for the use of the Friars Minor. The first of the eight decorated initials (f. 1r, 7v, 29r, 32r, 34v, 43r, 46v, 121v) also confirms the Franciscan use: the D(ominus secus mare) contains the name of Jesus in the form of the trigram "yhs" surrounded by rays of sunlight, which is the attribute of the Franciscan preacher, St. Bernard of Siena (1388-1440). The beautiful initials on a gold ground extend into the borders with leaves, multicolored flowers and gold dots arranged in a fan shape, some of which even contain birds and butterflies (f. 1r, 34v, 46v). The origin of the manuscript is completely unknown. At best it can be compared with another manuscript from the State Archives of Valais, the Franciscan Antiphonary AVL 507, since both works were bound in the same workshop in the 18th century, an indication that their common origin is probable. The binding has since been restored by Andrea Giovannini (1989).
Online Since: 12/10/2020
This antiphonary (winter part of the temporale), copied by a single hand, has a number of gaps in the text (for example, the beginning is missing). The chants in square notation are separated either by simple alternating blue and red initials, or by larger initials, in part with pen flourishes. In addition, the manuscript is decorated with four historiated initials, from which extend elegant, straight and ringed shafts with gold dots, ending in long, colored leaves that curl and uncurl (f. 54v, 89v, 108v, 210r). In terms of color and style, they are close to late 13th century production in Emilia. Instead of the traditional iconography of King David praying before God, the initial introducing the chant "Domine ne in ira" (f. 108v) depicts a cleric with tonsure – St. Francis or a Franciscan? –, which probably refers to the fact that the manuscript was intended for the use by the Minorites. Both the monastery for which the manuscript was originally intended and its later provenance history are unknown. This copy can at most be associated with one other manuscript from the State Archives of Valais, the Franciscan gradual AVL 506; both works were bound in the same workshop in the 18th century, which likely is an indication of their common origin. The binding has since been restored by R. Bommer in Basel (1998).
Online Since: 12/10/2020
This manuscript of Six âges du monde, created in France at the end of the 14th century or at the very beginning of the 15th century, appears towards the end of the Middle Ages in the library of the Supersaxo family, one of the most important libraries of Valais, which today is held in the Médiathèque Valais-Sion and (this manuscript) in the State Archives of Valais in Sion. The work is remarkable in more ways than one: first, it was created in the rarely-used scroll format, a format reserved for, among others, universal chronicles, a genre to which this manuscript belongs. Second, a complex family tree, showing the descendants of Adam until the birth of Christ, runs the entire length (eight meters) of the manuscript. The columns of text of this impressive graphic document are accompanied by numerous drawings that resemble the style of Parisian works. Finally, this exemplar is not unique, since the municipal library of Reims owns a similar scroll (ms. 61), which certainly was illustrated by the same master.
Online Since: 03/22/2017
This portable Latin-Bible contains the Old (ff. 5v-344v) and the New Testament (ff. 346r-435v), preceded by St. Jerome's prologues to the whole Bible and to the Pentateuch (ff. 4r-5v) and followed by the interpretation of Hebrew names (ff. 436r-471v). There are illuminated initials (ff. 5v, 190v, 364v und 377v), and gilded ones and initials decorated with pen flourishes in red and blue. Some leaves (2, 3, 345, 357, 472) are missing or were cropped. As we come to know from the explicit on f. 471v, this manuscript was copied in 1440 by Jean Comte (Comitis) of Warmarens (Vuarmarens, FR), parish priest in Billens (FR). RCap 243 is from the library of the Capuchin monastery of Sion, an order present in the city since the 17th century. A handwritten note of ownership on the front pastedown indicates that in 1785 this Bible was owned by the Capuchin Josef Alexius [Eggo] von Leuk (1761-1840; guardian in Saint Maurice from 1805 to 1808, in Sion from 1808 to 1811 and from 1819 to 1822).
Online Since: 03/22/2018
This richly decorated book of hours was probably produced in Flanders around 1450. It contains five miniatures and numerous decorated initials, pen-flourished Lombards, floral decoration in golden scrollwork, and framing in red, purple, blue, and green. Gold leaf or painted gold was used. The miniatures at the beginning of new sections depict the Crucifixion (f. 8r), the Annunciation (f. 11r), Mary enthroned with child (f. 24r), the Last Judgement (f. 57r), and a Requiem with prayers beside the coffin (f. 69r). The last section of the book of hours with the gradual psalms (from f. 80r) was produced in by a different, but contemporary, hand. It is less richly decorated. Gold and purple are no longer used here. Additions to the calendar show that, likely shortly after its production, the book of hours arrived in the upper Rhine region, modern day Switzerland. The book was rebound in the sixteenth century, at which point the margins were trimmed. It is possible that, on this occasion, the part with the gradual psalms was added to the breviary. The Renaissance binding with velvet-covered wooden boards is decorated with metal fittings.
Online Since: 09/26/2024
This parchment manuscript produced in 1438/39 was commissioned by Solothurn mayor Henmann von Spiegelberg and his wife Margarethe von Spins as a Mass book for use on the St. George's altar in their chapel in the Cathedral of St. Ursen. The missal was probably produced in Solothurn. The Roman Missal (First printed in Milan in 1474 under the title Missale secundum consuetudinem Romane Curie still lacking the Rubricae generales and Ritus servandus) follows the Missale curiae, i.e., the Mass book created in about 1220 for the chapel of the papal palace.
Online Since: 06/22/2010
This illustrated breviary for the Canons Regular of Saint Augustine was produced in 1470/1471 in Lombardy. The elegant script is characteristic of the Abbey of Santa Croce at Mortara. In the 17th century the volume was acquired by the patrician Wagner family of Solothurn, whose books were bequeathed to the city library in 1773.
Online Since: 12/21/2009
This substantial composite manuscript contains approximately 2.000 recipes and instructions, principally from art technology, but also other medical, culinary and alchemistic ones. The manuscript had been the property of the Bieler family, residents of Solothurn since the 17th century; the family counted several artisans in its ranks.
Online Since: 10/10/2019
This Parisian or Sorbonne Bible, produced around 1270 in Northern France, is remarkable not only for the form of its text including glosses and corrections, but also for its high-quality illuminated initials. The volume came to Zuchwil in the late 16th century and from the 17th century on, it has been held in the Solothurn abbey library.
Online Since: 06/25/2015
The Solothurn Legendary is the earliest example of a collection of legends in the German language. This manuscript was written during the second quarter of the 14th century in a Dominican cloister, possibly in Töss (near Winterthur) or in Oetenbach (Zurich). The manuscript was acquired by Solothurn in the 17th century.
Online Since: 07/31/2009
This German book of meditations and prayers for Dominican nuns was produced at the Inselkloster St. Michael in Bern. It contains, inter alia, numerous excerpts from the writings of Gertrud of Helfta and Mechthild of Hackeborn. Most of it was written in 1507 by Sister Luzia von Moos. Beginning in the 17th century the manuscript is known to have been in the possession of the Solothurn family Gugger; at the beginning of the 19th century it was obtained by the Solothurn City Library.
Online Since: 12/21/2009
This Franciscan Gradual was produced between 1320 and 1330 in a scriptorium in the Upper Rhine area. It was originally the property of the Franciscan monastery in Solothurn, where it remained in use until the 18th century.
Online Since: 12/21/2009
In the years 1529-1531 the St. Gall humanist, reformer, and politician Joachim Vadian wrote a history of the abbey and city of St. Gall during the high and late middle ages (1199-1491). It goes by the title Grössere Chronik der Äbte (Great Chronicle of the Abbots). In this work, Vadian describes the way the abbey town changed into a self-reliant, independent city and became wealthy from the cloth weaving industry. The historical work is simultaneously a work of heated reformist protest, exposing and often bitingly commenting upon the increasing corruption of church dignitaries and institutions, particularly the Abbots and Abbey of St. Gall since the investiture conflict.
Online Since: 12/19/2011
This volume is the second of a three-volume set, an edition of Livius written in 1442 and 1143 in Padua. It is of particular interest because the texual model is well-known: the Livius manuscript of Sicco Polentone (1375/76-1446), Chancellor of Padua, today Holkham Hall Library, MS 349. This manuscript is written in an extremely regular semi-Gothic script augmented with exquisite white vine scroll initials.
Online Since: 05/20/2009
This cartulary contains the major legal title of the Premonstratensian abbey of Weissenau near Ravensburg; the popes, emperors, kings, princes, dukes, counts, bishops and vicars mentioned in the cartulary are portrayed in the margins with their attributes of office. Prepended to the cartulary itself is a history of the founding of the monastery: appended are a tribute register and other documents.
Online Since: 05/20/2009
This book of hours is from the workshop of the Master of Gold Scrolls, which was probably located in Bruges and specialized in the production of books of hours. It was likely made for someone in Flanders in the middle of the 15th century. Contrary to the usual sequence of texts, this book of hours features the Office of the Virgin after those of the Cross and of the Holy Spirit. When this book of hours was rebound, a series of cut-out historiated initials were inserted that pick up on the themes of the miniatures. In 1615 the bibliophile St. Gallen merchant Jakob Studer donated this book of hours to the municipal library.
Online Since: 12/10/2020
This richly illustrated pocket bible from the third quarter of the 13th century contains the Old and New Testaments. It combines the new chapter numerations of the 13th century and the older Eusebian numeration of the Gospels; the Psalm section includes Gallican versions set side by side with translations by Jerome. The Psalm section also includes historiated initials accompanied by interesting humorous sayings.
Online Since: 05/20/2009
The Speculum humanae salvations is a work consisting of texts and illustrations of Biblical content. Each double page of the opened book shows four images, which usually juxtapose one scene from the life of Christ with three prefigurations from the Old Testament. In the present manuscript, this order has not been sustained consistently. The Latin text source has been translated into German verses, which earlier were erroneously attributed to Konrad von Helmsdorf. The Speculum is preserved as a composite manuscript of manuscripts and printed works; several pages are missing in the beginning.
Online Since: 06/23/2016
Heinrich Schlüsselfelder's work, Blumen der Tugend, a collection of brief instructive tales, is derived from an Italian model. The author, originally from Nürnberg, translated them into German in 1468 in Italy. The paper is of Italian manufacture; the Lombard initials, the binding stamp and what remains of the fasteners are all of Italian design. For illustrations Schlüsselfelder used early Italian copperplate engravings portraying the cardinal virtues and a unicorn; slightly later he, or a reader, illustrated the text with color-washed pen sketches in the margins.
Online Since: 11/04/2010
The impulse for writing the original model of this text, Vadian's “Kleinere Chronik der Äbte” (1544-46) (VadSlg Ms. 44), came from Heinrich Bullinger and Johannes Stumpf; they wanted to make use of Vadian's knowledge of the history of St. Gall for the Eidgenössische Chronik (1547/48) that appeared under Stumpf's name. The chronicle consists of three parts: the first part is about Saint Gall; the second part is a history of the monastery and of the city of St. Gall; the third part gives a historical-topographical description of the city of St. Gall and of Lake Constance. Wolfgang Fechter produced two copies thereof in 1549. The illustrations are by Caspar Hagenbuch.
Online Since: 12/14/2018
Short Psalter from the early 14th century, produced in the now dissolved west English Abbey of Malmesbury, with calendar and All Saints Litany, illustrated with artful initials and margin borders composed of leaves, flowers, animals and human heads. Acquired by the Cloister of St. Gall since 1500 at the latest, the volume was "augmented" at this location by the addition of some recipes for medical preparations.
Online Since: 12/23/2008
Copy of New Testament books with prologues and Glossa ordinaria: Gilbertus Porretanus, prologue to the Apocalypse, Stegmüller RB 839 (pp. 2–4), Apocalypse (pp. 4–81), prologue to the catholic epistles, Stegmüller RB 809 and 11846 (p. 82), Epistle of James (pp. 83–99), First Epistle of Peter (pp. 99–115), Second Epistle of Peter (pp. 115–126), First Epistle of John (pp. 126–141), Second Epistle of John (pp. 141–143), Third Epistle of John (pp. 143–145), Epistle of Jude (pp. 145–150), prologue to the Gospel of John, Stegmüller RB 624 (pp. 151–153), Gospel of John (pp. 154–300). At the beginning of the chapters (p. 2, 4, 83, 126, 141, 145, 151, 154), there are initials stretching over several lines executed in minium with blue, green and light yellow, in part with figurative elements (p. 83 and 145: animal head and animal mask; p. 126: quadruped; p. 143: billy goat; p. 154: dragon). In the margin on p. 99, there is a depiction of the Apostle Peter with the keys.
Online Since: 03/22/2018
Collection of Astronomical-computistical tables and charts with high-quality pen drawings of the constellations.
Online Since: 12/31/2005
Earliest complete extant gradual of St. Gall. The different parts of the manuscript date from different periods. Illustrated with numerous initials and several pen drawings (especially in the Sacramentary part).
Online Since: 06/12/2006
Pontifical missal of St. Gall Abbot Ulrich Rösch (1463-1491). The manuscript consists of two parts: the first part (p. 5-102) was written by the Wiblingen conventual Simon Rösch, the second part (p. 103-236) was perhaps not added until after the death of Abbot Ulrich Rösch. Only the prefaces (p. 83-102) have melodies in German plainsong notation ("Hufnagelnotation") on 5 lines. There is also the abbot's coat of arms (p. 5) and an image of the crucifixion with medallions of the four evangelists (p. 70). Several pages have book decorations in the form of borders and initials, sometimes with gold leaf.
Online Since: 10/07/2013
Pontifical-missal of the St. Gall Abbot Diethelm Blarer (1530-1564) – the finest 16th century manuscript in Switzerland.
Online Since: 12/31/2005
According to new research, the so-called Evangeliary of Wolfcoz - an early masterpiece from the second quarter of the 9th century - was created not at the St. Gall Monastery, but instead in the scriptorium at Reichenau under the librarian Reginbert. This new conclusion was reached on the basis of paleographic studies as well as later-added pericopes on the Reichenau saints George, Mark and Pancras (p. 201-219).
Online Since: 12/31/2005
A volume of the Gospels, made to order for an unknown customer in about 1470/1480, possibly in the workshop of the book illustrator Rudolf Stahel of Konstanz. It contains Latin Gospel readings for the most important holy days of the church year. Illustrated by at least two artists with 21 full-page illustrations, including the symbols of the four evangelists and representations of the most important holy days throughout the year. In 1658 the volume was presented by the court official Fidel von Thurn to Abbot Gallus Alt (1654-1687) and decorated by a book illuminator with his crest.
Online Since: 12/09/2008