The Directorium perpetuum of the monastery of St. Gall, commissioned by Abbot Franz von Gaisberg (1504–1529), consists of seven volumes (Cod. Sang. 533–539). A total of 36 regulae contain the liturgical rules for the Liturgy of the Hours for all possible annual calendars, due to the variable date of Easter. Each rule begins with Epiphany; the rules for the holidays of the Christmas season until the Vigil of Epiphany (which do not depend on the date of Easter) are compiled in Cod. Sang. 539. Cod. Sang. 535 contains the 11th through 17th rules, for when Easter falls between the 1st and the 7th of April (reference date in the codex: Septuagesima, January 28th to February 3rd). The illumination of the manuscript is by Nikolaus Bertschi from Rorschach and an assistant: p. 6 contains a full-page miniature (at the top a Lamentation of Christ, below Saint Gall and Saint Othmar supporting the coat of arms), p. 6a, 54, 108, 164, 211, 263 and 317 contain initials in opaque colors (p. 164 on a background of gold leaf) with scrolls or richly decorated borders. This volume was written by the St. Gall cathedral organist Fridolin Sicher.
Online Since: 12/14/2018
The Directorium perpetuum of the monastery of St. Gall, commissioned by Abbot Franz von Gaisberg (1504–1529), consists of seven volumes (Cod. Sang. 533–539). A total of 36 regulae contain the liturgical rules for the Liturgy of the Hours for all possible annual calendars, due to the variable date of Easter. Each rule begins with Epiphany. Cod. Sang. 539 contains the seven possible rules for the holidays of the Christmas season (which do not depend on the date of Easter) until the Vigil of Epiphany. The illumination of the manuscript is by Nikolaus Bertschi from Rorschach and an assistant: on p. 4 a full-page miniature, on pp. 5, 21, 37, 53, 69, 85 and 101 initials in opaque colors (partly on a background of gold leaf) with scrolls or richly decorated borders. This volume was written by Fridolin Sicher, St. Gallen cathedral organist.
Online Since: 09/26/2017
Lectionary for feast days of saints, written at least partially by St. Gall Abbey Librarian Anton Vogt (around 1486-1529), by order of Prince-Abbot Franz Gaisberg (1504-1529). The illumination (scrolls with flowers and animals, numerous ornamental initials, among them six portrayals of figures) is by the illuminator Nikolaus Bertschi from Augsburg. A calendar (f. Ir-Xv) precedes the lectionary (f. 1r-130r), which then is followed by readings for the commemoratio of the patron saints of St. Gall and of Mary, and by collects for feast days of saints.
Online Since: 06/23/2014
This large-format antiphonary from the Cloister of St. Gall, produced in the year 1544 at the request of Abbot Diethelm Blarer (1530-1564), contains songs to be sung during the liturgy of the hours on holy days throughout the year. The scribe who wrote this volume was the cleric, cathedral organist and calligrapher Fridolin Sicher (1490-1546), the illuminator who made the 22 figured initials and the full-page double illustration at the beginning of the antiphonary is unknown.
Online Since: 12/09/2008
An opulently illustrated large-format gradual containing four-part vocal pieces, from the Cloister of St. Gall, written and illuminated in the year 1562. By order of Prince-Bishop Diethelm Blarer, the Italian Manfred Barbarini Lupus from Correggio composed these challenging vocal pieces, Father Heinrich Keller (1518-1567) wrote the text, and the manuscript illustrator Kaspar Härtli from Lindau on the Bodensee illuminated the first pages with the important holy days of the church year. The volume has richly ornamented borders and numerous miniatures, among them five of full-page size, and contains the heraldic shields of St. Gall monks living at that time; the ornamented pages include many depictions of musical instruments of the period (some of which are no longer known).
Online Since: 12/09/2008
Large-format antiphonary with chants in four parts, written and illuminated between 1562 and 1564. By order of Prince-Abbot Diethelm Blarer (1530-1564), the Italian Manfred Barbarini Lupus from Correggio composed the pieces for four voices - antiphons, responsories, hymns and psalms for the principal feast days of the liturgical year as well as passions according to Matthew, Mark and Luke. Father Heinrich Keller (1518-1567) wrote the text and the illuminator Kaspar Härtli from Lindau on Lake Constance created a full-page All Saints picture with Christ on the cross (f. IVr), as well as a donor portrait with the coats of arms of the then-living members of the St. Gall monastic community (f. 1r).
Online Since: 06/23/2014
This Psalter contains the psalms in liturgical sequence with antiphons, followed by biblical canticles and a hymnal. The codex was written in 1545 (colophon f. 102v) by the organist and calligrapher Fridolin Sicher (1490-1546) by order of Prince Abbot Diethelm Blarer (1530-1564). Large parts were rewritten by numerous later hands, probably after the reform of the liturgy following the Council of Trent. The Psalter contains several figurative initials by an unknown illuminator.
Online Since: 06/23/2014
A collection of lives of ancient Roman saints (among them Sebastian, Agnes and Emerentia, Agatha, Lucia, Blandina) as well as a copy of the Vita of Saint Vedastus, Bishop of Arras, by Alcuin of York. The manuscript contains the sermon De ieiunio (On fasting) by St. Ambrose. The codex was written in about 900, most likely at the Abbey of St. Gall.
Online Since: 12/21/2009
Contains, among other items, the most reliable texts of the vitae of saints Richarius, Dionysius, Gregory the Great, Leodegarius, Vedastus, Nazarius, Mark the Evangelist, Kosmas and Damian.
Online Since: 12/31/2005
Hagiographic manuscript collection containing the lives of numerous saints, especially the Benedictine saints, written and compiled in the Cloister of St. Gall between the 10th and 13th centuries. Among other items it contains the lives of saints Remaclus, Gangold, Willibrord (originally written by Alcuin of York), Ulrich of Augsburg (originally written by Abbot Bern of Reichenau) and Magnus (older and newer lives). Between the newer and older versions of the lives of Magnus is a pen sketch of the healing of a blind person in Bregenz on the Bodensee.
Online Since: 05/20/2009
Contains, among other items, the only extant version of the Life of Saint Ambrose, composed by an unknown monk from Milan around 870, and the principal manuscript of Seneca's (1 BC - 65 AD) Apocolocyntosis, a satirical pamphlet on the Roman emperor Claudius (41 - 54 AD).
Online Since: 12/31/2005
A German language edition of the life history of the St. Gall patron saints Gallus, Magnus, Otmar and Wiborada. Includes color portraits of saints Wiborada and Otmar (the latter bound into the wrong location in the manuscript; the portraits of Gallus and Magnus have been lost). The manuscript also includes a German translation of the Proverbs ("Sprüche der Altväter") as well as some brief spiritual texts for nuns, written down and most likely translated into German by Friedrich Kölner (or Colner), a Reformist monk originally from the cloister of Hersfeld in Hessen, who was a member of the Cloister of St. Gall between 1430 and 1436.
Online Since: 12/09/2008
This manuscript contains German-language lives of the saints: the “Lives of the Fathers” (Vitaspatrum) (pp. 5a–482a), the Life of Saint Meinrad (pp. 482a–501b) and the Life of Saint Fridolin, a translation of the Latin Vita of Fridolin written by Balther von Säckingen (pp. 502a–541a). The main scribe of this codex was Johannes Gerster, citizen of Säckingen, who identifies himself on p. 361 and p. 541, each time including a date. Several pen drawings: tree with blossoms and fruit (p. 361), young man in secular clothing (p. 482), sketches of dragons (p. 528 and p. 541), rosette (p. 541). In the 17th century, this manuscript was in the possession of the Convent of the Poor Clares in Freiburg i. Br. (note p. 3); only in the 18th century was it purchased for the Monastery of St. Gall.
Online Since: 10/08/2015
German version of the life of Jesus according to the four gospels, in an Alemannic recension. With colorful initials and 21 filled initials, drawn in pen and usually colored. The scribe and probably also first owner, Rudolf Wirt, gives his name at the end of the text on p. 463 as well as the date of the completion of the manuscript on January 9, 1467. The volume originated in one of the women's cloisters of St. Gall and came to the St. Gall Abbey Library between 1780 and 1792.
Online Since: 06/23/2014
Legendary of St. Gall: contains, among other items, the German lives of the St. Gallen Saints Gallus, Magnus, Otmar and Wiborada, illustrated with 142 vivid images.
Online Since: 06/12/2006
This manuscript, probably written in the Benedictine Allerheiligen Abbey in Schaffhausen, contains, besides many shorter, often later added texts, a number of German-language lives of the saints (Maurice and the Theban Legion, Mary Magdalene, Elizabeth of Hungary), meditative texts (on Maundy Thursday, on the Passion of Christ, the Steinbuch of a certain Volmar), and the Book of Founders of Allerheiligen Abbey. The latter is a free adaptation of the 12th century legend of the founding of the Abbey on the Rhine. Using the cut leather (cuir-ciselé) technique, an artist cut central figures of the foundation legend (probably St. Benedict, Eberhard of Nellenburg, Burkhard of Nellenburg, Wilhelm of Hirsau?) into the front and back of the cover. On p. 204, there is a pen sketch of the saints Benedict and Bernard. At an unknown date, the manuscript came into the possession of the scholar Aegidius Tschudi of Glarus and, together with his literary estate, was bought by the Monastery of St. Gall in February 1768.
Online Since: 12/13/2013
This manuscript, named after the person who commissioned it, Abbot Franz Gaisberg (abbot 1504-1529), contains assorted historiographic and hagiographic texts: a history of the abbots of St. Gall with coats of arms, epitaphs of St. Gall abbots and monks, the history of the St. Gall abbey (Casus sancti Galli) for the years 1200-1232 by Konrad von Fabaria, the anonymous Vita of Notker Balbulus († 912), together with a copy of the records of his beatification process in 1513 and the legends of saints Constantius, Minias, and Roch. The codex was written by the organist and calligrapher Fridolin Sicher of the St. Gall Abbey (1490-1546).
Online Since: 03/31/2011
A copy of the Alexanderroman (Romance of Alexander) by physician, translator and poet Johannes Hartlieb (1468) of Munich. This is the exemplar that Hartlieb had produced for Duke Albrecht III. of Bavaria (1451-1460) and his wife Anna of Braunschweig by calligrapher Johannes Frauendorfer of Thierenstein in the year 1454, using a professional Bastarda script. It is illustrated with 45 six-by-thirteen-line fully colored initials, possibly by the hand of Bavarian miniaturist Hans Rot. Decorations include numerous simple and intricate vine borders with acanthus leaves, in which a wide variety of animals frolic, and in which one can find many of the flowers of the region. The Romance of Alexander remained one of the most popular prose romances in the German language until 1500.
Online Since: 07/31/2009
Manuscript compilation containing a collection of fables (Ulrich Boner's Edelstein), decorated with simple pen drawings, farcical stories – preserved only here – by the so-called "Swiss Anonymous" as well as chronicle notes on the history of Zurich and Glarus.
Online Since: 12/12/2006
The Cantonal Secretary of Schwyz Hans Fründ († 1469), originally from Luzern, wrote a chronicle of the Old Zurich War in about 1447. This carefully written copy illustrated with the flags of the cantons of the Confederation was made by Rorschach chaplain and former Schwyz schoolmaster Melchior Rupp in the year 1476. The manuscript, in the final pages of which are transcribed certain records and documents from the years 1446 through 1450 related to the Old Zurich War, made its way into the possession of Glarus scholar Aegidius Tchudi (1505-1572) and from there, in the year 1768, into the Abbey Library of St. Gall.
Online Since: 12/19/2011
A copy made in 1520 of the so-called “Klingenberger Chronik” (Klingenberg Chronicle) originally composed in 1450. It is the history of the Appenzell Wars (1401-1429) and of the Old Zurich War (1440-1446) from the point of view of the losing side: the eastern Swiss nobility. Illustrated with several color sketches of battle scenes and coats of arms. In addition this codex contains copies of legal documents, chronological notes, songs, and in the very front an incompletely preserved 1520 Strasbourg print edition by Sebastian Brant (1457/58-1521) of the biographies of Roman emperors Titus and Vespasian. This volume was obtained by the Abbey Library of St. Gall from Glarus humanities scholar Aegidius Tschudi (1505-1572) in 1768.
Online Since: 12/09/2008
The oldest copy of the Chronicle of Konstanz by Gebhard Dacher, made between 1458 and 1472 by the author himself and illustrated with a series of colored pen sketches, among them the oldest known view of the city of Konstanz. Obtained by the Abbey Library of St. Gall in the 18th century, at the latest.
Online Since: 07/31/2009
German translation of a history of the First Crusade (1095/96-1099; Historia Hierosolymitana), composed by the monk Robertus Monachus from Reims. Written and illustrated with 22 colored pen drawings in the year 1465. As an appendix, the manuscript also contains around 9000 verses from the Österreichische Reimchronik (rhymed chronicle of Austria) by Ottokar of Steiermark describing the siege and destruction of the Crusaders' fortress in Akkon in the year 1291.
Online Since: 09/14/2005
The so-called Wandalgarius manuscript containing the Lex Romana Visigothorum, the Lex Salica and the Lex Alamannorum. An important legal manuscript, written and decorated with numerous colored initials and a miniature of a crowned lawgiver in the year 793 by the cleric Wandalgarius in Lyon. It contains the laws of the Visigoths (Lex Romana Visigothorum), the Salian Franks (Lex Salica) and the Alemanni (Lex Alamannorum). It is the oldest precisely dated manuscript in the Abbey Library of St. Gall.
Online Since: 12/12/2006
A representative copy of the decretals of Pope Gregory IX (Pope 1227-1241) in a Gothic-rotunda script from Italy. The text of the decretals is surrounded on each page by the so-called Glossa Ordinaria, a juridical commentary by the canon law specialist Bernardus de Botone of Parma († 1266), which has been written to encircle the main text. The commentary in turn has been extensively edited and glossed at a later time. Each of the five parts is decorated with a scene portraying its content.
Online Since: 03/31/2011
A compendium of 39 medical texts by known and unknown authors, produced in the second half of the 9th century, most likely in northern Italy, already obtained at an early date by the Abbey Library of St. Gall. This codex includes—sometimes in unique exemplars—an alphabetically ordered Greek-Latin herbal glossary, the treatise De re medica by one Pseudo-Plinius (Physica Plinii), and a longer medical tract entitled Liber Esculapii.
Online Since: 12/23/2008
Collection of German medical texts. The beginning is missing, then the Ordnung der Gesundheit for Rudolf von Hohenberg (pp. 3-60); various recipes for medicine, magic and food (pp. 63-101), among them a treatise on vultures and verbena from the Bartholomäus (pp. 64-69); “Verworfene Tage” (pp. 69-71); a recipe for vinegar (pp. 73-76); an excerpt from the Buch der Natur by Conrad of Megenberg (pp. 82-85); recipes making use of “Schwalbenstein” (pp. 89-90); prognostics for the new year and for thunder (pp. 90-94); recipes for wine (pp. 95-101). Herbal book with excerpts from the Macer Floridus by Odo von Meung (pp. 101-146); medical recipes (pp. 146-147); applications for medicines according to the Macer Floridus (pp. 147-161); recipe against the ritten (p. 162). At the end on p. 164 there is a colored sketch of Agrimonia (Odermennig). The manuscript, originally from the library of Aegidius Tschudi (no. 117), is related to the 2° Cod. 572 of the Staats- und Stadtbibliothek Augsburg.
Online Since: 09/23/2014
This manuscript, illustrated with numerous colored pen drawings, originated in a secular environment in Southern Germany or in Switzerland around the middle of the 15th century. It describes the signs of the zodiac, the planets, the four temperaments, and the four seasons regarding their influence on human health. This is followed by dietary guidelines primarily regarding bloodletting, but also regarding eating, drinking, sleeping, waking, resting and moving, as well as, in concrete terms, regarding bathing (illustration p. 101) or defecating (illustration p. 120). Most likely an amateur doctor with an interest in astronomy, from the Southern region of Germany, wrote the original text around 1400 and assembled it into a compendium. Later the text was repeatedly supplemented and modified. The last part (from p. 128 on) contains a prose and a poem version of the so-called letter from Pseudo-Aristotle to Alexander the Great, in which the Greek universal scholar advises the king on maintaining good health.
Online Since: 09/23/2014
The manuscript is composed of several units and includes many texts with varying content. The first part (pp. 1-106), in paper, contains a synodal book (pp. 1-81), as well as the Auctoritates sanctorum (pp. 82-105), which, according to the colophon (p. 105a), were copied by Johannes Gaernler in 1378 or 1379. Below the colophon is a drawing, perhaps made by the copyist, representing a man (a king?) holding a cup in hand. Several parchment quires follow (pp. 107-224) with sermons, provisions for penance, etc., dating partly from the thirteenth century and partly from the fourteenth. The end of the manuscript, in paper (pp. 225-471), includes, alongside the penitential of Johannes de Deo (pp. 284-315), sermons, as well as ascetic and theological texts, which were copied in the fourteenth century (pp. 316-471). According to a note of possession (p. 471), the manuscript, or at least its last part, was in the Abbey of St. Gall at the end of the fifteenth century at the latest. The binding has a beautiful interlace pattern on the spine.
Online Since: 09/22/2022
This is a complete copy of the Sententiae by Peter Lombard († 1160). The chapter titles are listed at the beginning of each book (p. 3–5, 91–93, 170–171, 229–231). There are several figurative initials in red with green, blue and light yellow (p. 6: Mass as well as Synagogue and Ecclesia; p. 172: Annunciation; p. 232: good Samaritan) and many small pen-flourish initials in red and blue. Numerous marginal glosses. On p. 325/326, upside-down, a very faded 15th century (?) script, on the inner back cover the imprint of two pages of a Carolingian manuscript, at least in part from Origines, Homilia VIII in Ezechielem.
Online Since: 03/22/2018
This composite volume, written between 1425 and 1425 in the Lake Constance regions, though not at the Abbey of St. Gall, contains Latin versions of a great many computistic/astronomical/cosmographical treatises, including the widely disseminated work De sphaera mundi by John of Sacrobosco and his arithmetical foundation work Tractatus de algorismo. The manuscript, organized according to the calendar, also contains illustrations: the twelve signs of the zodiac, a map of the winds, sketches of the ecliptics of the sun and moon, planets and constellations, a diagrammatic guide for bloodletting, a set of early medieval Terra Orbis-type world maps, and (on pages 265 and 266) twelve simple illustrations for the months with brief rhyming proverbs in German derived from the nature- and landscape-dominated everyday life of the people of the late middle ages.
Online Since: 10/04/2011
A painstakingly annoted copy of the work De natura animalium tractatus XIX by Aristotle, in the Latin version by the scholar Michael Scotus († ca. 1235), written during the 13th century, with an opening "I" initial, partly decorated in gold, showing a man sitting before a book. In 1453 this manuscript was owned by one Johannes Kalf from Wangen (in Allgäu); bound in a Kopert (limp vellum) binding.
Online Since: 04/15/2010
A fifteenth-century wooden-board binding contains this manuscript composed of multiple parts. The original start of the miscellany, the part of the manuscript consisting of pp. 1–140, was probably removed in the ninenteenth century. Six codicological units remain, and, with the exception of Part IV, they all were copied in the fifteenth century. Part I (pp. 141–348) has, on pp. 141–198, Johannes de Fonte's florilegium Auctoritates Aristotelis (Lohr, p. 260) and, on pp. 199–346, Latin sermons, with the insertion of excerpts from the book of Proverbs (pp. 257–263). Part II (pp. 349–396) contains Latin texts on the Mass, confession, and penance, written in two columns on pp. 349a–396, including Ambrosius Autpertus' treatise De conflictu vitiorum on pp. 363a-383b (Bloomfield, Nr. 0455). Further Latin sermons appear in Part III (pp. 397–440b). Part IV (pp. 441–574) consists of an incomplete abbreviation in two columns of Guillelmus Peraldus' Summa virtutum (Bloomfield, Nr. 5775; Verweij, p. 111–110), which was copied in the fourteenth century. Part V (pp. 575–618) transmits Thomas Aquinas' treatise Collationes de decem preceptis (Bloomfield, Nr. 6071), which is decorated with a rather large pen drawing of a bishop on p. 600b. Part VI (pp. 619–638), a single gathering, is written in two columns and contains on pp. 619a–630b a Latin interpretation of the Pater noster by Johannes Münzinger (Adam, p. 160), on pp. 631a–634a Thomas Aquinas' interpretation of the Ave Maria (Expositio angelice salutationis) (cf. Rossi), on pp. 634b– 637a an interpretation of the responsory Missus est Gabriel, and finally on pp. 637a–638b a short text in another hand. Based on the stamp of Abbot Diethelm Blarer (p. 440b), the manuscript has been in the Abbey Library since 1553–1564 at the latest.
Online Since: 12/20/2023
School manuscript from the monastery of St. Gall, containing Cassiodorus'Institutiones saecularium litterarum (an educational book on the "Septem Artes Liberales").
Online Since: 12/31/2005
This manuscript (also called the “St. Galler Epenhandschrift”) is written in two columns in a very uniform manner by three anonymous primary scribes and four secondary scribes; it offers a fine version of a unique collection of Middle High German heroic and knightly poetry. It contains “Parzival” (pp. 5−288; version D) by Wolfram von Eschenbach, the Song of the Nibelungs (pp. 291−416; version B) with the following lament (pp. 416−451; version B), the poem “Karl der Grosse” (pp. 452−558; version C) by der Stricker, the verse narrative “Willehalm” (pp. 561−691; version G) by Wolfram von Eschenbach, as well as five sung gnomic verses by Friedrich von Sonnenburg (p. 693; version G). Until 1768, when the manuscript was purchased by the Monastery of St. Gall, this volume certainly also contained fragments of the epic poems “Die Kindheit Jesu” by Konrad von Fussesbrunnen and Unser vrouwen hinvart by Konrad von Heimesfurt. These two works were removed from the manuscript of epic poems before 1820 and are now held in the Staatsbibliothek Preussischer Kulturbesitz in Berlin (mgf 1021) and the Badische Landesbibliothek in Karlsruhe (Cod. K 2037), respectively. The manuscript, illustrated with 78 uniformly executed initials by unknown artists from the miniature painting school of Padua, was commissioned by a wealthy client who was interested in Middle High German epic poems. The first owner known by name was the Swiss polymath and universal scholar Aegidius Tschudi (1505−1572) from Glarus, whose estate of manuscripts the Monastery of St. Gall was able to acquire in 1768.
Online Since: 10/08/2015
This manuscript, written in 1499 under the schoolmaster Cunradus Reuschman of Lindau (note on p. 488), contains predominantly works by ancient writers, as well as several works by 15th century Italian authors. All texts have commentaries, and the more important works are generally preceded by an argumentum. Often there are several pages left blank between the texts. In the margins, there are several simple pen sketches (pp. 498–501, 504, 511, 513; on p. 706 and 712 sketches of maps of the world). P. 3 contains a full-page pen sketch of the city of Troy. The individual texts are: Publius Baebius Italicus, Ilias latina (pp. 5–51); Virgil, Georgica (pp. 57–146); Horace, Epistolae (pp. 148–230); Horace, Carmen saeculare (pp. 231–234); Lactantius, De ave Phoenice (pp. 234–241); Persius, Satires (pp. 245–282); Margarita passionis, inc. Cum prope pasca foret (pp. 283–288); Seneca, De providentia (pp. 289–298); Augustinus Datus, Elegantiolae (pp. 323–361); Carmen de dolo et astutia cuiusdam mulieris, inc. Summe procus caveat ducatur ne mala coniunx (pp. 362–365); hymns (pp. 366–388); Parvulus philosophiae moralis (pp. 395–417); Dominicus Mancinus, De quattuor virtutibus (pp. 419–488); Hieronimus de Vallibus, Jesuida (pp. 491–514); Matthaeus Bossus, Oratio in beata coena domini (pp. 515–524); Ps.-Leonardo Bruni Aretino, Comoedia Poliscena (pp. 539–549); Terence, Andria (pp. 563–621); Virgil, Bucolica (pp. 629–660); Horace, Ars poetica (pp. 661–678); Horace, Epodes (pp. 679–692); Ps.-Virgil, Moretum (pp. 692–694); Ps.-Ovid, Remedia amoris, inc. Qui fuerit cupiens ab amica solvere colla (pp. 694–695); Ps.-Ovid, De arte amandi, inc. Si quem forte iuvat subdi sapienter amori (pp. 695–698); a treatise on punctuation, De kanone punctorum (pp. 699); Virgil, Aeneis, lib. 1 and 3 (pp. 701–726 and 741–760); Sallust, De coniuratione Catilinae (pp. 765–802); Sallust, De bello Iugurthino, incomplete (pp. 803–804); Seneca, Epistolae morales (pp. 812–853).
Online Since: 10/04/2018
Marcus Annaeus Lucanus (Lucan, 39-65 AD), "De bello civili" (also known as the "Pharsalia"). Epic poem on the civil war between Pompey and Caesar (48 - 45 BC).
Online Since: 06/12/2006
Manuscript compilation consisting mainly of grammatical texts, written in a variety of hands in about 800 in the monastery of St. Gall. Some of the texts in this codex are the oldest extant versions, and the text of the anonymous treatise De scansione heroyci versus et specie eorum is the only known surviving version in the world. Grammars include the Ars major and Ars minor by Donatus, a complilation of the two Donatus grammars by Peter of Pisa, the work De metris des Mallius Theodorus, the Ars grammatica by Diomedes, and both De arte metrica and De schematibus et tropis by the Venerable Bede.
Online Since: 12/09/2008
Manuscript compilation from the St. Gallen scriptorum, dating from around 800 and containing numerous grammatical treatises.
Online Since: 12/31/2005
This parchment manuscript contains on pp. 1–188 books 17 and 18 of Priscian's Institutiones grammaticae (ed. Keil, v. 3, pp. 107–278, l. 12). Then follows the third book of Donatus' Ars maior on pp. 189–204 (ed. Keil, v. 4, pp. 392–402), and the Pseudo-Priscian treatise De accentibus on pp. 205–223 (ed. Keil, v. 3, pp. 518–528). The entire grammatical manuscript is written in the same fourteenth-century textualis. The beginning each of the four texts, on p. 1, 115, 189, and 205, is marked by a 10-18-line painted initial with gold, blue, white, red, dark-red or green; the first initial is historiated, depicted a teaching scene, and the third initial is heavily damaged. For the rest, there are simple red and blue pen-flourished initials throughout. The Institutiones grammaticae are accompanied by numerous glosses and commentaries written in ink by several fourteenth-century hands. On p. 189 the glosses are less numerous and have been made with dry point. On p. 118 and 224 can be found the stamp of Abbot Diethelm Blarer (1553–1564), on p. 1 appears the former shelfmark D.n. 241 along with a note on content by Pius Kolb. Before p. 1, a fragment in paper contains the remains of two long entries. The wooden-board binding has a half-leather cover.
Online Since: 12/20/2023
The parchment manuscript contains Alexander of Villedieu's Doctrinale with the commentary of Master Bertholdus Turicensis. The colophon (p. 123) states the name of this commentator from Zurich, and of the copyist, a certain “Hermannus”, but nothing more is known about them. The volume, laid out in two columns, is carefully articulated: every hexameter of the Doctrinale is generally divided into paragraphs of one or more verses and is copied in a larger size than the commentaries that follow. This commentary is more or less as long as the verses and is moreover full of abbreviations, unlike the text being commented. Elegant pen-flourished initials, typical of upper-Rhine illuminations of the beginning of the fourteenth century, appear throughout this copy. The seal of abbot Diethelm Blarer (p. 59) confirms that the book was at the Abbey Library since 1553–1564 at the latest.
Online Since: 12/20/2023
School manuscript for the St. Gall monastery school, containing the Greek grammar by Dositheus and a prose version of Aratos of Soloi's didactic poem Phainomena which is illustrated with a pen drawing.
Online Since: 09/14/2005
The Abba-Ababus-Glossar in palimpsest form, one of the oldest manuscripts in the Abbey Library which survives in book form. This glossary, in which each Latin word is explained using another, was apparently written over older texts from the 5th century in the Cloister of Bobbio. The texts underneath, which vary in legibility, include fragments of the Psalms and of the book of Jeremiah from the Old Testament as well as extracts from works by the grammarian Donatus and the Roman poet Terence. Includes a miniature of a speaker in declamatory pose.
Online Since: 12/09/2008
This manuscript from 1467, which first belonged to the convent of the Poor Clares at Freiburg in Breisgau and was transported to the Abbey of St. Gall in 1699, contains, in addition to some Latin texts, many tracts for spiritual instruction in German translation. These include an Ars moriendi, the Cordiale de quattuor novissimis by Gerard van Vliederhoven, the so-called Hieronymus-Briefe(Letters of Jerome) translated by John of Neumark (ca. 1315-1356), the Spiegelbuch, a dialogical text in rhymed verses on living life properly, the trials of worldly life and everyday tribulations, with about twenty colored pen sketches, and a version of the legend of the Three Kings by John of Hildesheim (1310/1320-1375). The manuscript also contains some additional pen sketches: a unicorn (p. 87), images representing two Apostles (p. 107; Paul and John?), a man and a woman in secular dress, and a stag and a wild boar (p. 513). There are imprints in Carolingian minuscule on front and rear inside covers (rear inside cover: Hrabanus Maurus, De computo).
Online Since: 10/04/2011
This manuscript contains three substantial treatises in German. At the beginning there is the life of Archbishop Johannes of Alexandria (pp. 5−83), written by Anastasius Bibliothecarius. It is followed by the edifying treatise Die vierundzwanzig Alten oder der goldene Thron der minnenden Seele by Otto of Passau (pp. 87−544) and the History of the Three Kings (Historia trium regum) by John of Hildesheim (pp. 546−602). The treatise by Otto of Passau is illustrated with 25 colored pen and ink drawings, outlined in red and extending the width of the column. The History of the Three Kings begins with a full-page miniature (p. 546), which shows the three Magi visiting the infant Jesus. The scribe and the illustrators of this manuscript, which possibly originated in the circle of the community of lay brothers of St. Gall, are unknown; stylistic characteristics suggest the Konstanz book illumination of Rudolf Stahel. The manuscript is dated to the year 1454 in three places (p. 93 as an inscription in a picture; p. 544; p. 602). In the 15th century the manuscript was the property of the community of lay brothers of the Monastery of St. Gall (who did not know Latin); in 1618 the manuscript was still in the library of the community of lay brothers. At least since 1755 it has been attested in the main library of St. Gall Abbey.
Online Since: 06/25/2015
This manuscript predominantly contains sermons. It begins (pp. 1–279) with the Speculum ecclesiae by Honorius Augustodunensis (around 1080 – 1150/1151). This is followed by 20 verses each on virtues and vices in Leonine hexameter (pp. 279–281), each followed by a brief explanation in prose. On the otherwise blank p. 282, there is a pen and ink drawing of the Apostle Paul. Following on pp. 283–411, there are the Sermones by Mauritius de Sulliaco (Maurice de Sully, around 1120 – 1196), with a list of chapters and a prologue on p. 283. On pp. 411-414, there is a commentary on the Apostles' Creed (Inc. Quo nomine vocatur hec doctrina apostolica symbolum, Expl. latine dicitur vere fideliter fiat). The very short text on p. 415 deals with Communion for the excommunicated (Inc. Communicans excommunicato, Expl. ad correctionem communicabis excommunicato).
Online Since: 03/22/2018
St. Gall Abbot Ulrich Rösch's (1462-1491) book of heraldry, containing 1,626 coats of arms of prominent people from the laity and the clergy, mostly from the southern region of Germany. This heraldic book was probably prepared in the Heidelberg workshop of Hans Ingeram for an unknown customer from the area between the Neckar River and the Upper Rhine. In the 1480s St. Gall Abbot Ulrich Rösch purchased the volume and had numerous coats of arms from Swiss and German border areas added in the back pages; these were drawn by Winterthur artist Hans Haggenberg. One of the most important heraldic record books of the 15th century.
Online Since: 12/23/2008
Book of heraldry by the universal scholar Aegidius Tschudi (1505-1572) of Glarus, produced at some point between 1530 and 1572. It contains more than 2,000 coats of arms of the aristocratic families of the Old Swiss Confederacy. Many of the coats of arms include genealogical explanations in Tschudi's hand.
Online Since: 12/23/2008
This manuscript, with an imposing binding, bears the title “Schlacht-, Nammen-, Schilt- und Waappen-Buoch von denen noch bewusten Graffen, Freyen, Edlen, Ritter und Knechten, welche mit Hertzog Leopoldo II. von Oesterreich auff St. Cirilli den 9.ten Tag Iulij 1386 vor Sempach umbgekommen und erschlagen worden” (Book of the battle, name, escutcheon and coat of arms for the known counts, freemen, nobles, knights and soldiers who perished or were slain along with Leopold II, Duke of Austria on St. Cyril, the 9th day of July 1386 at Sempach). Joseph von Rudolphi (1717−1740), abbot of St. Gall, commissioned this copy in 1738, because, after studying the Chronicon Helveticum, the great historical work by the scholar Aegidius Tschudi (1505−1572) of Glarus, and a copy thereof that he had arranged to have made for his monastery shortly before from the exemplar at Schloss Gräpplang near Flums (Cod. Sang. 1213−1220), he had found certain discrepancies with an older copy of the “Wappenbuch von Sempach”. A colorful painting of the battle has survived as a sort of frontispiece on a parchment bifolio (pp. 6−7); it is similar to the painting in the Schlachtkapelle (“battle chapel”) of Sempach and, according to Franz Weidmann's manuscript catalog (Cod. Sang. 1405, p. 2002), it was “von einem gar alten Kupferstich getreülich abgemalet worden” (faithfully copied from a quite old copperplate print). Apparently Joseph Leodegar Bartholomäus Tschudi (1708−1772), a descendant of Aegidius Tschudi, is responsible for the book decoration (p. V1). After extensive introductory comments, the volume's rich ornamentation with the coats of arms begins with a portrait of Duke Leopold III (p. 34).
Online Since: 06/22/2017
This manuscript was written by the St. Gall monk Jakob an der Rüti (1562-1615), probably for private use. The first part (f. 1r-125r) contains responsories for the principal feast days of the liturgical year with melodies in German plainsong notation ("Hufnagelnotation") and often with directions for processions. These are followed by directions regarding the location of certain Vespers (f. 126r-128r), more directions on the order of processions f. 128v-136v), melodies for the doxology (f. 139r-140v), directions for the Vespers of the boy abbot (abbas scholasticus) on the Feast Day of St. John the Baptist and on the eve of the Feast of the Circumcision (f. 140v-147v), as well as prayers for processions (f. 150r-155v). Jakob an der Rüti decorated the manuscript with several somewhat clumsy pen sketches and borders (full-page decoration f. 1r, 58v-59r and 77v-78r, also representations of figures in initials). On f. 126r he gives his name in initials (F.I.A.R.), on f. 125r his name is written out (erased, legible under UV-light: Per me fratrem Jacobum An der Rüti …um Anno 1582).
Online Since: 06/23/2014
Travel diary ("Reisebuch") of Alsatian world traveler Georg Franz Müller (1646-1723). Müller was employed by the Dutch East India Company between 1669 and 1682 as a soldier in the Indonesian archipelago. In the "Reisebuch" he illustrated people, animals and plants that he encountered during his voyage (via South Africa) to Indonesia and his travels in Indonesia. He also composed simple, sometimes clumsy verses, about all these people, animals and plants, and wrote them out in his idiosyncratic, difficult to read script.
Online Since: 12/23/2008
Abbot Otmar Kunz's (1564−1577) small format prayer book, with several pages of rich decoration (flowers, vines, animals), was written and illustrated in 1574 by unknown artists. Especially noteworthy are two full page miniatures. On p. 4, Abbot Otmar Kunz, dressed in ceremonial regalia, kneels in a landscape with a city, hills and trees, above him is God with the terrestrial globe and with his hand raised in blessing. On p. 10, the St. Gall abbot, dressed in a simple monk's habit, kneels with Mary and John beneath the Cross of Christ. The prayer book contains (from p. 11 on) the so-called 5 Passion Psalms (Ps 22, 31, 55, 69, 109). These are followed by the 15 Gradual Psalms, the vigil for the deceased, as well as the 7 Penitential Psalms with the Litany of the Saints. After the death of Abbot Otmar, a scribe with the initials FVF added a prayer (pp. 105−109); probably this was Brother Ulpianus Fischer from Überlingen, who joined the Abbey of St. Gall in 1583. In 1594, the former abbot's prayer book belonged to St. Gall monk Georg Spengler († 1609), who was born in Wil. In 1599 the manuscript received its current binding with blind stamp decoration.
Online Since: 06/22/2017
Collected Fragments Volume II from the Abbey Library of St. Gall ("Veterum Fragmentorum manuscriptis codicibus detractorum collectio tomus II"). Among other texts, this volume contains 110 smaller and larger single leaves from the oldest Vulgate version of the Gospels, produced in northern Italy (Verona?) in about 410/420, fragments of Psalm manuscripts in Latin and in Greek from the 7th and the 10th centuries respectively, and a large number of Irish fragments from the Abbey Library dating from the 7th through the 9th century, including a picture portraying Matthew the Evangelist with his emblems (p. 418), a full-page decorated cross (p. 422) and a "Peccavimus" decorative initial (p. 426).
Online Since: 07/31/2009
The paper manuscript contains the chronicles of the librarian of St. Gall, Jodocus Metzler (1574-1639); the longest of them is dedicated to the history of the abbey of St. Gall (pp. 11-750), followed by the chronicles of Engelberg (pp. 813-825) and of St. John in the Thur valley (pp. 829-840), and finally by a catalogue of the abbots of St. Magnus of Füssen (pp. 845-848). This copy was made by the St. Gall monk Marianus Buzlin in 1613, while the marginal notes are in Metzler's hand. The manuscript opens with a full-page illumination on parchment (p. 13); in its side margins appear St. Gall (left) and St. Otmar (right), the bottom of the page features the coat of arms of the abbot Bernhard Müller (1594-1630), while the blue-painted background, which probably would have had the title, is left empty with the exception of gold ornaments in the corners.
Online Since: 09/22/2022
This Festschrift for Fr. Aegidius Hartmann (1691–1776), dean of St. Gall, is titled Corona gloriae et sertum exultationis. The monastery community dedicated it to the dean on the occasion of the golden jubilee of his ordination to the priesthood on 16 October 1766. Three poems, odes and eulogies each praise Fr. Aegidius Hartmann as minister of the sacraments, as pastor and as priest celebrating this jubilee. Each poem is preceded by an emblem of a flower in a garden; the three sections each begin with a wreath of three flowers. The Festschrift was drawn and probably also written by Fr. Dominikus Feustlin (who also wrote the four-volume antiphonary Cod. Sang. 1762, 1763, 1764 and 1795). At the end of the manuscript, two small-format booklets contain texts honoring Abbot Beda Angehrn. He received the first of these, titled Duplicis piique voti unanimis consensio, in 1778 from students in Kreuzlingen. The second, titled Alte und neue Dichtkunst. Ein Tafelgesang, was also presented in 1778 by the Imperial Abbey Petershausen in Constance. Both texts were probably meant for a musical performance since they contain arias and a choral piece each, but they lack any musical notation.
Online Since: 10/04/2018
Pontifical vesperal of St. Gall Prince-Abbott Cölestin Sfondrati (Abbot 1687–1696). It was found in 1846 among the books of St. Gall friar Notker Hager († 1836). This volume contains the chants for Vespers (antiphones and hymns) for the Feasts of Jesus Christ and for the saints' feast days throughout the church year. Only the incipits are each written in German plainsong notation (“Hufnagelnotation”) on five lines. Each feast is decorated with initials in the style of grotesques and with several marginal miniatures (on p. 56 is the oldest colored view of the Monastery of St. Gall). The volume is divided into Proprium de tempore (pp. 1–30), Proprium sanctorum (pp. 31–63), Commune sanctorum (pp. 64–74) and Festum sanctorum reliquiarum monasterii sancti Galli (pp. 75–77).
Online Since: 06/25/2015
This Festschrift for St. Gall Abbott Joseph von Rudolphi (1666-1740, Abbot 1717-1740) is titled Novus Hercules in divi Galli requie exsuscitatus. It was presented to the abbott in 1739 on the occasion of his name day by the students of the monastery school (Musae Sangallenses). Based on the twelve labors of Hercules, the text praises twelve extraordinary achievements of the monastery in the twelve centuries of its existence. For each century, a two-page Historia presents background, followed by an emblematic representation and a two-page Elogium that refers to the emblem. Three poems praising the abbot in Latin, Greek and Hebrew conclude the work.
Online Since: 10/04/2018
Volume 1 so-called Sacrarium Sancti Galli in six volumes (which could not be found at the time of Gustav Scherrer's cataloguing of manuscripts before 1875). Volumes 2 to 6 of the Sacrarium have the shelfmarks Cod. Sang. 1719−1723. This volume lists the cult objects such as chalices, statues, monstrances, candle holders, small altars, patens, censers, reliquaries, etc. that made up the church treasure of the Monastery of St. Gall in the year 1693. This overview, compiled and written by Father Gregor Schnyder (1642-1708) and dedicated to the Prince-Abbot of St. Gall Cölestin Sfondrati (1687−1696), includes historical information about the individual cult objects and illustrates these objects with 60 realistic images in opaque colors. This register is of great importance today since many of the objects were lost, were seized or were melted down during the military invasions by troops from Zurich and Bern in 1712, by the French in May 1789, through the secularization of the monastery in 1805 and the following liquidation of a great part of the abbey's property. Various works by renowned gold- and silversmiths of the early modern period (including Hans Jacob Bayr, Augsburg; Heinrich Domeisen, Rapperswil; Fidel Ramsperg, Appenzell; Johannes Renner, Wil) can be reconstructed only through this Hierogazophylacium (German: Heiligschatzbehälter, ‘container of holy treasure). Other cult objects are still part of the cathedral treasure of St. Gall today, such as the Spoon of St. Gall (p. 170b), which remains in liturgical use today, or the small reliquary monstrance containing parts of the sackcloth belt and robe of St. Gall (p. 168b). In his compilation Fr. Gregor Schnyder paid special attention to the relics contained in the various objects; he noted their origin and copied certificates about their authenticity. This volume is introduced by a frontispiece in shades of brown (fol. IIIr), which shows the founding legend of the Monastery of St. Gall with the Church of St. Gall as it appeared around 1693 in the background.
Online Since: 03/17/2016
This volume, written almost exclusively in Latin, contains a compilation of texts taken from numerous older sources about transfers of saints in the territory of the Princely Abbey of Saint Gall. The St. Gall monk and custos Gregor Schnyder (1642−1708) compiled and wrote the text, mostly in chronological order, and presented it to Abbot Leodegar Bürgisser (abbot 1696−1717) on 19 April 1699, his name day. The illustrations in opaque colors were done by Father Gabriel Hecht (1664−1745). At the beginning there are descriptions of the various transfers of the relics of Saint Gall between about 640 and 1484 (fol. IXv – p. 20) and those of Saint Othmar between 759 and 1692 (pp. 24b−99). This is followed by reports about the transfers of the relics of Notker Balbulus as well as of his beatification in 1513 (pp. 104b−163) and about the dislocation of the relics of Othmar and Notker that was necessitated by the new construction of the church of Othmar (pp. 169−286). Next are reports of donations of relics of various saints from and of the Abbey of St. Gall (pp. 287−354), among them reports about the arrival of the relics of the saints Magnus (898), Constantius of Perugia (904), Remaclus of Stavelot (1035), Faith of Agen (1084), Charles Borromeo (1611), Sigisbert and Placidus from Disentis Abbey (1624) and Bishop Landolo of Treviso (1631), which were particularly revered in the Abbey of St. Gall. The back part of the manuscript contains compilations of documents and reports about the 17th century transfers of Roman catacomb saints to the territory of the Princely Abbey of Saint Gall: there are descriptions (including the respective background and festivities) of the transfer of Honoratus to the Abbey Church of St. Gall in 1643 (pp. 367b−453), of Antoninus and Theodorus to the Abbey Church of St. Gall in 1654 and to Neu St. Johann Abbey in 1685 and of Antonius to the Abbey Church of St. Gall in 1654 (pp. 458−507), of Leander to the Capuchin Convent Maria der Engel near Wattwil in 1652 (pp. 508−513), of Marinus to Lichtensteig in 1657 (pp. 518−530), of Theodora to the Cistercian Convent Magdenau in 1662 (pp. 533−539), of Pancratius to Wil in 1672 (pp. 541−571), of Constantius to Rorschach in 1672 (pp. 573−644), of Laureatus to Wildhaus in 1676 (pp. 647−682), and of Sergius, Bacchus, Hyacinthus and Erasmus to the Abbey Church of St. Gall in 1680 (pp. 687–747).
Online Since: 09/26/2017
This volume is written primarily in Latin; in the first part (pp. 1-480) it contains information about the consecration of churches, chapels, altars and bells at St. Gall Abbey and in the territory of the “Alte Landschaft” (a subject territory of St. Gall Abbey) (pp. 1-187), in the Thurgau (pp. 188-263), in the Rhine Valley (pp. 264-309), and in the Toggenburg (pp. 310-457); furthermore about the churches in the urban area of St. Gall, St. Lawrence, St. Mangen and St. Leonard (pp. 475-480). This part was written around 1706 by the St. Gall monk and custos Fr. Gregor Schnyder (1642–1708) and contains numerous additions from the period up to 1788. On an unnumbered leaf before p. 57, there is a pen and wash drawing of the monastery's tower clock that was completed in 1661. The second part (p. 487-556) is written by the St. Gall monk Chrysostomus Stipplin (1609–1672). It contains a calendar of the feast days of saints for St. Gall Abbey, indicating for each one where the respective celebration is held (pp. 487-501), a list of chapels and altars with the dates of their consecration (pp. 501-502), two lists of altar patronages (pp. 503-506 and 507-509) arranged according to the calendar, an overview of all the altars together with the relics they contained (pp. 509-515), as well as a list of all relics in the monastery and its chapels (pp. 519-556). The first part concludes with a site index (from the time period of the last additions).
Online Since: 12/14/2018
In this volume, written primarily in German, the St. Gall custos Fr. Kolumban Brändle (1720−1780) as author and compiler and Brother Gall Beerle (1734−1816) as scribe tell of the festivities that occurred on the occasion of the transfer of catacomb saints to the territory of the Princely Abbey of Saint Gall in the 18th century. The general introduction (fol. Vr – fol. VIIIr) is followed by sometimes extensive documentation about the transfers of Benedict to the Capuchin Convent of St. Scholastica in Rorschach in 1732 (fol. IXv−2v), of Justin to Gossau in 1743 (fol. 63v−68v), of Julian to the Capuchin Convent Notkersegg in 1748 (fol. 69v−77v), of Valentine to Goldach in 1761 (fol. 78v−129v), of Celestine to Waldkirch in 1763 (fol. 130v−167r), of Clementia to the Benedictine Convent of St. Wiborada in St. Georgen in 1769 (fol. 168v−226v), of Theodorus to Neu St. Johann in 1685 (fol. 228v−237r), of Placidus, Felicissimus, Victor, Prosper and Redempta to Neu St. Johann in 1689 (fol. 238v−246r), about the centenary of the transfer of Theodorus to Neu St. Johann in 1755 (fol. 247r−265r) and the centenary of the transfer of Marinus to Lichtensteig in 1757 (fol. 266v−291r), as well as about the transfer of Theodorus to Berneck in 1766 (fol. 292v−352v). These descriptions are accompanied by watercolor paintings of the catacomb saints dressed in festive garb. In addition the volume contains records, documents and reports about the authorization obtained from Rome to venerate Eusebius of Viktorsberg as a saint in the territory of the Princely Abbey of Saint Gall (fol. 3v−54v) as well as about the order of the Pancratius-procession in Wil in 1738 (fol. 55r−62v). The volume also contains a little-know ink sketch of Iberg Castle near Wattwil (fol. 238v).
Online Since: 09/26/2017
This collection of papers was compiled in 1785 by the custos of St. Gall Abbey, P. Ambrosius Epp (1572–1817). In several parts, it contains drawings, descriptions and inventories of part of the treasury of St. Gall Abbey (the so-called sacred liturgical objects), as well as documents related to them. Part 1 (pp. 1–157) includes pen and ink drawings of chalices, cruets, platters, coats of arms, candlesticks etc., also drawings of 4 altars. Part 2 (fol. 1–240, with an index on p. 161-166 of part 1) contains inventories of church treasure from the 17th and 18th century. Several inventories are undated, others are dated (to 1665, 1691, 1712, 1720, 1723, 1739 and 1781). Part 3 (fol. 1–104, with an index on fol. 242–244 of part 2) is a collection of documents regarding the earlier-mentioned objects — invoices, letters, diary entries, etc., mostly in chronological order. Part 4 (pp. 1–67 and fol. 68–95, with an index on fol. 107–110 of part 3) are handwritten and printed privileges and indulgences.
Online Since: 03/22/2018
Verbatim copy of Books I-III of the Alchemy Compendium Aureum Vellus oder Guldin Schatz und Kunstkammer printed in 1598/99 by Georg Straub in Rorschach. The woodcuts in the third part (Splendor Solis, pp. 219–270) are executed as colored watercolors and, except for a small number of differences, are copied exactly from the print version. A pen and wash drawing on p. 116 depicts Paracelsus.
Online Since: 12/14/2018
This large-format manuscript, which forms a unit with Cod. Sang. 1757, contains chants for the Mass – Proprium de tempore, Ordinarium missae (partially troped), Sequences and votive Masses - in German plainsong notation ("Hufnagelnotation") in a four line-system. Multiple pieces have been deleted and replaced with other pieces. Together with Cod. Sang. 1757, this codex presents the oldest systematic St. Gall records of sequences on a musical staff. Several pages have book decorations in the form of initials (several exquisite filled initials, some with gold leaf) and borders. Heavy decorative fittings with animal heads and mythical creatures. Until 1930, the manuscript was kept in the choir library (first of the St. Gall monastery, later of the St. Gall cathedral).
Online Since: 10/07/2013
Winter portion of a large-format antiphonary in two volumes (summer portion in Cod. Sang. 1760) for the Liturgy of the Hours of the monks of St. Gall, written around 1770 by the St. Gall monk Martin ab Yberg (1741−1777) and richly illustrated with small watercolor paintings surrounded by flowery rococo frames by Father Notker Grögle (1740−1816). This volume, decorated with especially splendid baroque brass fittings, contains the chants of the monks of St. Gall for the feasts of Jesus Christ and of the saints between the first Sunday of Advent and the Feast of the Ascension. It is divided into the parts Proprium de tempore (pp. 1−357), Proprium sanctorum (pp. 358−500) and Commune sanctorum (pp. 501−559). These are followed by suffrages and by antiphons and responsories for workdays (pp. 560−616). Chants for the feast days of the Archangel Gabriel and of St. Scholastica are added (pp. 617−626). The melodies are written in Gothic German plainsong notation (“Hufnagelnotation”) on five lines. This volume came to the Abbey Library from the choir library of St. Gallen Cathedral in 1930.
Online Since: 09/26/2017
Summer portion of a large-format antiphonary in two volumes (winter portion in Cod. Sang. 1759) for the Liturgy of the Hours of the monks of St. Gall, written in the year 1770 (chronogram in silver on the frontispiece) by the St. Gall monk Martin ab Yberg (1741−1777) and richly illustrated with small watercolor paintings surrounded by flowery rococo frames by Father Notker Grögle (1740−1816). This volume, decorated with splendid baroque brass fittings, contains the chants of the monks of St. Gall for the Liturgy of the Hours on feasts of Jesus Christ and of the saints between Pentecost and the last Sunday after Pentecost. It contains the parts Proprium de tempore (pp. 1−113), Proprium sanctorum (pp. 114−353) and Commune sanctorum (pp. 354−400). These are followed by suffrages and by antiphons and responsories for workdays (pp. 401−431). Chants for the feast days of St. Joachim and of the Archangel Raphael are added (pp. 432−440). The melodies are written in Gothic German plainsong notation (“Hufnagelnotation”) on five lines. This volume came to the Abbey Library from the choir library of St. Gallen Cathedral in 1930.
Online Since: 09/26/2017
Graduale de tempore, commissioned by Prince-Abbot Franz Gaisberg (1504–1529, coat of arms p. 1) and illuminated by the book illustrator Nikolaus Bertschi from Augsburg (initials, miniatures and borders with vine scrolls and animals). The banderole on p. 55, which ends with etc. 156, may give a (false) indication regarding the dating (1506 or 1516?). The chants for the Mass are written in German plainsong notation (“Hufnagelnotation”) on a five line staff. This codex is the largest of the St. Gall Abbey library's manuscripts. Originally it was even larger; for re-binding, the pages were severely trimmed, as can be discerned from the folded lower margin on p. 1 or from the trimmed border on p. 444. Binding with heavy fittings on a red velvet background.
Online Since: 06/22/2017
Winter part of a large-format antiphonary, written and decorated by Fr. David Schaller (1581–1636). The summer part is contained in Cod. Sang. 1769. In the beginning there is a calendar for January to April and for December (pp. 4-8), followed by the Proprium de tempore (pp. 9–285), the Proprium de sanctis (pp. 291–377) and the Commune sanctorum (pp. 387–451). The title page consists of a full-page miniature, which represents the Lactatio sancti Bernardi in the upper third, and in the lower third it shows Gallus and Otmar flanking the coat-of-arms of the Princely Abbey of St. Gall under Abbot Bernhard Müller (1594–1630). There are several large initials in gold leaf on colorful backgrounds decorated with vine scrolls and with borders in the margins (p. 9, 63, 109, 244, 291, 345 and 387). The melodies are written in German plainsong notation (“Hufnagelnotation”) on five lines.
Online Since: 12/12/2019
Psalter/Breviary for a Dominican women's convent. On pp. 1-12 it contains a calendar of saints with many female saints and several rare saints. The presence of saints from St. Gall and Constance suggests that the volume was created in the Diocese of Constance. On pp. 390-393 there are instructions for prayer in German. Noteworthy are thirteen miniatures and initials in gold leaf. This volume is from the convent of Dominican nuns of St. Katharina auf dem Nollenberg near Wuppenau (Thurgau); according to a note of ownership, it was the property of the convent at least since the 16th century. Since 1930 it has been a deposit of the episcopal library of St. Gall at the Abbey Library.
Online Since: 12/14/2018
Late medieval prayer book. The first part contains an incomplete Office of the Virgin (fol. 1r-45v) with variants for Advent and for the time period between Christmas and Candlemas (fol. 46r-51v), Absolutions, Benedictions, Orations and other short prayers (fol. 51v-68r). The Office of the Dead (fol. 69r-98v), including Vespers, Vigil, and prayers for the anniversaries of the deaths of priests, abbots and other deceased persons, is followed by prayers of indulgence (fol. 99r-111v). The beginning of the Office of the Virgin as well as possibly a calendar preceding it have been lost. The fact that the patron saints of St. Gall, St. Gall and St. Othmar (fol. 56r-56v; fol. 58r-58v), are the only saints mentioned other than Mary and St. Benedict suggests a provenience from the Monastery of St. Gall. The manuscript is written in Gothic script; it is decorated with numerous initials executed in gold leaf and with colorful vine scrolls in the margins of individual pages. The beginning of the Office of the Dead (fol. 69r) is adorned with a small miniature of a catafalque bordered by two Benedictine monks, one of which is holding a prayer book in his hands. The cut leather binding with the monogram S, created by a master whose name is unknown, is particularly noteworthy. The covers show the two Princes of the Apostles, Peter (front cover, with book and key) and Paul (back cover, with book and sword), surrounded by rich vine scroll ornamentation. The Abbey Library of St. Gall was able to acquire this manuscript in June 2006 at a Christie's auction in New York from the collection of the American brewer Cornelius J. Hauck (1893−1967) from Cincinnati (Ex Libris on the inside front cover).
Online Since: 09/23/2014
This vesperal in a distinguished binding was commissioned by Prince-Abbot Beda Angehrn (1767−1796); it was written in 1774 by Joseph Adam Bürke (chronogram with the name of the scribe on p. 92), an alumnus of the Gymnasium (preparatory school) of Neu St. Johann that was led by St. Gall monks, and richly illustrated by Father Notker Grögle (1740−1816). The volume contains the incipits of the chants for Vespers (antiphons and hymns), written in German plainsong notation (“Hufnagelnotation”) on five lines, for the feasts of Jesus Christ and of the saints for the entire liturgical year. It is divided into the parts Proprium de tempore (pp. 1−36), Proprium sanctorum (pp. 37−80) and Commune sanctorum (pp. 81−92). This manuscript was held in the choir library of St. Gallen Cathedral until 1989. Then it was transferred to the archives of the cathedral parish of St. Gall, and in 2014 it came to the Abbey Library of St. Gall. The volume, which consisted of 96 pages in 1774, was certainly used for the liturgy in the Cathedral of St. Gall until the 1930s. The mostly handwritten additions and supplements (after p. 97) date from the 19th century. Also glued and bound into the volume are texts from unspecified printed liturgical publications of the 19th and early 20th century. Noteworthy among the illustrations is the oldest pictorial depiction to date of the newly built “Gallusmünster”, today the Cathedral of St. Gall (p. 72). On the flyleaf is the finely drawn coat of arms of Prince-Abbot Beda Angehrn.
Online Since: 09/26/2017
This Engelberg codex, currently held in Carinthia, typifies the painstaking yet unostentatious method of manuscript production practiced under Abbot Frowin (1143-1178), to whom the volume is dedicated on 1r. At the beginnings of the primary texts are indications for planned initials (1v, 103v), or completed initials in red and black ink (2r), with incipits in red ink. Otherwise there is little book decoration other than a few decorative capitals (including the one at the beginning of the last text on 145r). The artful application of patches to damaged sections of the parchment, typical for Engelberg, is also evident (18, 59, 62, 141, 154).
Online Since: 07/04/2012
This manuscript, as yet almost unknown, contains an epistolary following the Ambrosian Rite. It was commissioned in 1342 by the priest Giacomo de Parazo for a church dedicated to St. Fermo not further identified. This manuscript probably reached Tesserete (Canton of Ticino), an area where the Ambrosian Rite was used, in the 15th/16th century; here it was taken apart and rebound, at which time was added a copy of a testament of dubious authenticity written in 1078 by Contessa from the city of Milan for the benefit of the church of S. Stefano in Tesserete. In the 17th century, the manuscript was the property of the Verdoni family of notaries; since the 20th century, it has been held by the parish of Tesserete. On the initial page, St. Ambrose, the patron saint of the diocese of Milan, is represented in an illuminated initial.
Online Since: 12/14/2017
This martirologio-inventario (an annal followed by an inventory of property) of the Church of S. Stefano in Torre in the Blenio Valley in Ticino, was written in 1568 at the request of the vicini (the original members of the municipal corporate body) of Torre and Grumo, in order to replace the older version. It contains the list of annuali, i.e., of the annual celebrations for the death days of deceased members of the Church, the inventory of movable and immovable property, of the monacharia and of the luminaria, that is, the requisites for illuminating the church. At the beginning of the manuscript there is a watercolor drawing of the church patron St. Stephen.
Online Since: 12/13/2013
This martirologio-inventario (an annal followed by an inventory of property) of the Church of S. Stefano in Torre in the Blenio Valley inTicino, was written in 1639 at the request of the vicini (the original members of the municipal corporate body) of Torre and Grumo, in order to replace the 1569 copy, which was not up to date. It contains a description of the old church of S. Stefano before its reconstruction during the baroque period; the list of furnishings, of liturgical vestments, and of gold items in the church treasury; the list of annuali, i.e., of the annual celebrations for the death days of deceased members of the Church; and the church revenues. At the beginning of the manuscript there is a partially gilded drawing of the church patron St. Stephen.
Online Since: 12/13/2013
The design concept of this manuscript, both the text and the execution, typify the Parisian 'Horae' tradition of the early 15th century ('Boucicaut-Meister'). The top-level organizational elements in the book's decorative program are seven pages decorated with miniatures; multi-line colorful initials mark the secondary textual divisions. The extremely squared illustrations on the decorated pages include scenes with figures enclosed on three sides by staffs entwined by tendrils with decorative gold, red and blue thorny leaves which completely fill the broad parchment margin. Four lines of text, introduced by a large colorful initial, are inserted between the illustration and the lower decorative staff. The beginning of each of the various offices is marked with such an ornamental page. This book of hours is not only the oldest item in the Carl Meyer collection in the Cantonal Library of Appenzell Ausserrhoden, it is one of its best and most valuable items. It is not know who originally commissioned the manuscript.
Online Since: 05/20/2009
The layperson who commissioned this book of hours is not known by name, but left definite personal traces on the book: he had a full page portrait miniature of himself painted on Fol. 11v, kneeling and accompanied by a coat of arms. The presence of such a prominent portrait of the benefactor indicates considerable ambition on the part of the book's commissioner, who was probably a member of the merchant class. In addition, the portrait was painted by a more talented artist than the other miniatures in the manuscript, which are made in the style of woodcuts. The book of hours could have been intended for use in eastern France. Stylistically, the work displays a provincial character.
Online Since: 05/20/2009
This book of hours is patterned after the liturgical format of the Parisian 'Horae'. It differs, however, in its richer, yet qualitatively narrower range of illustrations: each of the Gospel selections is accompanied by a portrait of its author, and the Marian Office by a complete cycle illustrating the childhood of Jesus. The artist's indirect reception of the originals by the well known Paris illuminator, via a series of intermediate steps, displays numerous misunderstandings or intentional revisions. To the modern eye, accustomed to modern aesthetic norms, the shallow fields, bold juxtaposition of colors, and extremely foreshortened perspective used in these illustrations come across as expressive and inventive. The commissioner of the work is unknown.
Online Since: 06/08/2009
The origin of this manuscript in the northern French-Flemish border region can be determined from its liturgical features, its leather binding with stamped designs and the inscription Robiers Plovrins as well as by a comparison with stylistically similar manuscripts. Another book of hours illustrated by the same artist is held at Claremont near Berkeley, California (USA). This exemplar is a somewhat cruder imitation of the style of scribe and book illustrator Jean Markant, who was quite popular around 1500 in Lille. The commissioner of this volume is unknown.
Online Since: 06/08/2009
This book of hours with a tall, narrow format is a true pocket book, and the framing of the miniatures with architectural elements, crowned volutes, putti, and garlands displays a definite Renaissance influence. The book is illustrated with 16 full-page illuminations and 21 smaller, simpler miniatures by a different artist. One of the full-page illustrations shows the coat of arms of the person who commissioned the book: he was a certain Michel de Champrond (d. August 1, 1539), Lord of Ollé, Advisor and Paymaster of the King. This would indicate that a well-to-do personage, not of noble birth, but part of the court circle, had an elaborate, richly decorated and partially customized prayer book made by a middle quality manuscript workshop as late as the 1530s, when printed Books of hours were already widely available.
Online Since: 06/08/2009
This highly unusual textual object contains three pastiches of cut-out colored initials and twelve Flemish miniatures from the second half of the 16th century, glued to newer parchment pages and outlined during the 19th century, such that the composite images are presented as if they were painted on a single, matted page. The miniatures were taken from a personal prayer book that belonged to Anne of Cleves (1515-1557).
Online Since: 07/31/2007
Paper manuscript setting forth moral and social wrongdoings by means of illustrations of stories from biblical, classical and medieval history as well as of contemporary works about manners and social customs. In the lower third of each page is a proverb in rhyme calling to mind the Christian virtue that forms a counterpoint to the moral wrong depicted.
Online Since: 04/26/2007
This paper manuscript – a Liber Amicorum for Ladislaus von Törring – contains 49 deptictions of costumes and four of coats-of-arms: all are high quality watercolors and probably all are by the same hand. The costumes mostly show high-ranking persons, mainly from France (Paris), Spain and Veneto. Means of transport, such as ships and carriages, from the same time period are also depicted. Some of the people pictured are identified by captions in French and Italian. Aphorisms and dedications, mostly in Latin, are added on seven pages. The dedicatee is Ladislaus von Törring (1566-1638), Baron in Stein and Pertenstein, Rector of the University of Ingolstadt, a relative of the Bavarian royal family.
Online Since: 03/19/2020
Album with depictions of members of the Zellweger family of textile merchants from Trogen, with biographical texts on the male representatives of the family. From the early modern era until the middle of the 19th century, the Zellwegers shaped the economy and politics of Appenzell Ausserrhoden. Victor Eugen Zellweger, the author of these texts, saw to the reproduction of family-owned paintings, drawings and prints, making use of the most modern techniques of photography. For the calligraphic design and illustration of the 3-volume work, he engaged the illustrator Salomon Schlatter from St. Gall.
Online Since: 03/29/2019
Album with depictions of members of the Zellweger family of textile merchants from Trogen, with biographical texts on the male representatives of the family. From the early modern era until the middle of the 19th century, the Zellwegers shaped the economy and politics of Appenzell Ausserrhoden. Victor Eugen Zellweger, the author of these texts, saw to the reproduction of family-owned paintings, drawings and prints, making use of the most modern techniques of photography. For the calligraphic design and illustration of the 3-volume work, he engaged the illustrator Salomon Schlatter from St. Gall.
Online Since: 03/29/2019
Album with depictions of members of the Zellweger family of textile merchants from Trogen, with biographical texts on the male representatives of the family. From the early modern era until the middle of the 19th century, the Zellwegers shaped the economy and politics of Appenzell Ausserrhoden. Victor Eugen Zellweger, the author of these texts, saw to the reproduction of family-owned paintings, drawings and prints, making use of the most modern techniques of photography. For the calligraphic design and illustration of the 3-volume work, he engaged the illustrator Salomon Schlatter from St. Gall.
Online Since: 03/29/2019
Chronicle of Appenzell by Bartholomäus Anhorn (1566-1640, 1623-1626 priest in Speicher, 1626-1640 parish priest in Gais both in Appenzell Ausserrhoden). The manuscript describes events from the history of the undivided canton of Appenzell and the canton of Appenzell Ausserrhoden (Outer Rhodes), created in 1597, with special emphasis on the Reformation and the Counter-Reformation.
Online Since: 12/20/2012
Collection of drawings of flags captured as booty, as well as Appenzell stained glas heraldic panels, landscapes and buildings from the 17th and 18th centuries, created by the illustrator Johann Ulrich Fitzi, with commentary by the historiographer and commissioner of the work, Johann Caspar Zellweger.
Online Since: 12/13/2013
Three volumes of scientific treatises by Johann Georg Schläpfer on historical, biological, geological, medical and philosophical topics as well as several drawings and watercolors of landscapes, plants, animals and anatomical specimens, made by Johann Ulrich Fitzi.
Online Since: 04/09/2014
Three volumes of scientific treatises by Johann Georg Schläpfer on historical, biological, geological, medical and philosophical topics as well as several drawings and watercolors of landscapes, plants, animals and anatomical specimens, made by Johann Ulrich Fitzi.
Online Since: 04/09/2014
Three volumes of scientific treatises by Johann Georg Schläpfer on historical, biological, geological, medical and philosophical topics as well as several drawings and watercolors of landscapes, plants, animals and anatomical specimens, made by Johann Ulrich Fitzi.
Online Since: 04/09/2014
According to the colophon at the end of the Gospel of John, this copy was completed by Ibrāhīm ibn Būluṣ ibn Dāwūd al-Ḥalabī in Cairo. It is written in a clear nasḫī script; the illustrations, provided by the Aleppo illustrator and icon-painter Ğirğis bin Ḥanāniyā, portray the four Evangelists, Matthew, Mark, Luke and John, as well as 43 scenes from the life of Jesus. The Arabic title, "This book is the holy, pure Gospel and the illuminating, shining light", is given at the end of the Gospel of John. This codex is currently on long-term loan from the Pandeli family to the library of St. Gall Abbey.
Online Since: 11/03/2009
Liturgical manuscript (Sharaknots), written by the copyist Awetis in Khizan in the province Van in the year 1647 (1096 according to the Armenian calendar). It contains 11 large miniatures and 28 miniatures in the margins, executed and signed by the painter Yovanes Gharietsi. He was one of the most fascinating artists of the late School of Vaspurakan. The manuscript is part of certain hymnals, created for private customers in the region of Lake Van and characterized by bright colors and interlace ornamentation. The manuscript features the Armenian Khaz-notation. The text contains the collection of hymns in use in the Armenian Church, in the same order as in a Hymnarium printed as a first edition in Amsterdam in the year 1664. Three more hymnals of this type, also the result of the collaboration of these two artists, are known: two in Jerusalem and one in Jerewan. Attached in the beginning and at the end are two sheets of parchment containing a part of the Proprium de Sanctis from a Latin breviary from the 13th/14th century.
Online Since: 04/23/2013
A book of hours following the liturgical custom of Rome in Latin, with a calendar in French and a selection of saints venerated in Paris. It contains 17 miniatures created in Paris around 1408/10 in the artistic circle of the Master of Boucicaut, one of the most influential illuminators of the early 15th century. The Master of the Mazarine contributed to the ornamentation, as did pseudo-Jacquemart, who belongs to an older generation of artists and whose contribution can be recognized in the famous Books of Hours of the Duke of Berry. The image of David was painted on an inserted double leaf; it can be attributed to a follower of the artist who illuminated the Breviary of John the Fearless.
Online Since: 12/20/2012
A book of hours in Latin and French, written in the second quarter of the 15th century in Paris, but not illuminated until 1490 in Paris or perhaps in Tours by various artists who shared the work. Two miniatures as well as the decoration of the calendar and of the Office of the Dead are the work of an artist from the circle of the Maître François, a close collaborator of the Master of Jacques of Besançon, who honors Notre-Dame in a veduta of the city of Paris (f. 93r). The luminous colors and the monumental forms of the other miniatures attest to the influence of Jean Bourdichon of Tours. This artist can probably be considered responsible for the Master of the Chronique Scandaleuse, who, during the creation of this manuscript, was still working under the guidance of Jean Bourdichon.
Online Since: 12/20/2012
A book of hours following the liturgical custom of Rome, with a calendar in French. The miniatures are framed by borders decorated with plants that were executed with great botanical precision. This examplar from the late period of the French Book of hours, preserved in its entirety, was illuminated by an important master from this late phase of French book illumination. He was influenced by the Master of Claude de France und was recently identified as the Master of the Lallemant-Boethius. In the small pictures on the borders, he tries to compete with Jean Bourdichon, who introduced realistic flower borders in the marginal decoration of Anne of Brittany's Grandes Heures and in other major works. The Master of the Lallemant-Boethius is also guided by Flemish book illumination of his time. On f. 1r one can read the name of Agnès le Dieu, the owner of the codex in the year 1605.
Online Since: 12/20/2012
A book of hours following the liturgical custom of Rome, with a calendar containing a selection of saints for Langres. The manuscript was illuminated and dated in 1524 by a Master of Bénigne Serre, who was known by the name of his client, a highly-ranked official of the King of Burgundy. The artist was a hitherto unknown illuminator from the circle of the “1520s The Hours Workshop,” which framed the miniatures with Renaissance architecture or added naturalistic flowers and animals to borders. This manuscript contains a number of unusual images, e.g., for the Lauds of the Office of the Virgin, the meeting of Joachim and Anna at the city gate of Jerusalem replaces the usual image of the Visitation. In the 18th century, the manuscript was owned by the family Bretagne of Dijon, whose family members wrote a „Livre de raison“ on several appended pages.
Online Since: 12/20/2012
Two artists, active around 1440/50, contributed to the decorations of this book of hours: the older one, who created only the three miniatures on f. 13v, 105v and 140v, is part of the “Goldrankenstil,” while the younger one is characterized by greater physicality and more vibrant coloring because he was influenced by the innovations of the contemporary painting of the van Eyck brothers. This second artist is responsible for the completion of the Turin-Milan Hours in the year 1440 and also contributed to the Llangattock Book of hours. In 1813 the manuscript was given to the prioress of the Cloister of the Bernardine Sisters of Oudenaarde by the Prince of Broglie.
Online Since: 12/20/2012
A book of hours following the liturgical custom of Rome, with a calendar for the use in Poitiers. All main miniatures are by the Master of Poitiers 30, whose name is derived from two of the miniatures he created in a missal for use in Poitiers, which is kept in the local city library. Earlier he was known by the name Master of Adelaide of Savoy, for whom he created the book of hours Ms. 76 in the Condé Museum in Chantilly. He belonged to the circle of the Master of Jouvenel des Ursins, but was most active in Poitiers, where he influenced later local book illumination.
Online Since: 12/20/2012
A latin book of hours with calendar, containing a selection of saints for Paris as well as several French prayers. At the end of the book, there are tables for the changing holidays beginning with the year 1640; thus it can be assumed that the manuscript was completet around this time. The majority of the miniatures are by the Master of Coëtivy, who presumably also created all compositions and thus also the preliminary drawings. The hand of a second illuminator, who can be identified as the Master of Dreux Budé, is found in the faces of Mary in the image of the birth of Jesus (f. 83v), the Adoration of the Magi (f. 92v) and the Coronation of the Virgin (f. 107r).
Online Since: 12/20/2012