This manuscript, illustrated with numerous colored pen drawings, originated in a secular environment in Southern Germany or in Switzerland around the middle of the 15th century. It describes the signs of the zodiac, the planets, the four temperaments, and the four seasons regarding their influence on human health. This is followed by dietary guidelines primarily regarding bloodletting, but also regarding eating, drinking, sleeping, waking, resting and moving, as well as, in concrete terms, regarding bathing (illustration p. 101) or defecating (illustration p. 120). Most likely an amateur doctor with an interest in astronomy, from the Southern region of Germany, wrote the original text around 1400 and assembled it into a compendium. Later the text was repeatedly supplemented and modified. The last part (from p. 128 on) contains a prose and a poem version of the so-called letter from Pseudo-Aristotle to Alexander the Great, in which the Greek universal scholar advises the king on maintaining good health.
Online Since: 09/23/2014
The manuscript is composed of various fascicules, of which many carry at the end the ownership mark of Johannes Engler, canon of St. Leonhard (p. 140, 168, 304). After a calendar (pp. 4–24) comes the Summa rudium (pp. 25-140). The next quire (pp. 143–168) contains the synodal decrees of Marquart von Randeck, bishop of Constance (the decrees, and not the copy, date from 1407, p. 165). The remaining quires contain observations, sermons, a Latin-German vocabulary (pp. 290–304), recipes and calendar-related texts, as well as various spiritual and lay short texts. Among the latter are two collections of fables (pp. 141–144 and 266–275). The quires frequently start at the beginning of a text and often have blank pages at the end, a phenomenon that, along with the multiple ownership marks and worn outer leaves of quires, points to the individual quires being used for some time without a binding. Fifteenth-century leather binding, containing several bosses. On the pastedowns, the offset of a German-language charter can be seen.
Online Since: 09/22/2022
This codex contains the Opuscula sacra by Boethius on pp. 59–111, that is I. De trinitate (pp. 59–70), II. De divinitate (Utrum pater et filius et spiritus sanctus; pp. 70–72), III. De hebdomadibus (Quomodo substantiae; pp. 72–77), IV. De fide catholica (pp. 77–84), V. Contra Eutychen et Nestorium (pp. 84–111), partly with glosses. Possibly parts were added in the 11th/12th century. Before that, on pp. 7–58, is a commentary on the Opuscula sacra I–III and V, attributed to John Scotus Eriugena or Remigius of Auxerre. On pp. 4–6, probably written by a 13th century hand, is the Planctus beati Galli, Inc. Quis dabit cineres, a lament about the theft of the treasure of St. Gall Abbey by the bishop of Constance. On p. 112, there is the De septem miraculis mundi by Pseudo-Bede. The mostly undecorated manuscript has an ichthyomorphic initial on p. 26 and an I-initial corresponding to 8 lines on p. 59.
Online Since: 06/22/2017
Sermons form the bulk of this moral-theological miscellany. It is written by multiple hands. The initials have not been added to the first, fragmentary text, written in a single column (pp. 29–74). The next text, written in two columns, has the title De purificatione written in the top margin, and begins Sanctificavit tabernaculum suum [1 Par 22,1] Altissimus… (pp. 79a–102b). The confessionary De septem viciis, with the incipit Superbia est tumor… (pp. 105–120), is written in one column and illuminated elaborately with six black and red word trees with geometric patterns on the branches (pp. 107, 109, 111, 113, 115 und 120) as well as the ten commandments, circled, along with their contraries on p. 117. This is followed by the didactic poem on virtuous living, Modus vivendi secundum deum, written in a single column (pp. 121-124). There is then a letter from a Master Samuel to a Rabbi Ysaak, allegedly translated by a Spanish friar called Alfonsus Boni Hominis. The text is written in a single column on pp. 125-153. The Sermones de sanctis by the Cistercian Konrad von Brundelsheim (Soccus) that follow are written, frequently corrected and annotated, in an early gothic book cursive on pp. 173-389. The first initial is red, the others either were never added or in brown, some with strapwork inclusions on p. 218, 247 and 323. There is a tab on p. 219 and a manicule on p. 266. Michael of Massa's Tractatus de passione Domini (Version Angeli pacis…) with allegorical introduction and dialogues (pp. 389-470) is the last text. The colophon of the last part dates the work's completion to 8th March 1427 (p. 470). The shelfmark plate “T 17” on the wooden board binding with leather cover and a plaited endband corresponds to the records in the 1461 library catalogue of St. Gallen. It therefore suggests that this volume was likely compiled and bound in the mid-fifteenth century. The St. Gallen librarian Jodokus Metzler glued a table of contents onto the inside front pastedown. Pages 1-8, 17-24 and 169-172 contain only the ruling lines for a two-column commentary with extensive marginal gloss, but no text. Other pages are completely blank, without even a page layout: 9–16, 25–28, 49–54, 75–78, 103–104, 155–168 and 471–483. There is an entry made on p. 484. The leaf pp. 53-54 is loose. There was a loose, reused fragment with a hand drawn onto it between p. 180 and 181.
Online Since: 09/06/2023
The manuscript is composed of several units and includes many texts with varying content. The first part (pp. 1-106), in paper, contains a synodal book (pp. 1-81), as well as the Auctoritates sanctorum (pp. 82-105), which, according to the colophon (p. 105a), were copied by Johannes Gaernler in 1378 or 1379. Below the colophon is a drawing, perhaps made by the copyist, representing a man (a king?) holding a cup in hand. Several parchment quires follow (pp. 107-224) with sermons, provisions for penance, etc., dating partly from the thirteenth century and partly from the fourteenth. The end of the manuscript, in paper (pp. 225-471), includes, alongside the penitential of Johannes de Deo (pp. 284-315), sermons, as well as ascetic and theological texts, which were copied in the fourteenth century (pp. 316-471). According to a note of possession (p. 471), the manuscript, or at least its last part, was in the Abbey of St. Gall at the end of the fifteenth century at the latest. The binding has a beautiful interlace pattern on the spine.
Online Since: 09/22/2022
The first quire transmits various texts written non-uniformly (pp. 5-20). After a short, one-column text De excommunicatione (p. 22) is Jean Gerson's De audienda confessione (pp. 23a–70a). There then follow two works ascribed to Augustine in the Middle Ages, namely De spiritu et anima (cap. I-XXXIII on pp. 70a–92b) and Speculum (pp. 92b–109b); Bernard of Clairvaux's De gratia et libero arbitrio (pp. 110a–138a); Bonaventura's De compositione hominis exterioris under the title Speculum monachorum (pp. 139a–154a) and Lucius Annaeus Seneca's De quattuor virtutibus cardinalibus (pp. 154a–166b). Pages 23a-109b are written in a two-column textualis with red headings and blue and red alternating pen-flourished initials as well as pieds-de-mouche. On pp. 110a-166b only red ink was used for such highlights. Between pp. 6 and 7 a slip of paper with writing is pasted in. On the lower margin distinctiones are often added (pp. 30–34, 72–76, 82–85, 111, 113, 121). Within the ruling lines of column 138a is a number-matrix. In column 138b there is a pen trial (ANNO with flourishes). There is a fair amount of marginalia. The pasteboard binding from the 17th or 18th century has a white leather cover with doubled scudding decoration as well as two green laces. The table of contents was added by Pius Kolb (p. 1).
Online Since: 09/06/2023
The Summa de virtutibus et vitiis by Guilelmus Peraldus is the primary content of this volume (pp. 9a-290b). This principal text is in two-columns in very small textualis script (50 lines per side), with red, blue and red and blue pen-flourished initials as well as tendril extenders. A small collection of sermons was added on the empty leaves in the fourteenth century (pp. 291a-296b). There is a table of contents on pp. 5a-7b with some page numbers added later. The volume is designed for easy reference: red side-titles and red column numbers are original. At the beginning and end are alphabetical indices (pp. 3a-4b and 297a-298b) written by a hand likely from the fifteenth century. On p. 298 the St. Gallen library stamp 1553-1564 of Abbot Diethelm Blarer can be seen. Marginal titles and marginalia have been added by various hands. On the front pastedown (p. 2!) is the title Summa virtutum. The pasteboard binding is covered by brown leather. The endband is finished in red and green.
Online Since: 09/06/2023
This is a complete copy of the Sententiae by Peter Lombard († 1160). The chapter titles are listed at the beginning of each book (p. 3–5, 91–93, 170–171, 229–231). There are several figurative initials in red with green, blue and light yellow (p. 6: Mass as well as Synagogue and Ecclesia; p. 172: Annunciation; p. 232: good Samaritan) and many small pen-flourish initials in red and blue. Numerous marginal glosses. On p. 325/326, upside-down, a very faded 15th century (?) script, on the inner back cover the imprint of two pages of a Carolingian manuscript, at least in part from Origines, Homilia VIII in Ezechielem.
Online Since: 03/22/2018
This manuscript is a complete exemplar of Peter Lombard's four books of the Sentences (Libri quatuor sententiarum) (pp. 4-430), preceded and followed by a series of Latin verses, partially in leonine hexameter (pp. 3 and 430-431). This neat thirteenth-century copy in two columns is completely rubricated, and the margins likewise have in red ink the abbreviated names of the authors cited in the text. Citations are sometimes indicated by a long vertical red stroke, which occasionally ends with a fleuron. An elegant, red or red-and-black initial introduces the prologue (p. 4a) and the four books of the Sentences (pp. 8b, 126b, 237a, and 315a), as well the table of the chapters of books II and III (pp. 123 and 235a). The manuscript has a fifteenth-century wooden binding, typical of the Abbey of St. Gall.
Online Since: 09/22/2022
This miscellany of Aristotelian logic and dialectics (AL 1160) was produced as a single work and written by various hands in textualis. It was then commented in the margins by various hands, sometimes with multiple hands in the same comment. The first part comprises the Isagoge by Porphyry (pp. 1-17), Aristotle's Categoriae (pp. 17-46) and De interpretatione (pp. 46-63) in the translation of Anicius Manlius Severinus Boethius, the anonymous twelfth-century Aristotelian compilation Liber sex principiorum (pp. 63-78) and Boethius' own De divisione (pp. 78-96). The second part begins with Boethius' De differentiis topicis (pp. 97-148). The third part contains Boethius' translation of Aristotle's Topica (pp. 149-287). This is followed by Boethius' translation of Aristotle's De sophisticis elenchis (pp. 288-322). The fourth part begins with Boethius' translation of Aristotle's Analytica priora (pp. 323-392). The remainder of p. 392 is ruled but otherwise empty. Page 393 is completely blank. Page 394 was used for notes. The fifth part contains the Latin translation of Aristotle's Analytica posteriora (pp. 395-434). The volume has a green (or blue) cover decorated with large rhombi (ink or scudding decoration). The endband is finished in a natural shade of blue. The volume originally had two eyelet fastenings with simple holes stamped through the bottom board. There are multiple names noted on the top pastedown: dasz buch ist [getilgt] wirt oder sinez bruoder [sic] […] Rug Hanns […] Jacob Wirt von Sant Gallen […] Maister Cuonrat […]. Page 41 is stamped with the 1553-1564 St. Gallen library stamp of Abbot Diethelm Blarer. Numerous details have been added: manicules (p. 36, 93, 276, 302, 352, 416, 432 und 434), topical diagrams (p. 132), a tournament scene (p. 241), a banderole with the year ·1·5·6·7· written on it (p. 244, 245), nudes (p. 254, 432, rear pastedown), vignettes (p. 300), a secant (p. 350), Aristotelian categories (p. 354, 366) as well as crowns (rear pastedown).
Online Since: 09/06/2023
A copy of Aristotle's Categoriae (Categories) and De interpretatione (On interpretation) in Latin, followed by the respective commentaries of Boethius on each of the Aristotelian texts. Between texts and commentaries is the poem De ponderibus et mensuris by Remmius Favinus (?) concerning weights and measures. This manuscript, decorated with three unusual initials (pp. 44, 203 and 221) was written during the 11th century, likely only parts of it in St. Gall.
Online Since: 04/15/2010
This composite volume, written between 1425 and 1425 in the Lake Constance regions, though not at the Abbey of St. Gall, contains Latin versions of a great many computistic/astronomical/cosmographical treatises, including the widely disseminated work De sphaera mundi by John of Sacrobosco and his arithmetical foundation work Tractatus de algorismo. The manuscript, organized according to the calendar, also contains illustrations: the twelve signs of the zodiac, a map of the winds, sketches of the ecliptics of the sun and moon, planets and constellations, a diagrammatic guide for bloodletting, a set of early medieval Terra Orbis-type world maps, and (on pages 265 and 266) twelve simple illustrations for the months with brief rhyming proverbs in German derived from the nature- and landscape-dominated everyday life of the people of the late middle ages.
Online Since: 10/04/2011
A composite manuscript intended for teaching purposes, written in Mainz during the first half of the 11th century, possibly brought to St. Gall by the monk Ekkehart IV. Ekkehart IV. taught intermittently at the cathedral school in Mainz and added a great many glosses to this manuscript. The codex gathers together a number of texts used in school teaching, for example copies of the commentary of Boethius on Aristotle's De interpretatione, Cicero's Topica, the Geometry I by (pseudo?)-Boethius as well as additional works by Boethius, such as De differentiis topicis, De divisione, De syllogismis categoricis and De syllogismis hypotheticis. At the end of the volume are two brief texts by Ekkehart IV. about the Septem Artes Liberales, (on page 488) verses in praise of Boethius and (on page 490) an allegory based on the Septem Artes Liberales in the form of instructions to a goldsmith.
Online Since: 04/15/2010
A composite manuscript from the 11th century, possibly written at the Abbey of St. Gall. The main content of the codex consists of commentaries by Boethius on Cicero's Topica and on the Isagoge by the neoplatonic philosopher Porphyrius († after 300), Porphyrius's Isagoge itself and assorted other texts. Among these are, for example, small pieces by Walahfried Strabo (Regulae metricae; a letter with the incipit Domino meo benedictus salus et vita) and by Marius Victorinus, a 4th century Roman scholar (De generatione divina).
Online Since: 04/15/2010
A painstakingly annoted copy of the work De natura animalium tractatus XIX by Aristotle, in the Latin version by the scholar Michael Scotus († ca. 1235), written during the 13th century, with an opening "I" initial, partly decorated in gold, showing a man sitting before a book. In 1453 this manuscript was owned by one Johannes Kalf from Wangen (in Allgäu); bound in a Kopert (limp vellum) binding.
Online Since: 04/15/2010
Copy of De consolatione philosophiae by Boethius, produced in the 10th century in the monastery of St. Gall, with various Latin and Old High German glosses.
Online Since: 12/09/2008
The first part of the manuscript transmits on pp. 3–44 the Canones in motibus caelestium corporum, instructions for use and an explanation of the tables that follow, along with an addition in the same script and gathering on pp. 44–46. In the second part follows on pp. 47–203 the Tabulae Toletanae. These are tables to compare various computations of time, on the calculation of planetary movements and eclipses, on spherical astronomy and with repertories of stars and places. The small script, between a Gothic minuscule and a simplified textualis, dates rather from the second half of the thirteenth century or the first half of the fourteenth century (contrary to Scherrer), and the tendency of the round terminal s to finish below the line suggests Italian origin. On p. 204 there is a Zodiac, the Marian hymn Gaude virgo gratiosa (AH 9, p. 54) and a further, roughly contemporary text. According to the entry N. 102 on p. 3, the manuscript came to the Abbey Library in 1768 as part of the legacy of Ägidius Tschudi (1505–1572). The cardboard binding with leather-reinforced spine and corners, along with the paper bifolia that serve as pastedown and flyleaves (pp. 1/2 and p. 205/206), come from the decades around 1800.
Online Since: 12/20/2023
This codex, written in humanist minuscule, contains philosophical works by Marcus Tullius Cicero (106–43 BC): pp. 3–121 Tusculanae disputationes (“Tusculan Disputations”), pp. 121–248 De finibus bonorum et malorum (“On the Ends of Good and Evil”), pp. 249–344 De natura deorum (“On the Nature of the Gods”) and pp. pp. 345–416 De divinatione (“On Divination”). The coat of arms on p. 3 (four bearded male faces in profile, arranged in a circle) most likely was that of the later Pope Nicholas V, born Tommaso Parentucelli (1397–1455, Pope 1447–1455). Parentucelli used this coat of arms (“stemma delle quattro barbe”, Manfredi, p. 662) in the years before he was elected pope. It is found in 38 manuscripts in the Biblioteca Apostolica Vaticana in Rome as well as in a codex in the Biblioteca Capitolare in Padua (ms. C27). The white vine initials, typical of Florentine book decoration, are similar to those in the codex from Padua, whose illuminations Silvia Fumian attributes to the Florentine artist Bartolomeo Varnucci (* ca. 1412/1413). Perhaps Parentucelli commissioned this manuscript in 1439–1443, when he resided in Florence for the Council.
Online Since: 10/13/2016
This manuscript, probably not written in St. Gall, contains Cicero's Topica on pp. 1-21 (defective at the end), and Boethius' commentary on that work on pp. 21-216. On the inside of the front cover, one can discern the negative impression of a page from the Edictum Rothari (Cod. Sag. 730, p. 17).
Online Since: 12/13/2013
School manuscript from the monastery of St. Gall, containing Cassiodorus'Institutiones saecularium litterarum (an educational book on the "Septem Artes Liberales").
Online Since: 12/31/2005
This manuscript (also called the “St. Galler Epenhandschrift”) is written in two columns in a very uniform manner by three anonymous primary scribes and four secondary scribes; it offers a fine version of a unique collection of Middle High German heroic and knightly poetry. It contains “Parzival” (pp. 5−288; version D) by Wolfram von Eschenbach, the Song of the Nibelungs (pp. 291−416; version B) with the following lament (pp. 416−451; version B), the poem “Karl der Grosse” (pp. 452−558; version C) by der Stricker, the verse narrative “Willehalm” (pp. 561−691; version G) by Wolfram von Eschenbach, as well as five sung gnomic verses by Friedrich von Sonnenburg (p. 693; version G). Until 1768, when the manuscript was purchased by the Monastery of St. Gall, this volume certainly also contained fragments of the epic poems “Die Kindheit Jesu” by Konrad von Fussesbrunnen and Unser vrouwen hinvart by Konrad von Heimesfurt. These two works were removed from the manuscript of epic poems before 1820 and are now held in the Staatsbibliothek Preussischer Kulturbesitz in Berlin (mgf 1021) and the Badische Landesbibliothek in Karlsruhe (Cod. K 2037), respectively. The manuscript, illustrated with 78 uniformly executed initials by unknown artists from the miniature painting school of Padua, was commissioned by a wealthy client who was interested in Middle High German epic poems. The first owner known by name was the Swiss polymath and universal scholar Aegidius Tschudi (1505−1572) from Glarus, whose estate of manuscripts the Monastery of St. Gall was able to acquire in 1768.
Online Since: 10/08/2015
This manuscript, written in 1499 under the schoolmaster Cunradus Reuschman of Lindau (note on p. 488), contains predominantly works by ancient writers, as well as several works by 15th century Italian authors. All texts have commentaries, and the more important works are generally preceded by an argumentum. Often there are several pages left blank between the texts. In the margins, there are several simple pen sketches (pp. 498–501, 504, 511, 513; on p. 706 and 712 sketches of maps of the world). P. 3 contains a full-page pen sketch of the city of Troy. The individual texts are: Publius Baebius Italicus, Ilias latina (pp. 5–51); Virgil, Georgica (pp. 57–146); Horace, Epistolae (pp. 148–230); Horace, Carmen saeculare (pp. 231–234); Lactantius, De ave Phoenice (pp. 234–241); Persius, Satires (pp. 245–282); Margarita passionis, inc. Cum prope pasca foret (pp. 283–288); Seneca, De providentia (pp. 289–298); Augustinus Datus, Elegantiolae (pp. 323–361); Carmen de dolo et astutia cuiusdam mulieris, inc. Summe procus caveat ducatur ne mala coniunx (pp. 362–365); hymns (pp. 366–388); Parvulus philosophiae moralis (pp. 395–417); Dominicus Mancinus, De quattuor virtutibus (pp. 419–488); Hieronimus de Vallibus, Jesuida (pp. 491–514); Matthaeus Bossus, Oratio in beata coena domini (pp. 515–524); Ps.-Leonardo Bruni Aretino, Comoedia Poliscena (pp. 539–549); Terence, Andria (pp. 563–621); Virgil, Bucolica (pp. 629–660); Horace, Ars poetica (pp. 661–678); Horace, Epodes (pp. 679–692); Ps.-Virgil, Moretum (pp. 692–694); Ps.-Ovid, Remedia amoris, inc. Qui fuerit cupiens ab amica solvere colla (pp. 694–695); Ps.-Ovid, De arte amandi, inc. Si quem forte iuvat subdi sapienter amori (pp. 695–698); a treatise on punctuation, De kanone punctorum (pp. 699); Virgil, Aeneis, lib. 1 and 3 (pp. 701–726 and 741–760); Sallust, De coniuratione Catilinae (pp. 765–802); Sallust, De bello Iugurthino, incomplete (pp. 803–804); Seneca, Epistolae morales (pp. 812–853).
Online Since: 10/04/2018
Marcus Annaeus Lucanus (Lucan, 39-65 AD), "De bello civili" (also known as the "Pharsalia"). Epic poem on the civil war between Pompey and Caesar (48 - 45 BC).
Online Since: 06/12/2006
This codex consists of four independently produced parts, probably not written in St. Gall: 1. Horace, Odae (incomplete at the end, with some glosses); 2. Lucan, Pharsalia (incomplete at the end, heavily glossed; 3. Sallust, De coniuratione Catilinae (complete) and De bello Iugurthino (with some chapters missing); 4. Ovid, Amores (incomplete at the end, heavily glossed) and a page from the Metamorphoseon.
Online Since: 03/31/2011
This codex contains the best-known work by the Roman poet Publius Papinius Statius, his epic poem about the war of the Seven Against Thebes (Thebais), along with metrical argumenta on lib. II–IV. Two quires containing lib. IV, V. 578 – lib. VII, V. 30 (between pp. 75 and 76) are missing, as well as a bifolium with lib. IX, 671–751 and lib. X, 5–84 (between pp. 128 and 129 as well as 132 and 133). The beginnings of the books and of the metrical argumenta (p. 3, 21, 40, 58/59, 92, 112, 132, 173) are accentuated with initials, partly in two colors (red/green). There are numerous marginal and interlinear glosses, mainly from the 12th and 13th century. On pp. 196–197, probably in the same hand, is the Planctus Oedipodis, Inc. Diri patris infausta pignora (Oedipus' lament about the death of his sons). The poem comprises 21 rhyming stanzas of four lines each, the first of which has neumes on a staff of four lines. This form of notation argues against the manuscript's originating in St. Gall.
Online Since: 06/22/2017
Ovid's Pontics constitute the only text of this gothic-minuscule manuscript copied by a single thirteenth-century hand. Divided into four books in modern editions, the 46 letters, poetic elegies related to the poet's exile in Tomis, here follow without interruption. Simple initials painted in red distinguish the letters from each other until p. 66; afterwards, there are only the blank spaces for the initials that were not produced. In addition to maniculae in the margins, there are numerous interlinear and marginal glosses, which more or less date to the same period as the text's script.
Online Since: 09/22/2022
Manuscript compilation consisting mainly of grammatical texts, written in a variety of hands in about 800 in the monastery of St. Gall. Some of the texts in this codex are the oldest extant versions, and the text of the anonymous treatise De scansione heroyci versus et specie eorum is the only known surviving version in the world. Grammars include the Ars major and Ars minor by Donatus, a complilation of the two Donatus grammars by Peter of Pisa, the work De metris des Mallius Theodorus, the Ars grammatica by Diomedes, and both De arte metrica and De schematibus et tropis by the Venerable Bede.
Online Since: 12/09/2008
Manuscript compilation from the St. Gallen scriptorum, dating from around 800 and containing numerous grammatical treatises.
Online Since: 12/31/2005
This parchment manuscript contains on pp. 1–188 books 17 and 18 of Priscian's Institutiones grammaticae (ed. Keil, v. 3, pp. 107–278, l. 12). Then follows the third book of Donatus' Ars maior on pp. 189–204 (ed. Keil, v. 4, pp. 392–402), and the Pseudo-Priscian treatise De accentibus on pp. 205–223 (ed. Keil, v. 3, pp. 518–528). The entire grammatical manuscript is written in the same fourteenth-century textualis. The beginning each of the four texts, on p. 1, 115, 189, and 205, is marked by a 10-18-line painted initial with gold, blue, white, red, dark-red or green; the first initial is historiated, depicted a teaching scene, and the third initial is heavily damaged. For the rest, there are simple red and blue pen-flourished initials throughout. The Institutiones grammaticae are accompanied by numerous glosses and commentaries written in ink by several fourteenth-century hands. On p. 189 the glosses are less numerous and have been made with dry point. On p. 118 and 224 can be found the stamp of Abbot Diethelm Blarer (1553–1564), on p. 1 appears the former shelfmark D.n. 241 along with a note on content by Pius Kolb. Before p. 1, a fragment in paper contains the remains of two long entries. The wooden-board binding has a half-leather cover.
Online Since: 12/20/2023
The parchment manuscript contains Alexander of Villedieu's Doctrinale with the commentary of Master Bertholdus Turicensis. The colophon (p. 123) states the name of this commentator from Zurich, and of the copyist, a certain “Hermannus”, but nothing more is known about them. The volume, laid out in two columns, is carefully articulated: every hexameter of the Doctrinale is generally divided into paragraphs of one or more verses and is copied in a larger size than the commentaries that follow. This commentary is more or less as long as the verses and is moreover full of abbreviations, unlike the text being commented. Elegant pen-flourished initials, typical of upper-Rhine illuminations of the beginning of the fourteenth century, appear throughout this copy. The seal of abbot Diethelm Blarer (p. 59) confirms that the book was at the Abbey Library since 1553–1564 at the latest.
Online Since: 12/20/2023
School manuscript for the St. Gall monastery school, containing the Greek grammar by Dositheus and a prose version of Aratos of Soloi's didactic poem Phainomena which is illustrated with a pen drawing.
Online Since: 09/14/2005
The Irish Priscian manuscript of St. Gallen: a copy of the Latin Institutiones Grammaticae by the grammarian Priscian of Caesarea (6th century) with over 9000 glosses, among them 3478 in the Old Irish language. The basis for the reconstruction of the Old Irish language. Contains numerous elaborate pen initials. Written in an Irish scriptorium (Bangor?, Nendrum?) around 845.
Online Since: 06/12/2006
The oldest book in the German language, the so-called "Abrogans" manuscript from around 790, containing the earliest German translation of the Lord's Prayer and Credo.
Online Since: 12/31/2005
The Abba-Ababus-Glossar in palimpsest form, one of the oldest manuscripts in the Abbey Library which survives in book form. This glossary, in which each Latin word is explained using another, was apparently written over older texts from the 5th century in the Cloister of Bobbio. The texts underneath, which vary in legibility, include fragments of the Psalms and of the book of Jeremiah from the Old Testament as well as extracts from works by the grammarian Donatus and the Roman poet Terence. Includes a miniature of a speaker in declamatory pose.
Online Since: 12/09/2008
The oldest capitulary from the monastery of St. Gall, containing, among other items, a martyrology, a necrology, the annals of St. Gall and several rules for monks.
Online Since: 12/31/2005
This quarto volume brings together various texts, mostly shorter in length, of which the bulk are spiritual essays and prayers, including: a treatise on the Passion (pp. 4–38), prayers on the Passion (pp. 68–84), prayers for the canonical hours (pp. 88–91), a treatise on the Fall (pp. 92–107), and another on the quattuor gemitus turturis (pp. 112-159); a Biblia pauperum indicates numerous saints and for what emergencies they can be invoked (pp. 160–193). Among the spiritual texts, there are also a few in German (e.g., pp. 218–220, 238). Two letters concern St. Gall: one is addressed to Abbot Eglolf (pp. 40–43), another to monks who have fled to St. Gall (pp. 85–88). Additional texts treat the Council of Constance and monastic reforms; also here there is a reference to St. Gall (pp. 239–250). The last quire is composed of parchment leaves and could have come from the fourteenth century; it contains a grammar and medical texts (pp. 251–266). The manuscript has a limp binding; for guards was used a German-language parchment charter, of which the year 1415 and the name of a ulrichen leman burger ze arbon are still legible.
Online Since: 09/22/2022
This manuscript contains as its main text (pp. 1-180) the so-called Waldregel, an Early Modern High German translation of the Regula solitariorum (rule for hermits), which was written in the 9th or 10th century by the monk Grimlaicus, who probably was from Lorraine. The Waldregel is supplemented by further texts on the topic of the hermit's life and poverty: pp. 180–222 Hie fachet an ein ander buoch von der bewerung einsidliches lebens …, Inc. Die muoter der heilge kristenheit het zweyerhand geistlicher lüte; pp. 222–277 Dz ander buoch von bewerung armuot, Inc. Gelobet sy got vnser herre vnd got iesus cristus; pp. 277–284 [sermon] Inc. Fünf stuk sind dar inne begriffen. On pp. 285–289, prayers have been recorded. The decoration consists of simple red Lombard initials, on p. 1 and 3 with green pen-flourish. Except for the prayers, the manuscript is a copy of Cod. Sang. 930. It was the property of the hermitage of the church of St. George outside the walls of St. Gall. Three spiritual women who lived there in the 1430s are depicted in simple pen and ink drawings on the back pastedown.
Online Since: 12/14/2018
This manuscript contains the so-called Reformatio Sigismundi, a document about the reform of church and empire that was written anonymously in German in 1439 during the Council of Basel by an author who until today has not been reliably identified. The text was printed for the first time in 1476. The treatise presents reform proposals that emphasize the importance of pastoral care and that promote releasing secular clergy from obligatory celibacy and releasing bishops from exercising temporal power. The treatise also reports Emperor Sigismund's alleged vision, according to which a priest-king Frederick is said to have appeared to him with plans for the reform. In a colophon on p. 234, the writer gives his name as Petrus Hamer von Weissenhorn, chaplain in Kirchberg. He begins the chapters with red initials and decorates two of them with caricatures of bearded faces (p. 158 and 212).
Online Since: 12/14/2018
This manuscript from 1467, which first belonged to the convent of the Poor Clares at Freiburg in Breisgau and was transported to the Abbey of St. Gall in 1699, contains, in addition to some Latin texts, many tracts for spiritual instruction in German translation. These include an Ars moriendi, the Cordiale de quattuor novissimis by Gerard van Vliederhoven, the so-called Hieronymus-Briefe(Letters of Jerome) translated by John of Neumark (ca. 1315-1356), the Spiegelbuch, a dialogical text in rhymed verses on living life properly, the trials of worldly life and everyday tribulations, with about twenty colored pen sketches, and a version of the legend of the Three Kings by John of Hildesheim (1310/1320-1375). The manuscript also contains some additional pen sketches: a unicorn (p. 87), images representing two Apostles (p. 107; Paul and John?), a man and a woman in secular dress, and a stag and a wild boar (p. 513). There are imprints in Carolingian minuscule on front and rear inside covers (rear inside cover: Hrabanus Maurus, De computo).
Online Since: 10/04/2011
This manuscript contains three substantial treatises in German. At the beginning there is the life of Archbishop Johannes of Alexandria (pp. 5−83), written by Anastasius Bibliothecarius. It is followed by the edifying treatise Die vierundzwanzig Alten oder der goldene Thron der minnenden Seele by Otto of Passau (pp. 87−544) and the History of the Three Kings (Historia trium regum) by John of Hildesheim (pp. 546−602). The treatise by Otto of Passau is illustrated with 25 colored pen and ink drawings, outlined in red and extending the width of the column. The History of the Three Kings begins with a full-page miniature (p. 546), which shows the three Magi visiting the infant Jesus. The scribe and the illustrators of this manuscript, which possibly originated in the circle of the community of lay brothers of St. Gall, are unknown; stylistic characteristics suggest the Konstanz book illumination of Rudolf Stahel. The manuscript is dated to the year 1454 in three places (p. 93 as an inscription in a picture; p. 544; p. 602). In the 15th century the manuscript was the property of the community of lay brothers of the Monastery of St. Gall (who did not know Latin); in 1618 the manuscript was still in the library of the community of lay brothers. At least since 1755 it has been attested in the main library of St. Gall Abbey.
Online Since: 06/25/2015
The five parts of this manuscript were written by various scribes, among them the St. Gall Conventual Hans Conrad Haller (1486–1525), who was calligrapher, priest and, from 1523 until 1525, librarian of the monastery of St. Gall; he wrote various works such as a missal and other spiritual literature, as well as a life of Notker Balbulus. In Cod. Sang. 1006 Haller frequently left colophons, e.g., on p. 531 and p. 540. The five parts of the manuscript contain the following texts: part I (pp. 13–45) Prayers on the Passion and – partly in fragments – liturgical plays, among them the Ludus ascensionis on pp. 33-44. Part II (pp. 46–65) a prayer to St. Dorothea, which, according to the scribe, was translated from the Latin and written down in 1430 (pp. 61-62). Part III (pp. 66-80) Der Seele Klageby Heinrich der Teichner. Teil IV (pp. 81–95) liturgy of the hours on the Passion of Christ. Part V (pp. 96-762) a wide variety of devotional texts such as prayers and meditations, among them on pp. 188-190 Ein babst lag uurmals an dem tod, pp. 406–486 St. Anselmi Fragen an Maria and pp. 508–524 a German Salve Regina in rhyme.
Online Since: 12/14/2018
The largest part of this manuscript contains sermons copied in two columns by multiple scribes (pp. 1-144). The various homilies are sometimes introduced by rubrics and small, alternating red-and-blue initials. The last part (pp. 145-157) is smaller in size (19 x 17 cm) and is copied for the most part in a single column; it contains leonine verses and versified sayings. Possessed by the St. Gall Abbey Library since at least the mid-sixteenth century (see the stamp of Abbot Diethlem Blarer, p. 120), the manuscript was rebound in the seventeenth/eighteenth century in a binding of blank parchment glued on cardboard, which closes with green silk laces.
Online Since: 09/22/2022
The parchment bookblock (pp. 5–162) contains in its core on pp. 8–162 a collection of Latin sermons on the feasts of the ecclesiastical year (temporale and sanctorale) in a small gothic minuscule of the thirteenth century. At the top of p. 7 is a table with Greek letters as item numbers and below an incipit in red majuscules, that is partially covered by the library stamp of Abbot Diethelm Blarer from the period 1553–1564. The single leaf p. 5/6 contains a table of contents of the sermons from the beginning of the codex to the Assumption of the Virgin, which probably was added in the second half of the fourteenth century. The collection begins with the sermons for Advent (p. 8) and runs through the Exaltation of the Cross (p. 109) and to the Assumption of the Virgin (p. 112). Additional sermons follow, including an Ad populum (p. 157, 162), before the text breaks off at the end of p. 162. The sermons are mostly introduced by a two-to-three-line decorative initial in the colors red, blue, and green. The binding, as well as the paper flyleaves (pp. 1–4, 163–190), probably come from the end of the seventeenth or the eighteenth century.
Online Since: 04/25/2023
The manuscript was written in a textualis probably in the second half of the thirteenth or the first half of the fourteenth century. The old foliation runs from I to CLXXXIII and from CCLXV to CCLXXX (pencil foliation: 184–209). The current foliation is A–B in pencil and then I–CLXXXIII in red ink, and finally 184–216 in pencil. The table of contents, inserted in the fourteenth century on the last, separate gathering (fol. 211r–214v) uses Roman numerals from I to CCLXXVIII without gaps. This shows that several quires were lost at some point after the production of the table of contents, a fact that was already noted on the table of contents in the fifteenth century with “vacat”. The surviving leaves transmit, in the first place, sermons of Berthold of Regensburg († 1272) on Sundays and the Feasts of Saints (fol. Ir–CLXXIIIIv) and then – owing to the mentioned loss of leaves – only the end of his sermon on the common of saints (fol. 184r–184v). In between and afterwards are other sermons (Sermones ad religiosos, Sermones ad speciales) or spiritual texts by the same hand, although at the end (fol. 209r–210r) by another hand. According to the table of contents, there follow (fol. 214r–215v) further entries, probably from the fourteenth century, including a few in the German language. According to the ownership mark Liber sancti Galli on fol. Br, the codex was in the Abbey of St. Gall in the fifteenth century at the latest.
Online Since: 04/25/2023
This manuscript contains around a third of the text of Jacobus of Voragine's Legenda aurea, where some texts appear twice. The first part (pp. 1–267) begins with Advent and ends with All Souls' Day and the consecration of a church. The title written over the first text (Sermo de adventu domini, p. 1) is misleading and has led to the misidentification of the manuscript's contents as sermones. The second part (pp. 271–665) begins with Matthias (24 February) and ends with Thomas (21 December). This collection has been supplemented with a few texts from the so-called Provincia-Appendix (Oswald, Ulrich, Pelagius, Verena, Gallus, Otmar, Konrad), which have been added at the appropriate place in the ecclesiastical year. Between the two parts (pp. 267–270) can be found seven short exempla, the first three of which are based on texts from the Verba seniorum. Two scribes took part in producing the manuscript. The change in hand on p. 382/383 (at the end of a quire, but in the middle of a word) is accompanied by a change in decoration; while in the preceding part only a few multi-line red initials are adorned with simple red pen-flourishes, in the following part the pen-flourishes are two-color (red/blue), more luxuriant and finer. The pen-flourishes resemble those in the manuscript Fribourg, BCU, ms. L 34, but in comparison is somewhat less refined. Noticeable in the first part are found multi-color decorative stitching and holes filled with needlework (p. 55/56, 75/76, 115/116, 123/124, 131/132, 143/144 und 147/148). On the upper margin of pp. 7–664 can be found an old foliation (III–CCCXXXI). The cardboard binding, covered in blank parchment and adorned with green-silk ribbons as clasps, dates from the eighteenth/nineteenth century.
Online Since: 04/25/2023
This manuscript predominantly contains sermons. It begins (pp. 1–279) with the Speculum ecclesiae by Honorius Augustodunensis (around 1080 – 1150/1151). This is followed by 20 verses each on virtues and vices in Leonine hexameter (pp. 279–281), each followed by a brief explanation in prose. On the otherwise blank p. 282, there is a pen and ink drawing of the Apostle Paul. Following on pp. 283–411, there are the Sermones by Mauritius de Sulliaco (Maurice de Sully, around 1120 – 1196), with a list of chapters and a prologue on p. 283. On pp. 411-414, there is a commentary on the Apostles' Creed (Inc. Quo nomine vocatur hec doctrina apostolica symbolum, Expl. latine dicitur vere fideliter fiat). The very short text on p. 415 deals with Communion for the excommunicated (Inc. Communicans excommunicato, Expl. ad correctionem communicabis excommunicato).
Online Since: 03/22/2018
St. Gall Abbot Ulrich Rösch's (1462-1491) book of heraldry, containing 1,626 coats of arms of prominent people from the laity and the clergy, mostly from the southern region of Germany. This heraldic book was probably prepared in the Heidelberg workshop of Hans Ingeram for an unknown customer from the area between the Neckar River and the Upper Rhine. In the 1480s St. Gall Abbot Ulrich Rösch purchased the volume and had numerous coats of arms from Swiss and German border areas added in the back pages; these were drawn by Winterthur artist Hans Haggenberg. One of the most important heraldic record books of the 15th century.
Online Since: 12/23/2008
Book of heraldry by the universal scholar Aegidius Tschudi (1505-1572) of Glarus, produced at some point between 1530 and 1572. It contains more than 2,000 coats of arms of the aristocratic families of the Old Swiss Confederacy. Many of the coats of arms include genealogical explanations in Tschudi's hand.
Online Since: 12/23/2008
The Carolingian Plan of St. Gall is the oldest surviving architectural drawing of the Western world, and thus it is a monument of European cultural history. It consists of five pieces of sheep parchment, sewn together, and later folded to quarto format. On the front, there is an orginal plan of a monastery complex with 52 buildings, 333 explanatory annotations in Latin, and a letter of dedication. Probably based on models, it was created at Reichenau under Abbot Heito or Erlebald for (Abbot?) Gozbert of St. Gall (819 or around 827/830); annotations were added by the Librarian Reginbert and a younger brother. On the formerly blank back side (and on the erasure at the lower left on the front), was added the Vita beati Martini episcopi based on Sulpicius Severus (created in St. Gall at the end of the 12th century).
Online Since: 03/20/2014
This manuscript, with an imposing binding, bears the title “Schlacht-, Nammen-, Schilt- und Waappen-Buoch von denen noch bewusten Graffen, Freyen, Edlen, Ritter und Knechten, welche mit Hertzog Leopoldo II. von Oesterreich auff St. Cirilli den 9.ten Tag Iulij 1386 vor Sempach umbgekommen und erschlagen worden” (Book of the battle, name, escutcheon and coat of arms for the known counts, freemen, nobles, knights and soldiers who perished or were slain along with Leopold II, Duke of Austria on St. Cyril, the 9th day of July 1386 at Sempach). Joseph von Rudolphi (1717−1740), abbot of St. Gall, commissioned this copy in 1738, because, after studying the Chronicon Helveticum, the great historical work by the scholar Aegidius Tschudi (1505−1572) of Glarus, and a copy thereof that he had arranged to have made for his monastery shortly before from the exemplar at Schloss Gräpplang near Flums (Cod. Sang. 1213−1220), he had found certain discrepancies with an older copy of the “Wappenbuch von Sempach”. A colorful painting of the battle has survived as a sort of frontispiece on a parchment bifolio (pp. 6−7); it is similar to the painting in the Schlachtkapelle (“battle chapel”) of Sempach and, according to Franz Weidmann's manuscript catalog (Cod. Sang. 1405, p. 2002), it was “von einem gar alten Kupferstich getreülich abgemalet worden” (faithfully copied from a quite old copperplate print). Apparently Joseph Leodegar Bartholomäus Tschudi (1708−1772), a descendant of Aegidius Tschudi, is responsible for the book decoration (p. V1). After extensive introductory comments, the volume's rich ornamentation with the coats of arms begins with a portrait of Duke Leopold III (p. 34).
Online Since: 06/22/2017
This manuscript was written by the St. Gall monk Jakob an der Rüti (1562-1615), probably for private use. The first part (f. 1r-125r) contains responsories for the principal feast days of the liturgical year with melodies in German plainsong notation ("Hufnagelnotation") and often with directions for processions. These are followed by directions regarding the location of certain Vespers (f. 126r-128r), more directions on the order of processions f. 128v-136v), melodies for the doxology (f. 139r-140v), directions for the Vespers of the boy abbot (abbas scholasticus) on the Feast Day of St. John the Baptist and on the eve of the Feast of the Circumcision (f. 140v-147v), as well as prayers for processions (f. 150r-155v). Jakob an der Rüti decorated the manuscript with several somewhat clumsy pen sketches and borders (full-page decoration f. 1r, 58v-59r and 77v-78r, also representations of figures in initials). On f. 126r he gives his name in initials (F.I.A.R.), on f. 125r his name is written out (erased, legible under UV-light: Per me fratrem Jacobum An der Rüti …um Anno 1582).
Online Since: 06/23/2014
Travel diary ("Reisebuch") of Alsatian world traveler Georg Franz Müller (1646-1723). Müller was employed by the Dutch East India Company between 1669 and 1682 as a soldier in the Indonesian archipelago. In the "Reisebuch" he illustrated people, animals and plants that he encountered during his voyage (via South Africa) to Indonesia and his travels in Indonesia. He also composed simple, sometimes clumsy verses, about all these people, animals and plants, and wrote them out in his idiosyncratic, difficult to read script.
Online Since: 12/23/2008
The manuscript was bought in the year 1779 by the St. Gall monk Gall Metzler (1743-1820), parish priest in Ebringen near Freiburg, which was owned by St. Gall. It contains liturgical instructions for the church year, divided into two parts (de tempore and de sanctis). Written in German, its stated aim is to avoid ‘vnwißenheit' (ignorance) in liturgical matters. Information on collects has been left out both for reasons of space and because only priests needed this information. This may indicate that the manuscript was intended for nuns (the masculine form is, however, retained throughout). It remains to be seen to what the source text mentioned in the prologue – ‘Index' – refers.
Online Since: 12/17/2015
The manuscript contains a number of normative texts from the Cistercian nuns' convent of Günterstal, written partly in German and partly in Latin. It begins with a treatise on simony, in Latin and German, which was written by ‘brůder Johannes' and dedicated to ‘der erwurdigen frowen von Mulhein', presumably Veronica von Mülheim, who was abbess of the convent from December 1504 until her death in May 1508. Johannes may have been a monk from Tennenbach, the Cistercian monastery which had responsibility for the cura animarum of the nuns. The rest of the manuscript contains a number of translations of normative texts from the Cistercian order, including the Liber definitionum and the Ecclesiastica Officia. Their use for nuns is highlighted by the German translations and the inclusion of only relevant chapters. Many of these were also transmitted in the Cistercian nuns' convent of Lichtenthal, near Baden-Baden. Although the convent was never formally reformed, the manuscript points to reforming impulses in the early part of the sixteenth century. The manuscript was bought in 1782 by the St. Gall monk Gall Metzler (1743-1820), parish priest in Ebringen near Freiburg, which was owned by St. Gall.
Online Since: 12/17/2015
Abbot Otmar Kunz's (1564−1577) small format prayer book, with several pages of rich decoration (flowers, vines, animals), was written and illustrated in 1574 by unknown artists. Especially noteworthy are two full page miniatures. On p. 4, Abbot Otmar Kunz, dressed in ceremonial regalia, kneels in a landscape with a city, hills and trees, above him is God with the terrestrial globe and with his hand raised in blessing. On p. 10, the St. Gall abbot, dressed in a simple monk's habit, kneels with Mary and John beneath the Cross of Christ. The prayer book contains (from p. 11 on) the so-called 5 Passion Psalms (Ps 22, 31, 55, 69, 109). These are followed by the 15 Gradual Psalms, the vigil for the deceased, as well as the 7 Penitential Psalms with the Litany of the Saints. After the death of Abbot Otmar, a scribe with the initials FVF added a prayer (pp. 105−109); probably this was Brother Ulpianus Fischer from Überlingen, who joined the Abbey of St. Gall in 1583. In 1594, the former abbot's prayer book belonged to St. Gall monk Georg Spengler († 1609), who was born in Wil. In 1599 the manuscript received its current binding with blind stamp decoration.
Online Since: 06/22/2017
Collected Fragments Volume II from the Abbey Library of St. Gall ("Veterum Fragmentorum manuscriptis codicibus detractorum collectio tomus II"). Among other texts, this volume contains 110 smaller and larger single leaves from the oldest Vulgate version of the Gospels, produced in northern Italy (Verona?) in about 410/420, fragments of Psalm manuscripts in Latin and in Greek from the 7th and the 10th centuries respectively, and a large number of Irish fragments from the Abbey Library dating from the 7th through the 9th century, including a picture portraying Matthew the Evangelist with his emblems (p. 418), a full-page decorated cross (p. 422) and a "Peccavimus" decorative initial (p. 426).
Online Since: 07/31/2009
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The first folder of Cod. Sang. 1397 contains fragments with musical notation from six liturgical manuscripts, and, at the beginning, a fragment with a commentary on the Metaphysics (p. 1-2). The fragments date from the tenth/eleventh to the thirteenth century.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The third folder of Cod. Sang. 1397 contains fragments with musical notation from seven liturgical manuscripts from the eleventh to the thirteenth/fourteenth century.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The fifth folder of Cod. Sang. 1397 contains fragments with musical notation from four liturgical manuscripts from the eleventh to the thirteenth century.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The seventh folder of Cod. Sang. 1397 contains fragments with musical notation from five liturgical manuscripts from the twelfth to the fourteenth century.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The eighth folder of Cod. Sang. 1397 contains fragments with musical notation from five liturgical manuscripts from the eleventh/twelfth to the thirteenth century.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The ninth folder of Cod. Sang. 1397 contains fragments with musical notation from seven liturgical manuscripts from the twelfth to the fourteenth century, and from a printed breviary.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The eleventh folder of Cod. Sang. 1397 contains fragments, including one with musical notation, from eight liturgical manuscripts from the ninth to the thirteenth century.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The thirteenth folder of Cod. Sang. 1397 contains fragments from five liturgical manuscripts from the eleventh to the thirteenth century.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The fourteenth folder of Cod. Sang. 1397 contains fragments from eight liturgical manuscripts from the eleventh to the twelfth century.
Online Since: 09/06/2023
Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The twenty-second folder of Cod. Sang. 1397 contains fragments from two psalters dating from the ninth and tenth century.
Online Since: 09/06/2023
Cod. Sang. 1398a is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2003 to 2004 the extensive fragment volume Cod. Sang. 1398a was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 14 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1398a.1, pp. 1-2 (= Cod. Sang. 1398a, Folder 1, pages 1-2). The first folder of Cod. Sang. 1398a contains nine fragments from biblical texts and one document (p. 25-26). The fragments date from the eighth to the fifteenth/sixteenth century.
Online Since: 09/06/2023
Cod. Sang. 1398a is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2003 to 2004 the extensive fragment volume Cod. Sang. 1398a was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 14 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1398a.1, pp. 1-2 (= Cod. Sang. 1398a, Folder 1, pages 1-2). The fifth folder of Cod. Sang. 1398a contains fragments from one manuscript of the Amalarius' Forma institutionis canonicorum dating from the ninth/tenth century.
Online Since: 09/06/2023
Cod. Sang. 1398a is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2003 to 2004 the extensive fragment volume Cod. Sang. 1398a was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 14 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1398a.1, pp. 1-2 (= Cod. Sang. 1398a, Folder 1, pages 1-2). The twelfth folder of Cod. Sang. 1398a contains fragments from seven manuscripts with sermons, biblical texts and commentaries, and the Antiquitates Iudaicae of Josephus (p. 9-12), from the eleventh to the thirteenth century.
Online Since: 09/06/2023
The paper manuscript contains the chronicles of the librarian of St. Gall, Jodocus Metzler (1574-1639); the longest of them is dedicated to the history of the abbey of St. Gall (pp. 11-750), followed by the chronicles of Engelberg (pp. 813-825) and of St. John in the Thur valley (pp. 829-840), and finally by a catalogue of the abbots of St. Magnus of Füssen (pp. 845-848). This copy was made by the St. Gall monk Marianus Buzlin in 1613, while the marginal notes are in Metzler's hand. The manuscript opens with a full-page illumination on parchment (p. 13); in its side margins appear St. Gall (left) and St. Otmar (right), the bottom of the page features the coat of arms of the abbot Bernhard Müller (1594-1630), while the blue-painted background, which probably would have had the title, is left empty with the exception of gold ornaments in the corners.
Online Since: 09/22/2022
This Festschrift for Fr. Aegidius Hartmann (1691–1776), dean of St. Gall, is titled Corona gloriae et sertum exultationis. The monastery community dedicated it to the dean on the occasion of the golden jubilee of his ordination to the priesthood on 16 October 1766. Three poems, odes and eulogies each praise Fr. Aegidius Hartmann as minister of the sacraments, as pastor and as priest celebrating this jubilee. Each poem is preceded by an emblem of a flower in a garden; the three sections each begin with a wreath of three flowers. The Festschrift was drawn and probably also written by Fr. Dominikus Feustlin (who also wrote the four-volume antiphonary Cod. Sang. 1762, 1763, 1764 and 1795). At the end of the manuscript, two small-format booklets contain texts honoring Abbot Beda Angehrn. He received the first of these, titled Duplicis piique voti unanimis consensio, in 1778 from students in Kreuzlingen. The second, titled Alte und neue Dichtkunst. Ein Tafelgesang, was also presented in 1778 by the Imperial Abbey Petershausen in Constance. Both texts were probably meant for a musical performance since they contain arias and a choral piece each, but they lack any musical notation.
Online Since: 10/04/2018
Pontifical vesperal of St. Gall Prince-Abbott Cölestin Sfondrati (Abbot 1687–1696). It was found in 1846 among the books of St. Gall friar Notker Hager († 1836). This volume contains the chants for Vespers (antiphones and hymns) for the Feasts of Jesus Christ and for the saints' feast days throughout the church year. Only the incipits are each written in German plainsong notation (“Hufnagelnotation”) on five lines. Each feast is decorated with initials in the style of grotesques and with several marginal miniatures (on p. 56 is the oldest colored view of the Monastery of St. Gall). The volume is divided into Proprium de tempore (pp. 1–30), Proprium sanctorum (pp. 31–63), Commune sanctorum (pp. 64–74) and Festum sanctorum reliquiarum monasterii sancti Galli (pp. 75–77).
Online Since: 06/25/2015
This Festschrift for St. Gall Abbott Joseph von Rudolphi (1666-1740, Abbot 1717-1740) is titled Novus Hercules in divi Galli requie exsuscitatus. It was presented to the abbott in 1739 on the occasion of his name day by the students of the monastery school (Musae Sangallenses). Based on the twelve labors of Hercules, the text praises twelve extraordinary achievements of the monastery in the twelve centuries of its existence. For each century, a two-page Historia presents background, followed by an emblematic representation and a two-page Elogium that refers to the emblem. Three poems praising the abbot in Latin, Greek and Hebrew conclude the work.
Online Since: 10/04/2018
The manuscript was copied in 1775 by Fr. Romano (Romanus) Fromenwiller for the Prince-Abott Beda Angehrn of Saint Gall most probably at the Abbey of Saint Gall. It is a shortened copy of the two parts from the book Theasaurus linguæ Armenicæ (Արամեան լեզուին գանձ), published by Joachim Schröder in 1711 in Amsterdam. The main content of the manuscript is the Ecclesiæ armenicæ confessio (Part 3 of the Theasaurus linguæ Armenicæ), which is followed by an alphabetical table, accompanied by a transliteration of the Armenian letters into Latin characters, copied from Part 2 of the Theasaurus linguæ Armenicæ.
Online Since: 09/26/2017
Volume 1 so-called Sacrarium Sancti Galli in six volumes (which could not be found at the time of Gustav Scherrer's cataloguing of manuscripts before 1875). Volumes 2 to 6 of the Sacrarium have the shelfmarks Cod. Sang. 1719−1723. This volume lists the cult objects such as chalices, statues, monstrances, candle holders, small altars, patens, censers, reliquaries, etc. that made up the church treasure of the Monastery of St. Gall in the year 1693. This overview, compiled and written by Father Gregor Schnyder (1642-1708) and dedicated to the Prince-Abbot of St. Gall Cölestin Sfondrati (1687−1696), includes historical information about the individual cult objects and illustrates these objects with 60 realistic images in opaque colors. This register is of great importance today since many of the objects were lost, were seized or were melted down during the military invasions by troops from Zurich and Bern in 1712, by the French in May 1789, through the secularization of the monastery in 1805 and the following liquidation of a great part of the abbey's property. Various works by renowned gold- and silversmiths of the early modern period (including Hans Jacob Bayr, Augsburg; Heinrich Domeisen, Rapperswil; Fidel Ramsperg, Appenzell; Johannes Renner, Wil) can be reconstructed only through this Hierogazophylacium (German: Heiligschatzbehälter, ‘container of holy treasure). Other cult objects are still part of the cathedral treasure of St. Gall today, such as the Spoon of St. Gall (p. 170b), which remains in liturgical use today, or the small reliquary monstrance containing parts of the sackcloth belt and robe of St. Gall (p. 168b). In his compilation Fr. Gregor Schnyder paid special attention to the relics contained in the various objects; he noted their origin and copied certificates about their authenticity. This volume is introduced by a frontispiece in shades of brown (fol. IIIr), which shows the founding legend of the Monastery of St. Gall with the Church of St. Gall as it appeared around 1693 in the background.
Online Since: 03/17/2016
This volume, written almost exclusively in Latin, contains a compilation of texts taken from numerous older sources about transfers of saints in the territory of the Princely Abbey of Saint Gall. The St. Gall monk and custos Gregor Schnyder (1642−1708) compiled and wrote the text, mostly in chronological order, and presented it to Abbot Leodegar Bürgisser (abbot 1696−1717) on 19 April 1699, his name day. The illustrations in opaque colors were done by Father Gabriel Hecht (1664−1745). At the beginning there are descriptions of the various transfers of the relics of Saint Gall between about 640 and 1484 (fol. IXv – p. 20) and those of Saint Othmar between 759 and 1692 (pp. 24b−99). This is followed by reports about the transfers of the relics of Notker Balbulus as well as of his beatification in 1513 (pp. 104b−163) and about the dislocation of the relics of Othmar and Notker that was necessitated by the new construction of the church of Othmar (pp. 169−286). Next are reports of donations of relics of various saints from and of the Abbey of St. Gall (pp. 287−354), among them reports about the arrival of the relics of the saints Magnus (898), Constantius of Perugia (904), Remaclus of Stavelot (1035), Faith of Agen (1084), Charles Borromeo (1611), Sigisbert and Placidus from Disentis Abbey (1624) and Bishop Landolo of Treviso (1631), which were particularly revered in the Abbey of St. Gall. The back part of the manuscript contains compilations of documents and reports about the 17th century transfers of Roman catacomb saints to the territory of the Princely Abbey of Saint Gall: there are descriptions (including the respective background and festivities) of the transfer of Honoratus to the Abbey Church of St. Gall in 1643 (pp. 367b−453), of Antoninus and Theodorus to the Abbey Church of St. Gall in 1654 and to Neu St. Johann Abbey in 1685 and of Antonius to the Abbey Church of St. Gall in 1654 (pp. 458−507), of Leander to the Capuchin Convent Maria der Engel near Wattwil in 1652 (pp. 508−513), of Marinus to Lichtensteig in 1657 (pp. 518−530), of Theodora to the Cistercian Convent Magdenau in 1662 (pp. 533−539), of Pancratius to Wil in 1672 (pp. 541−571), of Constantius to Rorschach in 1672 (pp. 573−644), of Laureatus to Wildhaus in 1676 (pp. 647−682), and of Sergius, Bacchus, Hyacinthus and Erasmus to the Abbey Church of St. Gall in 1680 (pp. 687–747).
Online Since: 09/26/2017
This volume is written primarily in Latin; in the first part (pp. 1-480) it contains information about the consecration of churches, chapels, altars and bells at St. Gall Abbey and in the territory of the “Alte Landschaft” (a subject territory of St. Gall Abbey) (pp. 1-187), in the Thurgau (pp. 188-263), in the Rhine Valley (pp. 264-309), and in the Toggenburg (pp. 310-457); furthermore about the churches in the urban area of St. Gall, St. Lawrence, St. Mangen and St. Leonard (pp. 475-480). This part was written around 1706 by the St. Gall monk and custos Fr. Gregor Schnyder (1642–1708) and contains numerous additions from the period up to 1788. On an unnumbered leaf before p. 57, there is a pen and wash drawing of the monastery's tower clock that was completed in 1661. The second part (p. 487-556) is written by the St. Gall monk Chrysostomus Stipplin (1609–1672). It contains a calendar of the feast days of saints for St. Gall Abbey, indicating for each one where the respective celebration is held (pp. 487-501), a list of chapels and altars with the dates of their consecration (pp. 501-502), two lists of altar patronages (pp. 503-506 and 507-509) arranged according to the calendar, an overview of all the altars together with the relics they contained (pp. 509-515), as well as a list of all relics in the monastery and its chapels (pp. 519-556). The first part concludes with a site index (from the time period of the last additions).
Online Since: 12/14/2018
In this volume, written primarily in German, the St. Gall custos Fr. Kolumban Brändle (1720−1780) as author and compiler and Brother Gall Beerle (1734−1816) as scribe tell of the festivities that occurred on the occasion of the transfer of catacomb saints to the territory of the Princely Abbey of Saint Gall in the 18th century. The general introduction (fol. Vr – fol. VIIIr) is followed by sometimes extensive documentation about the transfers of Benedict to the Capuchin Convent of St. Scholastica in Rorschach in 1732 (fol. IXv−2v), of Justin to Gossau in 1743 (fol. 63v−68v), of Julian to the Capuchin Convent Notkersegg in 1748 (fol. 69v−77v), of Valentine to Goldach in 1761 (fol. 78v−129v), of Celestine to Waldkirch in 1763 (fol. 130v−167r), of Clementia to the Benedictine Convent of St. Wiborada in St. Georgen in 1769 (fol. 168v−226v), of Theodorus to Neu St. Johann in 1685 (fol. 228v−237r), of Placidus, Felicissimus, Victor, Prosper and Redempta to Neu St. Johann in 1689 (fol. 238v−246r), about the centenary of the transfer of Theodorus to Neu St. Johann in 1755 (fol. 247r−265r) and the centenary of the transfer of Marinus to Lichtensteig in 1757 (fol. 266v−291r), as well as about the transfer of Theodorus to Berneck in 1766 (fol. 292v−352v). These descriptions are accompanied by watercolor paintings of the catacomb saints dressed in festive garb. In addition the volume contains records, documents and reports about the authorization obtained from Rome to venerate Eusebius of Viktorsberg as a saint in the territory of the Princely Abbey of Saint Gall (fol. 3v−54v) as well as about the order of the Pancratius-procession in Wil in 1738 (fol. 55r−62v). The volume also contains a little-know ink sketch of Iberg Castle near Wattwil (fol. 238v).
Online Since: 09/26/2017
This collection of papers was compiled in 1785 by the custos of St. Gall Abbey, P. Ambrosius Epp (1572–1817). In several parts, it contains drawings, descriptions and inventories of part of the treasury of St. Gall Abbey (the so-called sacred liturgical objects), as well as documents related to them. Part 1 (pp. 1–157) includes pen and ink drawings of chalices, cruets, platters, coats of arms, candlesticks etc., also drawings of 4 altars. Part 2 (fol. 1–240, with an index on p. 161-166 of part 1) contains inventories of church treasure from the 17th and 18th century. Several inventories are undated, others are dated (to 1665, 1691, 1712, 1720, 1723, 1739 and 1781). Part 3 (fol. 1–104, with an index on fol. 242–244 of part 2) is a collection of documents regarding the earlier-mentioned objects — invoices, letters, diary entries, etc., mostly in chronological order. Part 4 (pp. 1–67 and fol. 68–95, with an index on fol. 107–110 of part 3) are handwritten and printed privileges and indulgences.
Online Since: 03/22/2018
Verbatim copy of Books I-III of the Alchemy Compendium Aureum Vellus oder Guldin Schatz und Kunstkammer printed in 1598/99 by Georg Straub in Rorschach. The woodcuts in the third part (Splendor Solis, pp. 219–270) are executed as colored watercolors and, except for a small number of differences, are copied exactly from the print version. A pen and wash drawing on p. 116 depicts Paracelsus.
Online Since: 12/14/2018
This large-format manuscript, which forms a unit with Cod. Sang. 1758, itself consists of two parts. The first part (p. 1-214) from 1473 (dating in the initial on p. 1) was completed in the 16th/17th century. Both parts, however, are not complete; furthermore, multiple pieces have been deleted and replaced with other pieces. The volume contains chants for the Mass – Proprium de sanctis, Commune sanctorum, Ordinarium missae (partially troped), Sequences and Tractus– in German plainsong notation ("Hufnagelnotation") in a five line-system. Together with Cod. Sang. 1758, this codex presents the oldest systematic St. Gall records of sequences on a musical staff. Several pages have book decorations in the form of borders and initials, sometimes with figurative representations. Until 1930, the manuscript was kept in the choir library (first of the St. Gall monastery, later of the St. Gall cathedral).
Online Since: 10/07/2013
This large-format manuscript, which forms a unit with Cod. Sang. 1757, contains chants for the Mass – Proprium de tempore, Ordinarium missae (partially troped), Sequences and votive Masses - in German plainsong notation ("Hufnagelnotation") in a four line-system. Multiple pieces have been deleted and replaced with other pieces. Together with Cod. Sang. 1757, this codex presents the oldest systematic St. Gall records of sequences on a musical staff. Several pages have book decorations in the form of initials (several exquisite filled initials, some with gold leaf) and borders. Heavy decorative fittings with animal heads and mythical creatures. Until 1930, the manuscript was kept in the choir library (first of the St. Gall monastery, later of the St. Gall cathedral).
Online Since: 10/07/2013
Winter portion of a large-format antiphonary in two volumes (summer portion in Cod. Sang. 1760) for the Liturgy of the Hours of the monks of St. Gall, written around 1770 by the St. Gall monk Martin ab Yberg (1741−1777) and richly illustrated with small watercolor paintings surrounded by flowery rococo frames by Father Notker Grögle (1740−1816). This volume, decorated with especially splendid baroque brass fittings, contains the chants of the monks of St. Gall for the feasts of Jesus Christ and of the saints between the first Sunday of Advent and the Feast of the Ascension. It is divided into the parts Proprium de tempore (pp. 1−357), Proprium sanctorum (pp. 358−500) and Commune sanctorum (pp. 501−559). These are followed by suffrages and by antiphons and responsories for workdays (pp. 560−616). Chants for the feast days of the Archangel Gabriel and of St. Scholastica are added (pp. 617−626). The melodies are written in Gothic German plainsong notation (“Hufnagelnotation”) on five lines. This volume came to the Abbey Library from the choir library of St. Gallen Cathedral in 1930.
Online Since: 09/26/2017
Summer portion of a large-format antiphonary in two volumes (winter portion in Cod. Sang. 1759) for the Liturgy of the Hours of the monks of St. Gall, written in the year 1770 (chronogram in silver on the frontispiece) by the St. Gall monk Martin ab Yberg (1741−1777) and richly illustrated with small watercolor paintings surrounded by flowery rococo frames by Father Notker Grögle (1740−1816). This volume, decorated with splendid baroque brass fittings, contains the chants of the monks of St. Gall for the Liturgy of the Hours on feasts of Jesus Christ and of the saints between Pentecost and the last Sunday after Pentecost. It contains the parts Proprium de tempore (pp. 1−113), Proprium sanctorum (pp. 114−353) and Commune sanctorum (pp. 354−400). These are followed by suffrages and by antiphons and responsories for workdays (pp. 401−431). Chants for the feast days of St. Joachim and of the Archangel Raphael are added (pp. 432−440). The melodies are written in Gothic German plainsong notation (“Hufnagelnotation”) on five lines. This volume came to the Abbey Library from the choir library of St. Gallen Cathedral in 1930.
Online Since: 09/26/2017
Winter part of an antiphonary that was originally set up in two volumes and later, when it was bound, was divided into four volumes. The antiphonary, whose other volumes are preserved in Cod. Sang. 1763, 1764 and 1795, was written and probably also decorated by Fr. Dominikus Feustlin (1713–1782). His style is characterized by vividly colored frames made up of thousands of small rods surrounding initials and title cartouches. Title page with the coat-of-arms of St. Gall, St. John, the Toggenburg and Abbot Cölestin Gugger von Staudach (1740–1767) on p. III. More decorated title cartouches on p. 1, 45, 48, 53, 101, 104, 162, 178, 202 and 214. The winter part includes the Proprium de tempore for the first of Advent until Ash Wednesday (pp. 1–161), the Proprium de Sanctis for November until February (pp. 162–213), the Commune Sanctorum (pp. 214–251), votive Masses (pp. 252–272) and Antiphonae feriales (pp. 272–297).
Online Since: 03/22/2018
Spring part of an antiphonary that was originally set up in two volumes and later, when it was bound, was divided into four volumes. The antiphonary, whose other parts are preserved in Cod. Sang. 1762, 1764 and 1795, was written and probably also decorated by Fr. Dominikus Feustlin (1713–1782). His style is characterized by vividly colored frames made up of thousands of small rods surrounding initials and title cartouches. More decorated title cartouches are on p. 68, 87, 106, 123, 179, 206, 260, 271 and 307. The spring part includes the Proprium de tempore from Ash Wednesday to Ascension Day (pp. 1–205), the Proprium de sanctis from the end of February to May (pp. 206–306), the Commune sanctorum (pp. 307–338), Offices in honor of St. Benedict (on Tuesdays, pp. 339-343) and the Virgin Mary (on Saturdays, pp. 344-347), Suffragia sanctorum (pp. 348–352), and antiphons and responsories for weekdays (pp. 352–384). The melodies are written in German plainsong notation (“Hufnagelnotation”) on five lines.
Online Since: 12/12/2019
Summer part of an antiphonary that was originally set up in two volumes and later, when it was bound, was divided into four volumes. The antiphonary, whose other parts are preserved in Cod. Sang. 1762, 1763 and 1795, was written and probably also decorated by Fr. Dominikus Feustlin (1713–1782). His style is characterized by vividly colored frames made up of thousands of small rods surrounding initials and title cartouches. Title page with the coats-of-arms of St. Gall, St. John, the Toggenburg and Abbot Cölestin Gugger von Staudach (1740–1767) on p. III. More decorated title cartouches on p. 1, 36, 43, 122, 202 and 241. The summer part includes the Proprium de tempore from Pentecost until the 16th Sunday after Pentecost (pp. 1–121), the Proprium de sanctis from June to August (pp. 122–240), the Commune sanctorum (pp. 241–269), Offices for the consecration of the church (pp. 270–273), in honor of St. Benedict (on Tuesdays, pp. 274–279) and the Virgin Mary (on Saturdays, pp. 280-285), Suffragia sanctorum (pp. 286–289) and antiphons for weekdays (pp. 290–297). The melodies are written in German plainsong notation (“Hufnagelnotation”) on five lines.
Online Since: 12/12/2019
Graduale de tempore, commissioned by Prince-Abbot Franz Gaisberg (1504–1529, coat of arms p. 1) and illuminated by the book illustrator Nikolaus Bertschi from Augsburg (initials, miniatures and borders with vine scrolls and animals). The banderole on p. 55, which ends with etc. 156, may give a (false) indication regarding the dating (1506 or 1516?). The chants for the Mass are written in German plainsong notation (“Hufnagelnotation”) on a five line staff. This codex is the largest of the St. Gall Abbey library's manuscripts. Originally it was even larger; for re-binding, the pages were severely trimmed, as can be discerned from the folded lower margin on p. 1 or from the trimmed border on p. 444. Binding with heavy fittings on a red velvet background.
Online Since: 06/22/2017
Winter part of a large-format antiphonary, written and decorated by Fr. David Schaller (1581–1636). The summer part is contained in Cod. Sang. 1769. In the beginning there is a calendar for January to April and for December (pp. 4-8), followed by the Proprium de tempore (pp. 9–285), the Proprium de sanctis (pp. 291–377) and the Commune sanctorum (pp. 387–451). The title page consists of a full-page miniature, which represents the Lactatio sancti Bernardi in the upper third, and in the lower third it shows Gallus and Otmar flanking the coat-of-arms of the Princely Abbey of St. Gall under Abbot Bernhard Müller (1594–1630). There are several large initials in gold leaf on colorful backgrounds decorated with vine scrolls and with borders in the margins (p. 9, 63, 109, 244, 291, 345 and 387). The melodies are written in German plainsong notation (“Hufnagelnotation”) on five lines.
Online Since: 12/12/2019
Summer part of a large-format antiphonary, written by Fr. David Schaller (1581–1636). The winter part is contained in Cod. Sang. 1768. In the beginning there is a calendar for April to November (pp. A-6), followed by the Proprium de tempore (pp. 7–191), the Proprium de sanctis (pp. 195–425), the Commune sanctorum (pp. 429–495), and antiphons for Compline (pp. 497–499). There are two responsories (pp. 501, 503) on attached leaves of paper. The decoration is limited to ornate Lombard initials. The melodies are written in German plainsong notation (“Hufnagelnotation”) on five lines.
Online Since: 12/12/2019
Autumn part of an antiphonary that was originally set up in two volumes and later, when it was bound, was divided into four volumes. The antiphonary, whose other parts are preserved in Cod. Sang. 1762, 1763 and 1764, was written and probably also decorated by Fr. Dominikus Feustlin (1713–1782). His style is characterized by vividly colored frames made up of thousands of small rods surrounding initials and title cartouches. More decorated title cartouches on p. 1, 36, 73, 118, 151, 203 and 266. The end page on p. 360 has a chronogram (1762). The autumn part includes the Proprium de tempore for Saturdays from the end of August and for the 11th to the 24th Sunday after Pentecost, (pp. 1–30), antiphons for the 3rd to the 6th Sunday after Epiphany (pp. 31–36), the Proprium de sanctis for September to November (pp. 36–265), the Commune sanctorum (pp. 266–305), Offices for the consecration of the church (pp. 306–311), in honor of St. Benedict (on Tuesdays, pp. 312–319) and the Virgin Mary (on Saturdays, pp. 319–326), Suffragia sanctorum (pp. 326–331) and antiphons for weekdays (pp. 332–359). The end page is followed by the Feast of the Archangel Raphael (pp. 361–365). The melodies are written in German plainsong notation (“Hufnagelnotation”) on five lines.
Online Since: 12/12/2019
This small-format volume contains two written works by the hand of Mathias Jansen, as attested by a 1774 colophon on p. 201. On pp. 7-39, Jansen gives a kind of inventory of the paintings of St. Gallen Cathedral, describing each vault and field. Page 20 contains a report on the improvement of a painting representing St. Otmar and other saints.The second work, on pp. 40-201, collects historical reports about the life, the afterlife and the cult of St. Otmar, which take the form of log entries recording decisions as well as preparations for and the process of actions related to the cult of the saint, such as the elevation of the remains of St. Otmar in 1773/1774. On p. 99, there is a drawing of a decorated altar. Pages 202-207 contain later additions from 1823 or shortly thereafter. On p. 39 and p. 202 there are sporadic entries (after 1823) about the bas-reliefs by the sculptor Johann Christian Wentzinger, on p. 39 also about the new paintings by the artist Antonio Moretto in the choir. Pages 1-6 and 208-236 are blank. According to a note on the inside of the front cover, this book, originally from the Notkersegg Convent of Capuchin nuns, became the property of St. Gall Bishop Greith probably around 1852. Since 1930 it has been held in the Abbey Library as a deposit of the episcopal library.
Online Since: 06/13/2019
A copy of the so-called Engelberger Predigten. Homilies in German for a variety of occasions during the church year, written in about 1400 in a Dominican cloister, possibly at St. Katharinental near Diessenhofen, where the manuscript was held for several centuries.
Online Since: 06/22/2010
Psalter/Breviary for a Dominican women's convent. On pp. 1-12 it contains a calendar of saints with many female saints and several rare saints. The presence of saints from St. Gall and Constance suggests that the volume was created in the Diocese of Constance. On pp. 390-393 there are instructions for prayer in German. Noteworthy are thirteen miniatures and initials in gold leaf. This volume is from the convent of Dominican nuns of St. Katharina auf dem Nollenberg near Wuppenau (Thurgau); according to a note of ownership, it was the property of the convent at least since the 16th century. Since 1930 it has been a deposit of the episcopal library of St. Gall at the Abbey Library.
Online Since: 12/14/2018
Dominican breviary for nuns, probably written in Southern Germany. The script and decoration follow 14th century models, but the presence of the saints St. Vincent Ferrer (canonized 1453/54) and St. Catherine of Siena (canonized 1461) suggest an origin not before the second half of the 15th century. Numerous initials with gold leaf and scroll ornamentation, illuminated borders on p. 21 and 168 (two dogs, misericordia and Justicia, hunting a stag, Verbum patris). This volume is from the convent of Dominican nuns of St. Katharina auf dem Nollenberg near Wuppenau (Thurgau); according to a note of ownership, it was the property of the convent at least since the 17th century. Since 1930 it has been a deposit of the episcopal library of St. Gall at the Abbey Library.
Online Since: 12/14/2018
German Psalter, complete except for one missing leaf at the end: Psalms (pp. 1-164), canticles (pp. 164-178). With few figured initials (dog p. 1, fish p. 141, p. 153 and p. 157). The volume is from the St. Katharinen Convent of Dominican nuns in St. Gall; whether it was written there cannot be determined for certain. Since 1930 it has been in the Abbey Library as a deposit of the episcopal library of St. Gall.
Online Since: 10/08/2015
Late medieval prayer book. The first part contains an incomplete Office of the Virgin (fol. 1r-45v) with variants for Advent and for the time period between Christmas and Candlemas (fol. 46r-51v), Absolutions, Benedictions, Orations and other short prayers (fol. 51v-68r). The Office of the Dead (fol. 69r-98v), including Vespers, Vigil, and prayers for the anniversaries of the deaths of priests, abbots and other deceased persons, is followed by prayers of indulgence (fol. 99r-111v). The beginning of the Office of the Virgin as well as possibly a calendar preceding it have been lost. The fact that the patron saints of St. Gall, St. Gall and St. Othmar (fol. 56r-56v; fol. 58r-58v), are the only saints mentioned other than Mary and St. Benedict suggests a provenience from the Monastery of St. Gall. The manuscript is written in Gothic script; it is decorated with numerous initials executed in gold leaf and with colorful vine scrolls in the margins of individual pages. The beginning of the Office of the Dead (fol. 69r) is adorned with a small miniature of a catafalque bordered by two Benedictine monks, one of which is holding a prayer book in his hands. The cut leather binding with the monogram S, created by a master whose name is unknown, is particularly noteworthy. The covers show the two Princes of the Apostles, Peter (front cover, with book and key) and Paul (back cover, with book and sword), surrounded by rich vine scroll ornamentation. The Abbey Library of St. Gall was able to acquire this manuscript in June 2006 at a Christie's auction in New York from the collection of the American brewer Cornelius J. Hauck (1893−1967) from Cincinnati (Ex Libris on the inside front cover).
Online Since: 09/23/2014
This vesperal in a distinguished binding was commissioned by Prince-Abbot Beda Angehrn (1767−1796); it was written in 1774 by Joseph Adam Bürke (chronogram with the name of the scribe on p. 92), an alumnus of the Gymnasium (preparatory school) of Neu St. Johann that was led by St. Gall monks, and richly illustrated by Father Notker Grögle (1740−1816). The volume contains the incipits of the chants for Vespers (antiphons and hymns), written in German plainsong notation (“Hufnagelnotation”) on five lines, for the feasts of Jesus Christ and of the saints for the entire liturgical year. It is divided into the parts Proprium de tempore (pp. 1−36), Proprium sanctorum (pp. 37−80) and Commune sanctorum (pp. 81−92). This manuscript was held in the choir library of St. Gallen Cathedral until 1989. Then it was transferred to the archives of the cathedral parish of St. Gall, and in 2014 it came to the Abbey Library of St. Gall. The volume, which consisted of 96 pages in 1774, was certainly used for the liturgy in the Cathedral of St. Gall until the 1930s. The mostly handwritten additions and supplements (after p. 97) date from the 19th century. Also glued and bound into the volume are texts from unspecified printed liturgical publications of the 19th and early 20th century. Noteworthy among the illustrations is the oldest pictorial depiction to date of the newly built “Gallusmünster”, today the Cathedral of St. Gall (p. 72). On the flyleaf is the finely drawn coat of arms of Prince-Abbot Beda Angehrn.
Online Since: 09/26/2017
This Engelberg codex, currently held in Carinthia, typifies the painstaking yet unostentatious method of manuscript production practiced under Abbot Frowin (1143-1178), to whom the volume is dedicated on 1r. At the beginnings of the primary texts are indications for planned initials (1v, 103v), or completed initials in red and black ink (2r), with incipits in red ink. Otherwise there is little book decoration other than a few decorative capitals (including the one at the beginning of the last text on 145r). The artful application of patches to damaged sections of the parchment, typical for Engelberg, is also evident (18, 59, 62, 141, 154).
Online Since: 07/04/2012
This manuscript, as yet almost unknown, contains an epistolary following the Ambrosian Rite. It was commissioned in 1342 by the priest Giacomo de Parazo for a church dedicated to St. Fermo not further identified. This manuscript probably reached Tesserete (Canton of Ticino), an area where the Ambrosian Rite was used, in the 15th/16th century; here it was taken apart and rebound, at which time was added a copy of a testament of dubious authenticity written in 1078 by Contessa from the city of Milan for the benefit of the church of S. Stefano in Tesserete. In the 17th century, the manuscript was the property of the Verdoni family of notaries; since the 20th century, it has been held by the parish of Tesserete. On the initial page, St. Ambrose, the patron saint of the diocese of Milan, is represented in an illuminated initial.
Online Since: 12/14/2017