The Cistercian Collectarius dates from the third quarter of the 13th century. It contains liturgical prayers for the whole year. The manuscript's place of origin is unknown; several historical notes indicate that it was used early on in Wettingen. The calendar contains entries of commemorative days for the monastery's founders, and the short Notae dedicationum Wettingenses report on the founding and the equipping of the monastery. (gam)

A psalter-hymnal produced for use by Dominicans. The saints recorded in the calendar indicate the codex's point of origin as a Dominican convent in Southern Germany or Bohemia. The decorative style of the illuminated initials and filigrees, above all, indicate Bohemian origin and an origination date in the first half of the 15th century (new information provided by Martin Roland, Vienna). (ber)

This manuscript is made from parchment of medium thickness, quite soiled. The 17th/18th century binding consists of wooden boards covered in black pressed leather with 5 brass bosses in the front and back (1 boss is missing from the back). Two clasp fragments. Evidence from paleographyas well as from the content suggests that the volume was produced in Hauterive. (zim)

This manuscript contains hymns and canticles for choral prayers in monasteries. Presumably it was originally created for Muri Abbey; later it was used at Hermetschwil Abbey. (szu)

This manuscript contains the life of Ulrich by Berno of Reichenau and the lives of St. Gall and St. Othmar. by Walafrid Strabo, as well as a copy of a document on the early history of St. Urban's Abbey, which is among the oldest surviving manuscripts in the St. Urban library. (kam)

Fragment of a 13th century manuscript. Parts of the hymn Gloria in excelsis Deo and the Agnus Dei have survived. This is followed by five lines from the trope of baptism, which begins with Quoniam Dominus and ends with coaeternum Patri. The title Tropi makes clear that the text contained more tropes. (ack)

A 15th century Psalter following the liturgical custom of the Collegiate Church of Saint-Ursanne; in form and content it is a perfect copy of the Basel manuscript AN VIII 39. Both pastedowns consist of fragments of Vincent of Beauvais' Speculum historiale; on f. 36r there is a 16th century pen drawing of the Virgin Mary. The manuscript remained in the Collegiate Church of Saint-Ursanne until it came into the possession of the Library of the Canton of Jura in the 20th century. (wid)

This work of Dominican provenance contains psalms and hymns. The incipits are given in Latin, followed by the complete German translation. The first scribe gives the date of March 26, 1480. The main scribe is called Wendelin Fräger. (szu)

The composite manuscript VadSlg Ms. 292 combines three independently produced parts, bound together in about 1460 at the Abbey of St. Gall. The first part is a Psalter from the 9th century; whether it was produced in St. Gall is questionable. The hymnal from the 12th century that comprises the second part contains a dedicatory illustration showing the scribe Eberhard presenting his book to Gallus, while Pope Gregory sits at a podium writing down songs that that a dove representing the Holy Spirit is whispering in his ear. The third part is a fragment containing prologues to the Psalter. (gam)

Gregory the Great, 22 homilies on the Old Testament Book of Ezekiel. Copy dating from the time of Hartmut (dean ca. 850-872). (smu)

Versiculary, Hymnal, Tropary and Sequentiary from the monastery of St. Gall, written and provided with neumes around 930, possibly by a monk named Salomon. The small-sized, undecorated manuscript contains the St. Gall repertoire of the chants sung in the monastery and works by the monks Notker Balbulus, Tuotilo, Ratpert, Waltram and Ekkehart I. Counts among the foremost monuments worldwide in the history of early medieval music. (smu)

Tropary and Sequentiary in point-like square notation with exceptionally fine monophonic and polyphonic music from the great repertoire of the school of Notre-Dame at Paris. Written before 1250 in Western Switzerland, probably at the Cathedral of Lausanne. Probably in St. Gall by 1300. (smu)

This manuscript probably was written at the behest of St. Gall Abbot Ulrich Rösch (1463-1491). The manuscript's principal part consists of a Psalter with the Psalms in biblical order, as well as several liturgical rubrics, antiphons (partly only with the Initium), and hymns, followed by the Pater noster, the Credo, biblical Cantica, the Te Deum, a litany und more Cantica. The final part, from fol. 135v, consists of a hymnal, which also contains a Sequence (Cantemus cuncti melodum). Antiphons and hymns have melodies in German plainsong notation("Hufnagelnotation") on 4 or 5 lines. Numerous erasures and additions, as well as other signs of usage, attest to intensive use of the manuscript. Several pages have book decorations in the form of initials with vine scrolls; a figure initial can be found on fol. 1v (a man fighting a dragon and a bird of prey). (sno)

This manuscript was written at the behest of St. Gall Abbot Ulrich Rösch (1463-1491) (dating on f. 227r: 1467). Its content corresponds substantially to that of Cod. Sang. 438: a Psalter with the Psalms in biblical order, as well as several liturgical rubrics, antiphons (partly only with the Initium) and hymns are followed from f. 148v by Cantica, and from f. 172v by a hymnal. Antiphons and hymns have melodies in German plainsong notation ("Hufnagelnotation") on 4 or 5 lines. Numerous erasures (sometimes extending over several pages) and additions, as well as other signs of usage, attest to intensive use of the manuscript. Several pages have book decorations in the form of initials with vine scrolls; a figure initial can be found on f. 104v (David with a harp). (sno)

This Psalter contains the psalms in liturgical sequence with antiphons, followed by biblical canticles and a hymnal. The codex was written in 1545 (colophon f. 102v) by the organist and calligrapher Fridolin Sicher (1490-1546) by order of Prince Abbot Diethelm Blarer (1530-1564). Large parts were rewritten by numerous later hands, probably after the reform of the liturgy following the Council of Trent. The Psalter contains several figurative initials by an unknown illuminator. (sno)

Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The second folder of Cod. Sang. 1397 contains fragments, predominantly with musical notation, from nine liturgical manuscripts from the tenth/eleventh to the twelfth century. (len)

Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The eighth folder of Cod. Sang. 1397 contains fragments with musical notation from five liturgical manuscripts from the eleventh/twelfth to the thirteenth century. (len)

Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The seventeenth folder of Cod. Sang. 1397 contains fragments from six liturgical manuscripts from the ninth to the fourteenth century. (len)

Cod. Sang. 1397 is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. From 2005 to 2006 the extensive fragment volume Cod. Sang. 1397 was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 23 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1397.1, pp. 1-2 (= Cod. Sang. 1397, Folder 1, pages 1-2). The twentieth folder of Cod. Sang. 1397 contains fragments from five liturgical manuscripts from the eleventh to the fourteenth century. (len)

This liturgical manuscript (Sharaknots or Sharakan) contains a collection of over a thousand hymns, organized into eight groups, for use in the Armenian Church. Many of these hymns were composed by prominent figures in the Armenian Church, while others are early translations from sacred hymns of the early Christian Church. The texts include Armenian khaz notation. This manuscript was written by the scribe Simeon in the year 1662 in the city of Brnakot, in the province of Siounik, an important center for liturgical manuscript production in southern Armenia. The book decoration consists of 8 headpieces, 120 ornamental and zoomorphic initials, and numerous simple red initials. The manuscript features its original Moroccan limp vellum binding with blind tooling. (ber)