3
documents found
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Beromünster, Stiftskirche St. Michael, Cantatorium
Parchment · 72 ff. · 25.9 x 15.5 cm · 13th century
Cantatorium
The Beromünster cantatorium contains the solo sung parts of the mass with notation, and some tropes added during the 14th century. Among these are the Kyrie tropes Kyrie fons bonitatis and Cunctipotens. The examples of conductus are interesting. The codex is bound in a wooden case with two ivory panels from the 8th-9th century.
(ber)
Online Since: 2009-12-21
Solothurn, Zentralbibliothek, Cod. S I 251
Paper · 111 + III ff. · 29.5 x 21.5 cm · end of the 15th century
Cantatorium Solodorense
The Cantatorium presents selections from the Gradual; it contains music for solo-voice elements of the Mass that are meant to be sung by the cantor. This manuscript from the late 15th century originated in the Abbey of St. Urs at Solothurn and was occasionally used in the parish of Biberist. Particularly noteworthy in this volume are German versions of two hymns.
(hol)
Online Since: 2009-12-21
St. Gallen, Stiftsbibliothek, Cod. Sang. 359
Parchment · 178 pp. · 28 x 12.5 cm · around 922-925
Cantatorium
The so-called "Cantatorium of St. Gall", the earliest complete extant musical manuscript in the world with neume notation. It contains the solo chants of the Mass and constitutes one of the main sources for the reconstruction of Gregorian chant. Written and provided with fine neumes in the monastery of St. Gall between 922 and 926. Bound in a wooden box with an ivory panel on the front cover, most likely Byzantine c. 500, depicting scenes from the fight of Dionysos against the Indians. The ivory panel was once the possession of Charlemagne.
(smu)
Online Since: 2007-05-24