In addition to the Rosarium Jesu et Mariae by the Belgian Carthusian Jacobus van Gruitrode, this small-format codex from the Carthusian Monastery of Basel contains letters by two representatives of the Devotio Moderna, Florens Radewijns and Geert Groote, as well as excerpts from the Bible and from commentaries, various prayers, and diverse shorter and longer fragments of varying content. (mue)

Online Since: 10/04/2018

The so-called Liber ad honorem Augusti by Peter of Eboli is one of the most famous and most requested manuscripts in the Burgerbibliothek Bern. The manuscript is exceptionally richly illustrated; it is from a workshop in the circle of the imperial court in southern Italy. Neither the scribe nor the illustrator is known, but, the text was doubtlessly corrected by the author himself. The text, an epic poem in Latin in about 1700 distichs that has survived only in this manuscript, is divided into three books. The first two books describe the prehistory of Sicily and its conquest by the Staufers; the third book contains a poem in praise of the parents — Emperor Henry VI and his wife Constance, daughter and heir of King Roger II of Sicily — of the famous Hohenstaufen Emperor Frederick II, who was born on 26 December 1194 in Jesi near Ancona. (mit)

Online Since: 03/22/2018

Single leaf of a manuscript produced in France containing Horace's Odes, with the scholia of (Ps.-)Acron. The manuscript, of which further parts are found in Città del Vaticano, Biblioteca Apostolica Vaticana, Reg. lat. 1675, belonged to Pierre Daniel. The fragment came to Bern in 1632 as part of the property of Jacques Bongars. (mit)

Online Since: 07/12/2021

Bifolium from a manuscript produced in France. The fragment contains the accessus to Cicero's De amicitia as well as the beginning of a glossed version of Horace's Ars poetica. It came to Bern in 1632 as part of the property of Jacques Bongars. (mit)

Online Since: 07/12/2021

Single leaf from a manuscript, probably produced in the Loire area, containing Carolingian hymns. The back of the leaf is heavily abraded and contains a selection of excerpts from Horace, approximately in the order they appear in his works. In 1632, the fragment came to Bern as part of the property of Jacques Bongars. (mit)

Online Since: 07/12/2021

Manuscript CB 88, which combines the Odes, the Epodes, and the Carmen saeculare, a piece interpreted by children's choirs of the Roman nobility during secular performances, is an unusual example of a Horace manuscript from the turn of the 10th to the 11th century. Its many marginal and interlinear glosses, which frequently consist of scholii by Pseudo-Acro, explain the verses and praise their metrical accuracy and verbal virtuosity. The alphabetical tables and the title were added in the 14th century at the end of the volume. (mes)

Online Since: 12/21/2009

The countless marginal and interlinear glosses in CB 89 are evidence of the rediscovery of the works of Horace during the 12th century. This copy was produced in France. (fmb)

Online Since: 03/25/2009

Many scribes contributed to the copies of the works of Horace, Virgil, Persius and Statius that have been brought together in CB 90. These humanistic re-copyings made in the 15th century demonstrate the reception of Latin authors in Renaissance Italy. Two leaves at the end of the manuscript are palimpsests: a letter from Ovid's Heroides (from Sappho to Phaon) and an extract from the Epigrams of Martial have been were written over the text of the biblical book of Tobit. (mes)

Online Since: 12/21/2009

This late Renaissance Italian humanist manuscript contains excerpts of various works by Latin and Greek authors, among them Pliny, Cicero, Silius Italicus, Plautus, Livy, Horace, Sallust, Plutarch, Seneca and others. Pellegrin, following Tammaro de Marinis, attributes the writing to the copyist Gian Marco Cinico, who worked for the kings of Naples between 1458 and 1494. The different parts are introduced by golden initials with bianchi girari, only partly completed (ff. 1v, 4v, 20r, 22r, 50r, 186v). Some of these bianchi girari are left unfilled on a blue, red, green or black background, others are colored pink, green or blue on a black or golden background. The vine scrolls are inhabited by putti and animals such as rabbits, stags, butterflies or birds. Numerous frames show putti engaged in hunting or other playful activities (e.g., ff. 55r, 79r, 139r, 169r). (ber)

Online Since: 12/17/2015

This 10th century manuscript contains the works of Horace. It is arranged in such a way as to leave lots of space for marginal glosses next to the poems. These glosses — usually together with interlinear glosses — have been added in a different ink from the main text and by various hands. The localization of the manuscript is uncertain. The only Old High German gloss might have been written in Franconia. The manuscript's presence in St. Gall is not attested until the middle of the 17th century. (gam)

Online Since: 06/23/2016

The manuscript begins with the important summa of confession by the Dominican Raymond of Peñafort († 1275), the Summa de poenitentia together with its fourth book, finished in 1235 with the title Summa de matrimonio. According to the colophon on p. 246b, Johannes Meyer von Diessenhofen copied the text from 26 August to 8 November 1395. Immediately, or shortly, thereafter, the same hand copied two confessors' manuals of the Dominican John of Fribourg († 1304) along with a few small additions. The Libellus quaestionum casualium concerns cases that are not treated or only summarily discussed in Raymond of Peñafort's Summa de poenitentia. The concise Confessionale was tailored to the practical needs of confessors. (len)

Online Since: 09/22/2022

This manuscript, written in 1499 under the schoolmaster Cunradus Reuschman of Lindau (note on p. 488), contains predominantly works by ancient writers, as well as several works by 15th century Italian authors. All texts have commentaries, and the more important works are generally preceded by an argumentum. Often there are several pages left blank between the texts. In the margins, there are several simple pen sketches (pp. 498–501, 504, 511, 513; on p. 706 and 712 sketches of maps of the world). P. 3 contains a full-page pen sketch of the city of Troy. The individual texts are: Publius Baebius Italicus, Ilias latina (pp. 5–51); Virgil, Georgica (pp. 57–146); Horace, Epistolae (pp. 148–230); Horace, Carmen saeculare (pp. 231–234); Lactantius, De ave Phoenice (pp. 234–241); Persius, Satires (pp. 245–282); Margarita passionis, inc. Cum prope pasca foret (pp. 283–288); Seneca, De providentia (pp. 289–298); Augustinus Datus, Elegantiolae (pp. 323–361); Carmen de dolo et astutia cuiusdam mulieris, inc. Summe procus caveat ducatur ne mala coniunx (pp. 362–365); hymns (pp. 366–388); Parvulus philosophiae moralis (pp. 395–417); Dominicus Mancinus, De quattuor virtutibus (pp. 419–488); Hieronimus de Vallibus, Jesuida (pp. 491–514); Matthaeus Bossus, Oratio in beata coena domini (pp. 515–524); Ps.-Leonardo Bruni Aretino, Comoedia Poliscena (pp. 539–549); Terence, Andria (pp. 563–621); Virgil, Bucolica (pp. 629–660); Horace, Ars poetica (pp. 661–678); Horace, Epodes (pp. 679–692); Ps.-Virgil, Moretum (pp. 692–694); Ps.-Ovid, Remedia amoris, inc. Qui fuerit cupiens ab amica solvere colla (pp. 694–695); Ps.-Ovid, De arte amandi, inc. Si quem forte iuvat subdi sapienter amori (pp. 695–698); a treatise on punctuation, De kanone punctorum (pp. 699); Virgil, Aeneis, lib. 1 and 3 (pp. 701–726 and 741–760); Sallust, De coniuratione Catilinae (pp. 765–802); Sallust, De bello Iugurthino, incomplete (pp. 803–804); Seneca, Epistolae morales (pp. 812–853). (sno)

Online Since: 10/04/2018

This codex consists of four independently produced parts, probably not written in St. Gall: 1. Horace, Odae (incomplete at the end, with some glosses); 2. Lucan, Pharsalia (incomplete at the end, heavily glossed; 3. Sallust, De coniuratione Catilinae (complete) and De bello Iugurthino (with some chapters missing); 4. Ovid, Amores (incomplete at the end, heavily glossed) and a page from the Metamorphoseon. (sno)

Online Since: 03/31/2011

An anonymous commentary, written in tiny script (up to 110 lines on pages only 14.5 cm in height) on the odes, epodes, Ars poetica, letters, and sermons of Horace. It is preceded by lives of Horace by Pseudo-Acro and Suetonius as well as, on the very first pages, documents (including one from 1252). The pages at the end contain a commentary on the Satires of Persius, of which the first part is in poor condition. (sno)

Online Since: 06/22/2010