{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://www.e-codices.unifr.ch/metadata/iiif/fmb-ms-Beethoven-B-029-008/manifest.json","@type":"sc:Manifest","label":"Cologny, Fondation Martin Bodmer, B-29.8","metadata":[{"label":"Location","value":"Cologny"},{"label":"Collection Name","value":"Fondation Martin Bodmer"},{"label":"Shelfmark","value":"B-29.8"},{"label":"Document Type","value":"Autograph"},{"label":"DOI","value":"10.5076/e-codices-fmb-ms-Beethoven-B-029-008"},{"label":"Title (English)","value":"Ludwig van Beethoven, Missa solemnis op. 123, Gloria (sketch). Autographic score on paper"},{"label":"Material","value":"Paper"},{"label":"Date of Origin (English)","value":"ca. 1818"},{"label":"Number of Pages","value":"4"},{"label":"Dimensions","value":"24 x 31.1 cm"},{"label":"Online Since","value":"2017-09-26"},{"label":"Summary (English)","value":"According to Beethoven, this is his \u201cmost accomplished work.\u201d It\r\ncelebrates the consecration of his student and sponsor, Archduke Rudolph, as Archbishop of Olomouc (Olm\u00fctz) in 1818.\u00a0This mass was begun in 1818; it was completed three years after the\r\nceremony and was presented to the cardinal and archbishop on 19 March 1823. This mass in D major seeks to express and communicate, in\r\nthe words of the composer himself, a state of mind, a religious Stimmung. It is written for a large orchestra and consists\r\nof five movements (Kyrie, Gloria, Credo, Sanctus, Agnus Dei) The sections of the Gloria, imposed by the meaning of the text, constitute a sonata: allegro in D major, Gratias in B flat and back to the allegro; then the larghetto and as a third movement the allegro, Quoniam, the fugue In gloria Dei Patris, with a cyclical return to the theme of the Gloria in the principal tone. The music comments on the text: royal acclamation, heartfelt gratitude, divine omnipotence; then, in contrast:\u00a0prayers, shouts and murmurs of the supplicants of this world (miserere nobis). Purchased at Sotheby\u2019s, London, 4 February 1952.\u00a0\u00a0"},{"label":"Persons","value":"Author: Beethoven, Ludwig van"},{"label":"Century","value":"19th century"}],"description":[{"@value":"According to Beethoven, this is his \u201cmost accomplished work.\u201d It\r\ncelebrates the consecration of his student and sponsor, Archduke Rudolph, as Archbishop of Olomouc (Olm\u00fctz) in 1818.\u00a0This mass was begun in 1818; it was completed three years after the\r\nceremony and was presented to the cardinal and archbishop on 19 March 1823. This mass in D major seeks to express and communicate, in\r\nthe words of the composer himself, a state of mind, a religious Stimmung. It is written for a large orchestra and consists\r\nof five movements (Kyrie, Gloria, Credo, Sanctus, Agnus Dei) The sections of the Gloria, imposed by the meaning of the text, constitute a sonata: allegro in D major, Gratias in B flat and back to the allegro; then the larghetto and as a third movement the allegro, Quoniam, the fugue In gloria Dei Patris, with a cyclical return to the theme of the Gloria in the principal tone. The music comments on the text: royal acclamation, heartfelt gratitude, divine omnipotence; then, in contrast:\u00a0prayers, shouts and murmurs of the supplicants of this world (miserere nobis). 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