Copy of privileges, orders, seasonal contributions and records pertaining to the cloister holdings of Königsfeld. Compiled at the time of Queen Agnes of Hungary (ca. 1281-1346).
Online Since: 04/14/2008
A comprehensive collection of the most important legal records and documents of Wettingen Abbey, written by Peter Numagen in about 1490. The table of contents and prologue are followed by legendary accounts of the abbey's founding and copies of the papal, imperial and regal grants of privilege. It also contains the grant of privilege of the order and copies of records of assorted legal transactions related to ownership of real property. Adorned with the coat of arms of the founding patrons, abbots and benefactors.
Online Since: 04/15/2010
These 21 leaves with Conrad of Gelnhausen's Epistula concordiae originally were part of a composite manuscript of theological content from the Dominican monastery of Basel. The text was written in Paris in 1397 by Heinrich Jäger from Ulm. The content takes up a proposal elaborated at the suggestion of King Charles V of France for the resolution of the Great Schism of 1378; Conrad of Gelnhausen proposes the convocation of a general council.
Online Since: 09/26/2017
The Repertorium of Urban Moser, librarian of the Carthusian Monastery of Basel, is a register of the library holdings of the Carthusian Monastery of Basel, alphabetically arranged by authors, titles and topics. Since Moser's successor Georg Carpentarius changed the shelfmark of various volumes, around 1520 he added a shelfmark concordance to the catalog, so that this alphabetical register could still be used. Thus the alphabetical register and the shelf lists (Basel, UB, AR I 2 and AR I 3) could be used in complement.
Online Since: 10/04/2018
This manuscript, a collection of theological texts, from the Dominican Monastery of Basel, consists of various parts; it alone transmits the complete Latin translation of Fließenden Lichts der Gottheit by Mechthild of Magdeburg. The manuscript is remarkable not only because of its age (around or shortly before 1350), but also because of the numerous marginal notes, which reveal knowledge of the German version of the text, with which this copy of the Latin translation of Das fließende Licht was being compared.
Online Since: 12/13/2013
This elegant pocket-size book of hours was illuminated in Tours around 1480 by the Maître des camaïeux d'or Le Bigot, who was active in the circle of the painter Jean Bourdichon. The sixteen tiny historiated initials in camaïeu d'or that are contained in the manuscript succeed the usual repertoire with an original cycle dedicated to the seven days of Creation. The artist demonstrates his exceptional technical mastery by lending the body of the initials an especially attractive evanescent character. The subtle arrangement of the surrounding letters should invite the anonymous patron to appreciate the meticulous combination of gold and colors in detail.
Online Since: 12/14/2018
This volume is a collection of letters, made in 1467 and 1468 in Naples for Roberto da Sanseverino, Prince of Salerno, contains letters by Diogenes of Sinope, Brutus and Hippocrates, who were regarded during the middle ages as the true authors of these letters. They were translated into Latin by Francesco Griffolini Aretino and Ranuccio of Arezzo. This book was presented for sale several times during the 20th century and passed through the hands of prestigious collectors.
Online Since: 04/15/2010
This Eusebius manuscript is from the 14th century and was already part of the holdings of the Carthusian Monastery of Basel under Heinrich Arnoldi (prior between 1449 and 1480). The manuscript is made of high quality calfskin vellum; it is carefully written and rubricated, in part with pen-flourish initials. The manuscript contains various 14th and 15th century additions; the binding is from the 19th century.
Online Since: 10/04/2018
This copy of the Summa Logica, produced in Oxford during William of Ockham's lifetime, comes from the remnants of the Franciscan library in Basel. Listed as a previous owner is Otto of Passau, then perhaps a more famous author, but today nearly forgotten. In any case in cypher (f. 121r). After the Franciscan Ockham's Summa of logic, the volume also contains a list of charges against him at the papal curia in Avignon, as well as short reports on the individual points. The text of this manuscript, along with the readings of a second Basel collective volume from the fourteenth century (which probably did not come from the Franciscan convent), which still has its original binding (F II 24), was used in the twentieth century for the critical edition. Its binding was replaced in the nineteenth century.
Online Since: 09/26/2024
This manuscript contains the French text of the heroic epic (chanson de geste) Ami et Amile. The scribe gives the period of the creation of this copy (from 16 May to 23 June 1425) in a colophon. The text is written in a Gothic cursive and is punctuated by numerous rubricated initials that mark the beginning of each verse. The modern cardboard binding is covered by a parchment fragment from a 15th century missal. An inscription on the flyleaf indicates that this volume was a gift to the writer Anne de Graville (1490-1540). Later it was part of the collection belonging to her son-in-law, the bibliophile Claude d'Urfé (1501-1558). In the 19th century, the work came into the possession of the philologist Wilhelm Wackernagel (1806-1869), who donated it to the University Library Basel in 1843.
Online Since: 10/04/2018
The 'twin codex' of Cod. 250 from the Burgerbibliothek of Bern was produced in Fulda. It remains unclear when and how this mathematical manuscript reached Bern. It seems to have left Fulda in the 10th century at the latest, as suggested by the hands of the added texts.
Online Since: 03/29/2019
This manuscript was copied in the 10th century at the monastic Lavra of Stylos on Mount Latmos in Caria by the scribe “Michael”. It contains Victor of Antioch's commentary on Mark as well as the catena of Andreas on the Catholic Epistles. There are two unfinished miniatures, one representing the Virgin enthroned with the Christ child (V3v), and the other with Christ in glory (V4r). During the Turks' invasion of Caria ca. 1079, Christodoulos of Patmos first transferred the codex to Constantinople, and then to the island of Patmos. During the Renaissance, the manuscript appeared in Worms with Johannes Camerarius, and then in Basel in the possession of Nicolaus Episcopius.
Online Since: 09/26/2024
This small cardboard volume from the Remigius Faesch Museum combines two fragments of German poetry. The first poem, the Sibyllen Weissagung, dates from the middle of the 14th century and was widely read until the 16th century. It is about the prophetess Sibyl, who visited King Solomon and prophesied the whole future to him until the end of days. The second text, Schondoch's Königin von Frankreich, is about the faithful love of his eponymous heroine, who is accused of adultery by a rejected court marshal and is cast out. It belongs to the genus "Märe" (fable) and is extremely widespread with 21 preserved manuscripts.
Online Since: 06/18/2020
During the Middle Ages, travel to Italy, the so-called “Itinera Italica“, was undertaken primarily for religious reasons (pilgrimages) or for professional purposes (business or commercial travel). But after the Reformation, travel for the sake of education became more common, in Basel as well; its main purpose was an interest in Italy itself and its sights. With this, there came to be travelogues like this one from 1621 by the jurist and rector of the University of Basel, Remigius Faesch (1595-1667).
Online Since: 03/22/2018
The Liber de laudibus Sanctae Crucis (Veneration of the Holy Cross) consists of Carmina figurata by Abbot Hrabanus Maurus of Fulda. This exemplar, most likely produced in 831, is arranged to display an image portraying each episode on the left (23 of the 28 Figures are included), with the corresponding prose portrayal on the right. The second portion, also a prose text, is missing.
Online Since: 12/20/2012
The Aratea, translated into Latin by Germanicus, describe the 48 ancient constellations and the myths concerning their origins. They are among the most popular picture cycles of medieval monastery schools. The Bernese codex, produced in St. Bertin, is a descendant of the Leiden Aratea and contains scholia which have survived only in this codex.
Online Since: 09/23/2014
This composite manuscript contains a total of 21 texts of Old French literature; in part these are unique records that survive only in this manuscript. The major part consists of romances from the great saga cycles such as the Garin le Loherain, Perceval, etc., which often comprise several thousand verses; the manuscript also contains several prose chronicles such as Ernoul's history of the crusades and other smaller pieces of varied content. The manuscript is richly illustrated with several hundred large initials; it probably originated in Picardy.
Online Since: 10/08/2015
This composite manuscript contains various texts in chronicle form, some of them rare, regarding worldly and ecclesiastical rulers. It is a heavily edited and corrected manuscript from the Benedictine Abbey of Saint-Mesmin de Micy, which contains characteristic writings in various black and brown inks and which is richly decorated with many calligraphic initials in different styles. Based on various supplements, the time of its writing can be dated quite exactly to the middle of the 11th century.
Online Since: 03/22/2018
The so-called Liber ad honorem Augusti by Peter of Eboli is one of the most famous and most requested manuscripts in the Burgerbibliothek Bern. The manuscript is exceptionally richly illustrated; it is from a workshop in the circle of the imperial court in southern Italy. Neither the scribe nor the illustrator is known, but, the text was doubtlessly corrected by the author himself. The text, an epic poem in Latin in about 1700 distichs that has survived only in this manuscript, is divided into three books. The first two books describe the prehistory of Sicily and its conquest by the Staufers; the third book contains a poem in praise of the parents — Emperor Henry VI and his wife Constance, daughter and heir of King Roger II of Sicily — of the famous Hohenstaufen Emperor Frederick II, who was born on 26 December 1194 in Jesi near Ancona.
Online Since: 03/22/2018
This late 13th or early 14th century fragment of a French Trouvère manuscript probably was once part of the same codex as Paris, BN français 765. It contains 20 chansons, among them 14 by Thibaut de Champagne; all chansons are attested in a parallel version. 14 songs include square notation.
Online Since: 06/14/2018
This fragment contains two texts that were popular in France at the time: the French translation of the Consolatio Philosophiae by Boethius and of the confort d'ami by Guillaume de Machaut. The 8 pages are from a rich collection of fragments in the Burgerbibliothek of Bern; they were digitized as a complement to the library's magnificently decorated Machaut manuscript (Cod. 218).
Online Since: 04/23/2013
Four bound bifolia from a medical manuscript, likely produced in Eastern France, containing excerpts from an antidotary and from Isaac Judaeus' De diaetis universalibus. The two leaves added at the end present excerpts from the Liber alter de dynamidiis, other excerpts of a theological nature, and medical recipes. In 1632, the fragment came to Bern as part of the property of Jacques Bongars.
Online Since: 07/12/2021
Four bifolia (possibly one quire) from a manuscript produced in France. The text, conceived as a dialogue between teacher and pupil, which survives in its entirety in Bern, Burgerbibliothek, Cod. 417, f. 47r-61v, contains the treatise De divisionibus temporum, based on an Irish computus. Formerly in the possession of Pierre Daniel, the fragment came to Bern in 1632 as part of the property of Jacques Bongars.
Online Since: 07/12/2021
Four bifolia (1 quire) from a manuscript likely made in Western France that contained Augustine's De magistro. Some leaves are the palimpsest of a document copied on both sides, possibly of Spanish origin. The fragment belonged initially to Pierre Daniel, and came in 1632 to Bern in the property of Jacques Bongars.
Online Since: 07/12/2021
Composite manuscript consisting of four very different parts that probably came to Bern in 1632 as part of the property of Jacques Bongars; parts B and C are from the Collège de Navarre in Paris. All parts are at least partly illuminated. All fragments have related parts in other libraries: for part A, Paris BN lat. 7709, f. 1–4; for B, Paris BN lat. 17566, f. 1–40; for C, Paris BN lat. 17902, f. 1–85; and for D, Leiden UB, Voss. Q 2 IX (f. 60).
Online Since: 10/10/2019
Composite manuscript consisting of two different parts that probably came to Bern in 1632 as part of the property of Jacques Bongars. Part A comes from an extensive collection of lives of the saints for the liturgy of Fleury, various of which have been preserved in the Vatican Library: Reg. lat. 274, f. 95–102; Reg. lat. 318, f. 1–79, 80–146, 147–258; Reg. lat. 585, f. 13–27; Reg. lat. 711.II, f. 11–18; 67–76. Part B contains fragments from Isidore's grammatical writings and probably was written in Eastern France.
Online Since: 10/10/2019
A collection of German-language fables by the Dominican Ulrich Boner and dedicated to the Bern Patrician Johann von Ringgenberg. The most important representatives of the most complete collection are the manuscripts Basel, Universitätsbibliothek AN III 17 and its presumed copy, this manuscript, Bern, Burgerbibliothek, Mss h.h.X.49, whose illustrations however are of a much lower quality. This manuscript, whose first two gatherings are missing, was probably copied by Hemon Egli, the bailiff of Erlach, or by a person close to him; through his grandson, Jakob von Bollingen, the book later entered into the Erlach family library in Spiez Castle. In 1875, Friedrich Bürki purchased it from the estate and donated it to the Bern City Library.
Online Since: 09/26/2024
This fragment from Königsfelden Monastery consists of only 12 leaves (= 1 quire) and contains a complete calendar (necrology) with records of the days of death of the members of the donor family from the House of Habsburg, as well as that of the confessor of Queen Agnes of Hungary (Lamprecht of Austria), up until 1330. After the dissolution of the monastery, it passed into private hands in Bern in 1528, and in the 19th century, it was donated to the Stadtbibliothek of Bern.
Online Since: 06/14/2018
Composite manuscript of liturgical texts, containing the prayers of the breviary of the Carthusian Order (1r Capitula, 18r Temporale, 35v Sanctorale, 49v Commune Sanctorum und 51v Usus communis). This small prayer book was probably produced in a Carthusian monastery in Burgundy in the 13th century. Certainly it was used from the 13th to about the 15th century in one of the Carthusian monasteries in present-day Western Switzerland, such as La Valsainte, La Part-Dieu or La Lance. The text is written on parchment and is decorated with blue and red paragraph initials. There are notes and drawings in the margins.
Online Since: 06/22/2017
This Book of Hours following the liturgical custom of Paris contains a large number of private prayers in Latin and French, most of them unpublished. As indicated in the colophon on page 193r, the book was produced in 1421 in Paris in the workshop of the bookseller Jacquet Lescuier. It was commissioned, or perhaps only bought, by Jean II de Gingins, born around 1385 and died either at the end of 1461 or the beginning of 1462; he had his coat of arms painted on p. 193v. The miniatures were executed by several illuminators, among them the “Guise Master,” the “Bedford Master” and a student associated with the “Boucicaut Master.” The last representative of the Gingin-La Sarraz family left the castle to her brother-in-law, Henri de Mandrot, who in turn gave this manuscript and the family archive to the state archive of the canton of Vaud in 1920.
Online Since: 03/19/2015
Cleomadés, a poem in octosyllabic verse, is considered the masterpiece of the 13th century French poet Adenes le Roi. He lived at the courts of Brabant, France, and Flanders and composed various chansons de geste and courtly romances.
Online Since: 04/09/2014
This French manuscript, probably incomplete, contains the commentary on the Psalms (Ps. 101-117, f. 1r-110v and 113r-136v) by Augustine of Hippo. De meditatione by Hugh of Saint Victor was inserted between Ps. 108 (f. 110v) and Ps. 109 (f. 113v). This manuscript probably comes from the manuscript collection of Hautecombe Abbey in Savoy, which was acquired by Archbishop Giacinto della Torre of Turin (1747-1814) for thearchdiocese's seminary library, which was later dispersed. The manuscript was acquired in 1957 from the book dealer Hoepli in Milan by Martin Bodmer.
Online Since: 06/23/2014
This paper manuscript contains the prose version of the heroic epic Fierabras by Jean Bagnyon (1412-1497). As a lawyer in Lausanne, he wrote this adaptation around 1465-1470 at the request of Henri Bolomier, Canon of that same city (f. 117v). Divided into three books, the work begins with an outline of the history of the kings of France up to Charlemagne (Book I: f. 7v-19r), followed by the history of the “merveilleux et terrible“ giant Fierabras (Book II: f. 19v-93v), and a story about the Spanish War according to Turpin (Book III: f. 94r-117v). This copy and the Bibliothèque de Genève's copy (Ms. fr. 188) are the only two handwritten witnesses of this text, which experienced great success in print from the 15th century onward (1st printed edition by Adam Steinschaber in Geneva in 1478).
Online Since: 03/22/2018
This manuscript, produced in 1480 at the Cistercian Abbey of Maulbronn (Diocese of Speyer, Württemberg, cf. f. 44r), contains texts written by Ekbert of Schönau, the brother of St. Elizabeth of Schönau, as well as prayers to Mary written in another hand.
Online Since: 03/25/2009
This copy of Cesar's "Commentarii" from about 1480 attests to the great popularity this text attained during the early Renaissance (there are more than 240 surviving manuscripts of the "Commentarii" from the 15th century). This manuscript was produced in the atelier of the illuminator Cola Rapicano in Naples. The "bianchi girari" (white vine) book decoration and the illuminated initial capitals which mark the beginning of each book are of a type often found in codices containing humanistic works. The illuminated initial capital on fol. 1r, on the other hand, portrays the Roman ruler in an unusual way, as an armored horseman.
Online Since: 03/25/2009
The Carmina by Catullus contained in this codex was written in a humanistic cursive, attributed to the calligrapher Ludovico Regio di Imola. The frontispiece in grisaille with gold highlights is framed by motifs in the manner of antiquity with trophies, sphinxes and mascarons, while the title in gold letters stands out from the crimson background. At the bottom of the page, the coat of arms on a disc held by two putti is overlaid in the same crimson color.
Online Since: 12/13/2013
This codex contains De senectute, De amicitia, the Paradoxa ad Brutum by Cicero, the Synonyma by Pseudo-Cicero, and the anonymous treatise De punctorum ordine. It was created in Italy in a humanistic script from the second half of the 15th century. The frontispiece and the intials introducing the various texts are decorated with “bianchi girari;“ on f. 1r the coat of arms with the golden lion rampant on a red background, framed by a laurel wreath, could not be identified.
Online Since: 12/13/2013
Copied in 1378 by Francesco di maestro Tura of Cesena, who included both a date and a signature at the end of the volume, the Codex Severoli opens each of the three sections of the Commedia with an historiated initial. A number of interlinear glosses explicate the verses of the Paradiso.
Online Since: 12/21/2009
This manuscript from the 14th century unites four disquisitions on medicine. The rounded Gothic script is the product of several different hands and the principal incipits are set off with Gothic capitals elaborately decorated with penwork filigree. At the end of the manuscript is an assortment of formulas for medical preparations.
Online Since: 06/02/2010
This 12th century manuscript from central Italy contains works of music theory by three Latin authors. Among these is Guido Aretinus, a Tuscan monk of the 10th century who is regarded as the inventor of solmisation. Some passages of text in the codex are based on the Institutio musica by Boethius.
Online Since: 07/31/2007
Carefully copied by a single scribe at the end of the 13th century in England, this manuscript was given to Sir Thomas Phillipps by Sir Robert Benson (1797-1844). Benson claimed it had belonged to Wilton Abbey, in Wiltshire, where its readership would have been noble women and nuns. Bound by Phillipps, the Lai d'Haveloc was placed first and its title appeared on the spine. The Donnei des amants, a unica, is a scholarly debate between two lovers who exchange exempla : The Tristan Rossignol, Didon, the Lai de l'oiselet, and L'Homme et le Serpent.
Online Since: 12/13/2013
The Ilias latina was frequently copied during the entire occidental middle ages, which enjoyed access to material about the Trojans via Latin adaptations. Today these manuscripts number about one hundred. The date and location of Codex Bodmer 87 can be ascertained with the help of the inscription: "Aretii die 15 Iuli 1469" (Arezzo, July 15, 1469, fol. 22). The humanistic script, a somewhat angular cursive, is the hand of a single scribe.
Online Since: 06/02/2010
The countless marginal and interlinear glosses in CB 89 are evidence of the rediscovery of the works of Horace during the 12th century. This copy was produced in France.
Online Since: 03/25/2009
The Laudi by the Italian Franciscan Jacopone da Todi are religious-inspired poems, written as ballads with varying metrical forms, often set in dialog form. This codex was produced in the second half of the 14th century by four different scribes.
Online Since: 12/20/2007
This 13th century manuscript is from Italy and contains the first four books of the work De fide orthodoxa, written in Greek by John of Damascus. As the title (f. 1r) indicates, this text was translated into Latin at the request of Pope Eugene III (1145-1153) by the jurist and prolific translator Burgundio of Pisa. Numerous marginal glosses, for the most part contemporaneous with the creation of this copy of the manuscript, are sprinkled throughout the text.
Online Since: 09/26/2017
This text by Lucan is accompanied by marginal and interlinear glosses in various hands, which are partly contemporaneous, partly later; the most recent in an Italian hand that can be dated to the 14th/15th century. In the margin of f. 69v is a simple drawing of the mappa mundi. At least until the end of the 18th century, the manuscript belonged to the Carmelites of S. Paolo in Ferrara.
Online Since: 04/09/2014
The two texts brought together in this manuscript, De rebus bellicis (ff. 5r-17v) and Notitia dignitatum (ff. 19r-94r), date back to antiquity. The first work presents war machines used by the Roman army, while the second text depicts the late Roman military organization in both the Western and Eastern Empires. From the outset, that is between the end of the 4th and the beginning of the 5th century, these texts were designed with illustrations, the oldest known copy of which, dating back to the end of the 9th and the beginning of the 10th century, was held in the library of Speyer Cathedral (today only a single leaf remains of that copy). The Speyer copy was borrowed by Cardinal Pietro Donato in 1436, when he was at the Council of Basel, where at least two copies were made and illuminated by Péronet Lamy (Oxford, Bodleian Library, Ms. Canon. Misc. 378; Paris, BnF, lat. 9661). The Fondation Bodmer's manuscript is a more recent copy of these, made less than a century later. It may have been used for the edition of these two texts (including the images), which was undertaken by Sigismundus Gelenius and published in 1552 by Froben in Basel.
Online Since: 12/10/2020
This large, incomplete manuscript in folio format contains the summer portion and the Commune sanctorum of the homiliary by Paulus Diaconus. It was written by various hands in a 9th century Carolingian minuscule; in addition to initials drawn in ink and decorated with red scrolls which indicate an Irish influence, there are even several elegant incipits in capital script. The manuscript probably comes from Reichenau, certainly from the area of Lake Constance. It belonged to the Phillipps collection, later to Chester Beatty; it was bought in 1968 by Martin Bodmer.
Online Since: 06/23/2014
Tristan, written by Pierre Sala of Lyon in the years 1520-1528, derives from the medieval Italian tradition of the Tristan and Lancelot story cycles in prose about the knights of the round table. Stories about the idealized friendship between Tristan and Lancelot shift between the adventures of the knights of the round table and their romantic intrigues. A mere two manuscripts transmit this Renaissance work by Pierre Salas. The codex held by Fondation Bodmer is the dedication copy made for King Francis I of France. It is illustrated with twenty-six pen and aquarelle drawings.
Online Since: 04/26/2007
During the Middle Ages, Seneca was the most popular and most read of the ancient playwrights. The manuscripts of his tragedies, of which almost 400 copies are known today, are mostly from the 14th and 15th century, as is this copy, owned by the Fondation Bodmer. At the beginning of each of Seneca's dramas, this version has a historiated initial that summarizes the plot of the drama, such as the suicide of Jocasta and the blinding of Oedipus at the beginning of the eponymous drama (f. 46v). The rather modest execution of these initials was most likely carried out in Northern Italy, where most of the illuminated copies of this text (about 50) were produced.
Online Since: 10/10/2019
This manuscript contains the Adnotationes super Lucanum, preceded by the Vita Lucani by Vacca, a grammarian from late antiquity whom some date to the 6th-century. The codex probably was created in the Benedictine Abbey Tegernsee in Bavaria and later was part of the library of the Princes of Oettingen-Wallerstein. As codex Wallersteinensis I.2, this text, together with four other textual witnesses, is the basis for the 1909 edition by Johannes Endt, which is still considered the reference edition today.
Online Since: 12/17/2015
This is an especially lovely exemplar, written in France (Paris?) or Flanders, of The Mirror of Human Salvation, or Speculum humanae salvationis. The work itself exists in over 200 manuscript copies and numerous print editions. The Mirror of Human Salvation is divided into the prefiguring of salvation (Old Testament), the story of salvation as told in the New Testament (from the Annunciation to the Judgement Day), the 7 Stations of the Passion, the 7 Sorrows and the 7 Joys of Mary. At this time, four leaves and the opening portion are missing.
Online Since: 11/04/2010
Contains works of Isidore of Seville: Libri originum (I-III e V-XX), De natura rerum, and letters exchanged between Isidore and Braulio of Zaragoza. The manuscript was assembled from an assortment of fragments that had been removed in the 19th century from law volumes held by the library of the chancery of St. Gerold in Vorarlberg. This volume was assembled at the request of Abbot Frowin of Engelberg (1143-1178), as indicated by dedicatory verses on f. 1r.
Online Since: 12/19/2011
The manuscript is a collection containing fragments of the comedies of Terence, from two lost manuscripts of the 10th century (ff. 3r-26v and ff. 28r-55v, respectively ε and η in editions), plus some fragments from a third manuscript (ff. 56r-57v), including portions of Terence's Phormio and a hymn to St. Nicholas. The size, legibility and state of preservation vary in different fragments. Some missing leaves from the second manuscript (η) are preserved in the collection of fragments St. Gall, Stiftsbibliothek 1394 (pp. 115-120).
Online Since: 12/17/2015
The fragments assembled in this collection were removed from their previous volumes by P. Gall Morel in 1858 and bound together into this volume in 1860. They consist of fragments from sequences (two volumes), hymn melodies (such as those still sung to this day in Einsiedeln), three Gloria melodies (the third of which is attributed to Pope Leo IX), three liturgical plays as well as the Novem modi by Hermannus. This manuscript is important to music history, as it is the first instance in Einsiedeln where the neumes are set upon four (incised) staff lines; the form used here represents the Alemannic choral dialect.
Online Since: 11/04/2010
German Psalter. The psalms are preceded by rubrics that indicate the occasion when the psalm should be recited. The manuscript also contains several canticles, the Te deum and the Litanies of the Saints. The names in the litanies indicate a Benedictine origin. The manuscript was written in 1421 by Othmar Ortwin. In 1839 it was purchased by the Einsiedeln monk and librarian P. Gallus Morell from the Cistercian Wurmsbach Abbey on Lake Zürich.
Online Since: 03/17/2016
This very small manuscript contains treatises on music by various Italian and French authors, among them Marchettus of Padua (f. 1-44), Johannes de Muris (f. 83-104v), and Prosdocimus of Beldomandi (f. 51-55, 75-82). It was written in Northern Italy at the beginning of the 15th century.
Online Since: 12/13/2013
In contrast to other chronicles by Heinrich Murer (1588-1638, from 1614 on a Conventual at the Carthusian Monastery of Ittingen), this entirely chronicle of Hauterive Abbey (FR) is not by Murer's hand, but was probably only commissioned by the monk from Ittingen to be created at Hauterive Abbey. Regarding the content, the manuscript consists of two parts: the history of the monastery and a list of ecclesial events. The former begins with Abbot Girard (1138-1157) and ends with Abbot Petrus (end of the 16th century); the latter pertains to the years between 1500 and 1510.
Online Since: 06/22/2017
Chronicle of the Dominican Monastery of Basel and of the Convent of Maria Magdalena OP in Basel by Heinrich Murer (1588-1638, from 1614 on a Conventual at the Carthusian Monastery of Ittingen). The manuscript is divided into the chronicle of the Dominican Monastery and the chronicle of the Convent in Basel. In the first part, Murer describes the building of the Dominican Monastery in 1233 and the development of the diocese of Basel from the 13th to the 15th century. In the second part, Murer turns to the establishment of the convent in the 11th century and its reconstruction in 1253, as well as other ecclesial events until 1465.
Online Since: 06/22/2017
Chronicle of the diocese of Chur by Heinrich Murer (1588-1638, from 1614 on a Conventual at the Carthusian Monastery of Ittingen). Murer describes the establishment of the diocese of Chur and names Asinio (451) as its first bishop, followed by 75 more bishops until John IV (1418-1440). Four modern copies of deeds of donation from Emperor Otto I and King Louis the German, as well as annalistic notes, are appended to the chronicle.
Online Since: 06/22/2017
Chronicle of Einsiedeln Abbey by Heinrich Murer (1588-1638, from 1614 on a Conventual at the Carthusian Monastery of Ittingen). The description of the abbots from Eberhard (934-958) to Plazidus (1629-1670) is preceded by a pen and ink drawing of the patron saints of the church and a fold-out map of the monastery complex. The chronicle contains copies, written by Murer, of deeds of donation and confirmation that relate to Einsiedeln Abbey.
Online Since: 06/22/2017
Chronicle of the Priory of Embrach by Heinrich Murer (1588-1638, from 1614 on a Conventual at the Carthusian Monastery of Ittingen). In this chronicle, which is incomplete with respect to decoration as well as content, Murer describes a few individual abbots and important events in the history of the monastery.
Online Since: 06/22/2017
Chronicle of Engelberg Abbey and of the Convent of St. Andreas by Heinrich Murer (1588-1638, from 1614 on a Conventual at the Carthusian Monastery of Ittingen). The chronicle begins with a description of the geographic location and the foundation of the monastery (1119). This is followed by the history of Engelberg Abbey from Abbot Adelhelm (1124/26-1131) until Abbot Plazidus Knüttel (1630-1658). In a shorter second part, Murer describes the foundation (1199) and history of the Convent of St. Andreas from 1254-1455.
Online Since: 06/22/2017
Chronicle of Fischingen Abbey by Heinrich Murer (1588-1638, a monk at the Carthusian monastery of Ittingen from 1614), which is probably based on the Chronicle of Jakob Bucher, also a monk at the Ittingen monastary, whose Chronicle of the abbey of Fischingen was completed between September 15, 1627 and September 14, 1628.
Online Since: 10/15/2007
The Chronicle of St. Gall abbey by Heinrich Murer (1588-1638, a member of the Carthusian Cloister of Ittingen from 1614). According to his own account, Murer based his work on the writings of St. Gall religious community member, legal expert and abbey librarian Jodocus Metzler (1574-1639), among others. The chronicle extends from the founding of the abbey by St. Gallus until the year 1630.
Online Since: 06/22/2010
Chronicle of St. John abbey in the Thurtal by Heinrich Murer (1588-1638, a member of the Carthusian community at Ittingen from 1614). Murer bases his work on information of his own as well as on the writings of St. Gall community member, legal expert and abbey librarian Jodocus Metzler, among others.
Online Since: 06/22/2010
Chronicle of the cloisters of St. Katharinental, Töss and Berenberg as set down by Heinrich Murer (1588-1638, a monk in the Carthusian monastary of Ittingen from 1614). Embedded within this volume is the "St.Katharinentaler Schwesternbuch" (St. Katharinental Book of Sisters), in a hand from the end of the 17th century, which presents a version of the famous Book of Sisters from the 15th century that is extremely faithful to the original. An equally faithful version of the "Tösser Schwesternbuch" (Töss Book of Sisters by Elisabeth Stagel is rendered in the same hand. The twelve lives from the "St.Katharinentaler Schwesternbuch" found in the above mentioned chronicles are derived from those of Heinrich Murer, as demonstrated by a comparison with the "Helvetia Sancta" by Heinrich Murer.
Online Since: 04/14/2008
Chronicle of the Bishopric of Constance by Heinrich Murer (1588-1638, member of the Carthusian monastery at Ittingen from 1614). Heinrich Murer bases his chronicle upon earlier works, including the Chronicon of Hermannus Contractus (1013-1054), which was continued by his pupil Berthold von Reichenau into the year 1080, the Chronik der Alten Eidgenossenschaft (Chronicle of the Old Confederacy) by Johannes Stumpf (1500-1577/78), published in 1547/48; the Chronologia monasteriorum Germaniae praecipuorum by Caspar Bruschius (1518-1557): the Chronik von dem Erzstifte Mainz und dessen Suffraganbistümern (Chronicle of the Archdiocesan Abbey of Mainz and its Suffragan Bishoprics) by Wilhelm Werner, Graf von Zimmern (1485-1575); the historical works of Christoph Hartmann (1568-1637) of Frauenfeld, who was librarian of the Einsiedeln abbey in his later years and who wrote the Annales Heremi Deiparae Matris in Helvetia together with Franz Guillimann. Murer's chronicle extends from the origins of what would later be the Diocese of Constance in Windisch in the year 411 under Bishop Paternus to the year 1629 under Bishop Johannes VII.
Online Since: 12/19/2011
Chronicle of Konstanz Cathedral, of the collegiate churches of the diocese, of the city of Kon-stanz and of Reichenau by Heinrich Murer (1588-1638, from 1614 on a Conventual at the Car-thusian Monastery of Ittingen). While in Y 106 Murer only addressed the history of the diocese of Konstanz, in this manuscript he goes into more detail about Konstanz and its surroundings. His sources were writings by other clerics, such as the Chronicle of Konstanz by Jakob Rassler (1568-1617).
Online Since: 06/22/2017
Chronicle of Kreuzlingen Abbey by Heinrich Murer (1588-1638, a monk in the Carthusian monastery of Ittingen from 1614). Murer based his historical account of the abbey of Kreuzlingen on older documents as well as on a list of abbots extending to 1626.
Online Since: 04/14/2008
The Chronicle of Eschenbach cloister by Heinrich Murer (1588-1638, from 1614 on a Conventual at the Carthusian Monastery of Ittingen) has two vedute of the monastery from 1625 and 1629, both probable from Heinrich Murer.
Online Since: 12/19/2011
Chronicle of the Paradies Cloister by Heinrich Murer (1588-1638, a member of the Carthusian community at Ittingen beginning in 1614). For this work Murer used the Swiss Chronicle of Johann Stumpf and probably the "Swabian Chronicle" by Thomas Lirer, among others. It contains numerous copies of documents regarding the holdings of the Paradies Cloister.
Online Since: 06/22/2010
Chronicle of the Cloister of Reichenau by Heinrich Murer (1588-1638, a monk at the Carthusian monastery ofIttingen beginning in 1614), based on the Chronicle of Gallus Oeheim, Priest and Chaplain of the Cloister of Reichenau († 1511).
Online Since: 07/25/2006
Three chronicles of the Abbey of Allerheiligen in Schaffhausen in three different hands, among which the first is the hand of Heinric Murer (1588-1638, a member of the Carthusian community at Ittingen beginning in 1614).
Online Since: 06/22/2010
Chronicle of Selnau Abbey by Heinrich Murer (1588-1638, from 1614 on a Conventual at the Carthusian Monastery of Ittingen). This incomplete manuscript would have treated the Cistercian monasteries of Switzerland in a first part and, in a second more detailed part, the convent of nuns at Selnau. The manuscript remained fragmentary.
Online Since: 06/22/2017
Chronicle of the Cloister of Wettingen by Heinrich Murer (1588-1638, member of the Carthusian convent at Ittingen beginning 1614).
Online Since: 12/19/2011
Chronicle of the Grossmünster of Zurich by Heinrich Murer (1588-1638, from 1614 on a Conventual at the Carthusian Monastery of Ittingen). In this chronicle, Heinrich Murer first gives a detailed history of the city of Zurich and of the Grossmünster, before he begins a list and description of the individual provosts.
Online Since: 06/22/2017
Chronicle of the Fraumünster, the Peterskirche, and the Wasserkirche in Zurich by Heinrich Murer (1588-1638). Murer cites the Tigurinerchronik of Heinrich Bullinger as the source of his Chronicle of the Peterskirche and both the Tigurinerchronik and the Schweizer Chronik of Johannes Stumpf as sources for the Chronicle of the Chapel “auf dem Hof”.
Online Since: 12/19/2011
Chronicle of the smaller abbeys and foundations of Zurich by Heinrich Murer (1588-1638, from 1614 on a Conventual at the Carthusian Monastery of Ittingen). This volume is a collection of short, incomplete descriptions giving the history of abbeys and foundations of Zurich, introduced by title pages of pen and ink drawings with blue wash. The following institutions are de-scribed: the Augustinian monastery in the mindere Stadt (smaller city) of Zurich, the Franciscan monastery of the grosse Stadt (larger city) of Zurich, the Dominican monastery, the community of Beguines of St. Verena, and the Convent of St. Mary Magdalene in Oetenbach.
Online Since: 06/22/2017
This manuscript contains a complete monastic breviary. The decoration consists of red, blue and green initials with additional pen and ink drawings of floral, anthropomorphic and zoomorphic motifs. Several initials on the first pages (ff. 8-11) were framed on a gold background, probably at a later time. Of French origin, this breviary was used in Payerne from the 12th century on; after the secularization of the priory, it passed into private ownership.
Online Since: 12/14/2017
Cistercian capitulary for the nuns of Fille-Dieu Abbey in Romont. In addition to the martyrology and the necrology, the manuscript contains the Rule of Benedict in French. The text was probably written at the Abbess's request and copied by Uldry Charbodat, the priest of Romont, who describes his work in a poem. In it he confirms that he received the parchment from Catherine de Billin (f. 107r). The Capuchin Apollinaire Dellion (1822-1899) donated the manuscript to the Fribourg library in 1879.
Online Since: 10/08/2020
This composite manuscript, much used by Friedrich von Amber, contains material about the history of the religious order in the first part (f. 1r-100v). In the second, probably more important part (f. 109r-165v), it contains treatises, questions and polemics from the time of the conflict of Pope John XXII with Louis IV (called the Bavarian) who resided in Munich and with the Franciscan Spirituals who had fled to that city. Several of these writings are preserved only in this manuscript, among them a treatise on the Visio beatifica of 1332-1333 (f. 127v-153r) which, according to Annelise Maier can possibly be attributed to William of Ockham, as well as a polemic (f. 153r-160r) in which Louis IV is warned against too hastily making peace with the Pope in Avignon.
Online Since: 09/23/2014
Codex 62 is typical of composite manuscripts from the time around 1400 found in Franciscan convents. It contains sermonic material by known and unknown authors in the form of complete sermons, thematic selections and exempla. It is made up of 15 codicological units. Friederich von Amberg (ca. 1350-1432) assembled this collection, added a table of contents, and had it bound in Fribourg (Switzerland). The most valuable part of this miscellany consists of a set of 16 sermons on pennance by the Dominican St. Vincent Ferrer (1350-1419), delivered by the sermonist between March 9 through 21, 1404 in Fribourg, Murten, Payerne, Avenches, and Estavayer. Friedrich von Amberg made a fair copy and incorporated it as the 6th codicological unit (fol. 45r-97v) of this composite manuscript.
Online Since: 10/04/2011
This manuscript contains several texts copied between the 13th and the 16th century. The oldest one is the Solemn Evangelistary of St. Pierre Cathedral of Geneva (ff. 5-28v), which, according to its illuminations (esp. f. 5r), was probably created in Paris, even though the pericopes correspond to the feast days particular to Geneva. This is followed by excerpts from the sung Gospels (with staff notation) from the 14th and 15th century, one of which is an interesting late 15th century liturgical witness for the feast of the Epiphany (ff. 37v-40r).
Online Since: 06/13/2019
The humanist Lazare de Baïf (1496-1547), ambassador of Francis I, is the author of the Latin treatise De re vestiaria, which in 1526 was the first monograph on antique clothing. This text, written in Latin and interspersed with Greek quotations - a language Baïf studied with Giovanni Lascaris in Rome - was widely distributed through editions printed, for example, in Basel by Froben (1537) or in Paris by Charles Estienne (1535). This handwritten copy in the Bibliothèque de Genève presents the complete text of the De re vestiaria, divided into 21 chapters and with numerous marginal notes, probably by the hand of Lazarus de Baïf (f. 79v), making it a particularly valuable textual witness.
Online Since: 06/18/2020
This manuscript is remarkable because of its contents as well as its age: it is a dictionary of Tironian notes, copied in the 9th century. While puzzling at first glance, this dictionary is written as lists of signs, the "Tironian notes", accompanied by their Latin meanings. This shorthand from antiquity supposedly survived until the Carolingian era.
Online Since: 10/08/2015
Cicero's De officiis of is a political work on ethics, used throughout the Middle Ages, from Augustine, to the compilers of his moral sequences, to Christine de Pizan in her Chemin de long estude. Numerous commentaries have been written on this work, as attested by this 15th century paper manuscript. On the last double page (f. 120v-121r) the ethical theme of the Ciceronian text is continued as a schema of virtues. This manuscript was in the possession of the regent of the Collège de Genève, Hugues Lejeune (1634-1707), who donated it to the Bibliothèque de Genève.
Online Since: 10/08/2020
This miniature book of hours (11.5 x 7 cm) for use in Rome was probably made in Bourges by the Master of Spencer 6 (active between 1490 and 1510). All 35 full-page and framed miniatures show identical composition, where the main scene, presented in close-up, is complemented with a predella containing small figures. The manuscript's owner, the Naville family of Geneva (coat of arms on f. 1v), donated it to the Bibliothèque de Genève in 1803.
Online Since: 10/04/2018
Philibert de Viry's manuscript is one of the rare Books of Hours for use in the Diocese of Geneva to have survived until today. Illuminated in Lyon by the Maître de l'Entrée de François I, it contains miniatures directly inspired by Albrecht Dürer's (1511) woodcuts Petite Passion. This is an early witness of the reception of this series of images in France and an example of the often unsuspected influence of engraving on book decoration.
Online Since: 03/17/2016
This composite manuscript in thirteen volumes consists of drawings of plants which resulted from the Sessé & Moçiño expedition to the region of Mexico and Central America from 1787 to 1803. Of the 1300 drawings contained in these volumes, about 300 are originals from the expedition, the remaining 1000 were copied in Geneva in 1817 by artists and amateur botanists, most of whom were women from Geneva. The entire collection is usually referred to as Flore des Dames de Genève.
Online Since: 03/29/2019
This composite manuscript in thirteen volumes consists of drawings of plants which resulted from the Sessé & Moçiño expedition to the region of Mexico and Central America from 1787 to 1803. Of the 1300 drawings contained in these volumes, about 300 are originals from the expedition, the remaining 1000 were copied in Geneva in 1817 by artists and amateur botanists, most of whom were women from Geneva. The entire collection is usually referred to as Flore des Dames de Genève.
Online Since: 03/29/2019
This composite manuscript in thirteen volumes consists of drawings of plants which resulted from the Sessé & Moçiño expedition to the region of Mexico and Central America from 1787 to 1803. Of the 1300 drawings contained in these volumes, about 300 are originals from the expedition, the remaining 1000 were copied in Geneva in 1817 by artists and amateur botanists, most of whom were women from Geneva. The entire collection is usually referred to as Flore des Dames de Genève.
Online Since: 03/29/2019
This composite manuscript in thirteen volumes consists of drawings of plants which resulted from the Sessé & Moçiño expedition to the region of Mexico and Central America from 1787 to 1803. Of the 1300 drawings contained in these volumes, about 300 are originals from the expedition, the remaining 1000 were copied in Geneva in 1817 by artists and amateur botanists, most of whom were women from Geneva. The entire collection is usually referred to as Flore des Dames de Genève.
Online Since: 03/29/2019
This composite manuscript in thirteen volumes consists of drawings of plants which resulted from the Sessé & Moçiño expedition to the region of Mexico and Central America from 1787 to 1803. Of the 1300 drawings contained in these volumes, about 300 are originals from the expedition, the remaining 1000 were copied in Geneva in 1817 by artists and amateur botanists, most of whom were women from Geneva. The entire collection is usually referred to as Flore des Dames de Genève.
Online Since: 03/29/2019
This composite manuscript in thirteen volumes consists of drawings of plants which resulted from the Sessé & Moçiño expedition to the region of Mexico and Central America from 1787 to 1803. Of the 1300 drawings contained in these volumes, about 300 are originals from the expedition, the remaining 1000 were copied in Geneva in 1817 by artists and amateur botanists, most of whom were women from Geneva. The entire collection is usually referred to as Flore des Dames de Genève.
Online Since: 03/29/2019
This composite manuscript in thirteen volumes consists of drawings of plants which resulted from the Sessé & Moçiño expedition to the region of Mexico and Central America from 1787 to 1803. Of the 1300 drawings contained in these volumes, about 300 are originals from the expedition, the remaining 1000 were copied in Geneva in 1817 by artists and amateur botanists, most of whom were women from Geneva. The entire collection is usually referred to as Flore des Dames de Genève.
Online Since: 03/29/2019
This composite manuscript in thirteen volumes consists of drawings of plants which resulted from the Sessé & Moçiño expedition to the region of Mexico and Central America from 1787 to 1803. Of the 1300 drawings contained in these volumes, about 300 are originals from the expedition, the remaining 1000 were copied in Geneva in 1817 by artists and amateur botanists, most of whom were women from Geneva. The entire collection is usually referred to as Flore des Dames de Genève.
Online Since: 03/29/2019
This composite manuscript in thirteen volumes consists of drawings of plants which resulted from the Sessé & Moçiño expedition to the region of Mexico and Central America from 1787 to 1803. Of the 1300 drawings contained in these volumes, about 300 are originals from the expedition, the remaining 1000 were copied in Geneva in 1817 by artists and amateur botanists, most of whom were women from Geneva. The entire collection is usually referred to as Flore des Dames de Genève.
Online Since: 03/29/2019
This composite manuscript in thirteen volumes consists of drawings of plants which resulted from the Sessé & Moçiño expedition to the region of Mexico and Central America from 1787 to 1803. Of the 1300 drawings contained in these volumes, about 300 are originals from the expedition, the remaining 1000 were copied in Geneva in 1817 by artists and amateur botanists, most of whom were women from Geneva. The entire collection is usually referred to as Flore des Dames de Genève.
Online Since: 03/29/2019
This composite manuscript in thirteen volumes consists of drawings of plants which resulted from the Sessé & Moçiño expedition to the region of Mexico and Central America from 1787 to 1803. Of the 1300 drawings contained in these volumes, about 300 are originals from the expedition, the remaining 1000 were copied in Geneva in 1817 by artists and amateur botanists, most of whom were women from Geneva. The entire collection is usually referred to as Flore des Dames de Genève.
Online Since: 03/29/2019